
Podcasting from the Horrored Halls of Academia
| Publishes | Monthly | Episodes | 198 | Founded | 13 years ago |
|---|---|---|---|---|---|
| Number of Listeners | Category | Society & Culture | |||

Andrea and Alex investigate the mysterious happenings in Stuart Gordon’s foray into the dark side of academia and science fiction in his first feature. Through the modernized adaptation of H.P. Lovecraft’s tales, they’ll uncover how class, opportunit... more
Behind the door of a seemingly normal American home lies something evil. Something that’s been waiting. No, it’s not a demon – it’s a heteronormative relationship with a total douchebag!
Join Alex and Andrea for a dive into the murky waters of demo... more
Wes Craven’s first feature continues to draw audiences and critics to it. By examining the production, reception, and impact of The Last House on the Left, Andrea and Alex will investigate the legacy of the rape-revenge subgenre and our evolving unde... more
This month, we’ve summoned friend of the show (and verified Lynch stan) Stacie Ponder to join us as we wander aimlessly into the surrealist nightmare of David Lynch’s mind. Through an exploration of his first film Eraserhead, we’ll investigate one of... more
People also subscribe to these shows.





Come for the analysis. Stay for the belch blooper reel.
Rough production, decent content. Use a noise gate before compression. The breathing and gasping noises are unbearable.
The show is not meant for people who actually had any graduate level education so it ends up being a show for those who lacks in any academic training but wants to feel a little pretentious. Not meant for those who even took Film Studies 101.
You don’t have to talk about the president so much I think we get it:(
Made it about 20 minutes into their review of The Brood (one of my favourite Cronenberg movies) before I had to nope out as one of the presenters gushed over the attractiveness of the killer of UnitedHealthcare’s CEO.
Up until then I had genuinely thought people were only willing to express such beliefs anonymously via social media.
V disappointing.
Key themes from listener reviews, highlighting what works and what could be improved about the show.
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #141 |
Listeners, social reach, demographics and more for this podcast.
| Listeners per Episode | Gender Skew | Location | |||
|---|---|---|---|---|---|
| Interests | Professions | Age Range | |||
| Household Income | Social Media Reach | ||||
A sharp, analytical show that treats horror through cultural and sociopolitical lenses, with deep dives into film history, productioncontext, and meaningful themes. Episodes frequently connect genre works to broader issues like racism, gender, sexuality, power, and media culture, while weaving in behind-the-scenes anecdotes and scholarly framing. Listeners can expect rigorous critique delivered with wit and a dose of academia, plus community-driven moments such as charity merch or discussions that illuminate how horror reflects and shapes society. A standout aspect is the blend of scholarly insight with accessible discussion, offering both cinephiles and curious newcomers thoughtful pathways into why horror endures and evolves.
Noteworthy ... more
Rephonic provides a wide range of podcast stats for Faculty of Horror. We scanned the web and collated all of the information that we could find in our comprehensive podcast database. See how many people listen to Faculty of Horror and access YouTube viewership numbers, download stats, audience demographics, chart rankings, ratings, reviews and more.
Rephonic provides a full set of podcast information for three million podcasts, including the number of listeners. View further listenership figures for Faculty of Horror, including podcast download numbers and subscriber numbers, so you can make better decisions about which podcasts to sponsor or be a guest on. You will need to upgrade your account to access this premium data.
Rephonic provides comprehensive predictive audience data for Faculty of Horror, including gender skew, age, country, political leaning, income, professions, education level, and interests. You can access these listener demographics by upgrading your account.
To see how many followers or subscribers Faculty of Horror has on Spotify and other platforms such as Castbox and Podcast Addict, simply upgrade your account. You'll also find viewership figures for their YouTube channel if they have one.
These podcasts share a similar audience with Faculty of Horror:
1. The Evolution of Horror
2. Horror Queers
3. Colors of the Dark
4. Final Girl After Dark
5. Nightmare on Film Street - A Horror Movie Podcast
Faculty of Horror launched 13 years ago and published 198 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
Our systems regularly scour the web to find email addresses and social media links for this podcast. We scanned the web and collated all of the contact information that we could find in our podcast database. But in the unlikely event that you can't find what you're looking for, our concierge service lets you request our research team to source better contacts for you.
Rephonic pulls ratings and reviews for Faculty of Horror from multiple sources, including Spotify, Apple Podcasts, Castbox, and Podcast Addict.
View all the reviews in one place instead of visiting each platform individually and use this information to decide if a show is worth pitching or not.
Rephonic provides full transcripts for episodes of Faculty of Horror. Search within each transcript for your keywords, whether they be topics, brands or people, and figure out if it's worth pitching as a guest or sponsor. You can even set-up alerts to get notified when your keywords are mentioned.
Recent guests on Faculty of Horror include:
1. Stacie Ponder
2. Kathy Najimy
To view more recent guests and their details, simply upgrade your Rephonic account. You'll also get access to a typical guest profile to help you decide if the show is worth pitching.