
動畫、遊戲、視覺特效的幕後真相,一次說給你聽! 產業知識|職場內幕|作品集攻略 最實用的業界乾貨,帶你快速入行! -- 有什麼問題想問《夢想方舟》嗎? 提問&合作邀約:cgark@taic.info ➡ 夢想方舟FB:www.facebook.com/cgarkacademy/ ➡ 夢想方舟IG:www.instagram.com/cgark_academy Powered by Firstory Hosting
| Publishes | Twice monthly | Episodes | 6 | Founded | a year ago |
|---|---|---|---|---|---|
| Language | Categories | DesignEducationArtsSelf-Improvement | |||

終於把遊戲帶出國了!好不容易來到BitSummit,但怎麼說服別人投資我的遊戲啊?
本集舟舟行家:
❶ 青蛙(海溝遊戲 主程式)
❷ 鯊莉(葉開罐工作室 掌門人)
➌ 傑瑞(Detour Game Club)
TALK重點:
• 參加放視大賞下一步就是出國耶
• 亞洲最大獨立遊戲展BitSummit跟想像中一樣嗎?
• 出國參展要帶......
• 發行商pitch長怎樣?要說什麼話
留言告訴我你對這一集的想法: open.firstory.me/user... more
你以為做電影特效就是炫光特效、爆炸畫面?
其實更多是——信任、革命情感,還有讓國片水準對齊國際的使命
本集舟舟行家:
❶ 郭憲聰(再現影像 視覺特效總監)
❷ 嚴振欽(罡風 視覺特效總監)
TALK重點:
🎬 如何從學生時期一路拼到視效總監
🎬 電影視覺特效的完整工作流程公開
🎬 非本科、自學也能闖出一片天!誰適合做VFX?
🎬 面試最看重的:作品集+鏡頭拆解+個性與團隊感
🎬 公司怎麼訓練新手artist?
🎬 如何掌握業界最新趨勢與技術
🎬 ... more
本集舟舟行家:
❶ 吳宗翰(唯晶科技 美術總監)
❷ 廖珮蓉(雷亞遊戲 美術中心主任)
TALK重點:
• 如何讓興趣成為工作
• 3D與2D遊戲的美術pipeline一樣嗎?
• 分子料理的視覺表現也可以成為靈感!
• 美優先於術:內建的美感可以支撐你走多遠
• 團隊合作能力重於創作者的本心
• 遊戲美術的加分特質
• 接外包培養與客戶對話力
• 如何精準準備作品集?
聽完本集也想往遊戲產業發展嗎?
2025放視大賞找工作專區|www.dcaward-v... more
舟舟行家:
王彥凱 Tony(泥巴娛樂 創意長)
TALK重點:
• 遊戲開發 = 創意 + 商業 + 技術? 開發者如何在這三者間取得平衡?
• 遊戲不是單純的娛樂,如何打造讓玩家沉浸其中的體驗?
• 什麼樣的設計能讓玩家玩了還想再玩?
• 如何創造「有機的世界」? 讓遊戲的世界觀不只是劇情,而是可被玩家「體驗」
• 遊戲公司的期待 & 作品集準備攻略,新鮮人如何進入遊戲產業?
• 遊戲開發的現實 vs. 理想——獨立製作與商業專案的取捨
• 開發者的職涯與生活平衡,如何在熱... more
舟舟行家:
❶ 哈利 Harry(夢想動畫 廣告部部長/監製)
❷ Sid (猴子)(COMPUTERFACE 康普非司 創辦人/總監)
TALK重點:
• 商業案不只是「代工」,如何在產品動畫中展現創意?
• 理解客戶需求,如何用設計顛覆客戶的想像?
• 商業動畫的製作流程、專案團隊如何運作?
• 產品動畫的未來趨勢:短影音、AI與高品質作品的發展
• 作品集該怎麼準備?如何讓企業願意錄用新鮮人?
• PM 在動畫產業中的角色與市場需求
• 作為創作者,如何在工作與生活之... more
舟舟行家:
❶ 吳至正(動畫特效協會副理事長 /羊王創映製作人)
❷ 吳旻書(大葉大學多媒體數位內容學程老師)
TALK重點:
• 做動畫不能只靠熱情,使命感才能做更久
• 初階技術需要打底,基礎好才能更進階
• 「技術做精細」與「開創新風格」兩種人都同樣重要
• 多媒體動畫出路意外超多元?
• AI是毒還是藥?
• 雞婆的人適合當動畫PM
• 找出自己的屬性,花時間鍛鍊
• 作品集精準對焦,別亂槍打鳥
--
有什麼問題想問《夢想方舟》嗎?
提問&合作邀... more










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