岁末,正值二十世代的最后几年,即将奔向30岁的我们,对时间的流逝异常敏感,也异常茫然。我们不禁会想,在所有曾经拯救过我们的文学作品中,有哪一部可以给予我们抵御衰老、抵御恐惧的力量?那部作品就是《追忆似水年华》。
近年,“中女”似乎成为台剧等文艺领域的关注焦点,中年女性真实生活的肌理在大众面前展开,那是一个褪去了粉色泡泡,却更加异彩纷呈的世界:Not pure, but charming. 但,中女崇拜也可能是另一场骗局。抛开社交媒体上 “30 岁才真正做自己” 等营销话术,走向中女阶段的我们,... more
这期节目,我们从台湾文艺的“父与子”聊起,聊一聊台湾从“乡土文学运动”到“内向世代”,从戒严时期到解严之后(1950S-1990S),两代人生活的流变、文艺创作脉络的更迭,以及社会氛围与历史语境的变幻。
从黄春明、陈映真,到侯孝贤、杨德昌,到黄国峻、袁哲生、童伟格;从奋勇抗争的乡土父辈,到自我沉溺、自我毁灭的内向世代,同在一个屋檐下如此亲密的两代人,为何会有如此不同的精神质地?其中的历史语境之演变又是怎样的?
2000年前后,“天才子辈”们的集体性自缢,又是否宣告着台湾文学交接棒的传递失败?... more
2024年12月初的一场荒诞戒严,让韩国再次成为全球聚焦对象。在首尔的冬夜街头,女性深刻参与其中的应援式抗议焕发出奇妙的生命力。走入文学,2024年诺贝尔文学奖得主韩江的两本小说都与韩国历史上的戒严有关,金爱烂、郑宝拉、赵南柱等近年被引介到中国的“韩女作家”的写作也时时刻刻叩问着韩国社会的深层矛盾。在泛文艺的语境下,韩国人如何诠释疼痛和疯狂?钢筋水泥的压抑中,韩国人如何在羁绊中寻找希望?穿越历史和当下,关于韩国的刻板印象,其来由和真相是什么?本期《靠北靠母》回到文艺和政治,试图走进我们的东亚邻居... more
今年9月,电影《富都青年》终于“登陆”上映。电影由马来西亚导演王礼霖指导、编剧,台湾演员吴慷仁和大马演员陈泽耀主演,聚焦吉隆坡外劳区富都(Pudu)的无国籍人士生态。并不完美的电影在马来西亚电影工业语境下却是难得的佳作。吴慷仁有口皆碑的演技“无声胜有声”,而电影勾勒出来的族群混杂、多元碰撞的马来西亚社会同样令人印象深刻。令人目不暇接的多元文化让马来西亚以Truly Asia(“真正的亚洲”)自居,但这个国家和社会却有着太多的隔阂、离散和不甘愿。本期《靠北靠母》从电影出发,讨论马来西亚的社会、族群... more
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靠北靠母 launched a year ago and published 5 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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