On TAP is a three-headed, freewheeling conversation about topics of current interest to graduate students, professors, independent scholars, and all those interested in academic Theatre and Performance Studies. Each edition features established scholars in Theatre and Performance Studies chatting about several topics of field-wide interest, including trends in ideas and scholarly methods, pedagogy... more
Publishes | Monthly | Episodes | 78 | Founded | 8 years ago |
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Category | Education |
Pannill, Brian, and Shayoni discuss Alisa Zhulina's new book, Theater of Capital, the Wilma Theatre's production of My Mama and the Full-Scale Invasion by Sasha Denisova, and the 10th anniversary convening of the Latinx Theatre Commons.
Pannill, Leticia, and Miriam discuss Suhaila Meera's article about "Little Amal," the large scale puppet drawing attention to the plight of displaced children, the trend toward earlier curtain times for theatre, and Faye Driscoll's dance performance ... more
Pannill and Brian discuss Eric Mayer-Garcia's recent article, "Theorizing Performance Archives through the Critic's Labor," Alexis Soloski's novel Here in the Dark, and the 2024 musical film Mean Girls.
Pannill, Miriam, and Shayoni discuss Rustom Bharucha's recent book, The Second Wave, about cultural responses to the pandemic, speech and protest on campus regarding the war in Israel and Gaza, and the essay Decomposition Instead of Collapse - Dear T... more
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Harvey, Sarah, and Pannill (and their many guests) are smart, informed, and generous in their discussions of the field. I'm always excited to see that another podcast has come out and have been recruiting student listeners as well. Thanks for all the work that you do to bring the types of conversations that happen at conferences, in classrooms, and in journals to the podcast world as well!
Thank you three for your work and time.
Have you ever wondered what it would be like to sit at a bar with a performance theorist, or three? Or maybe you miss that experience when not at conferences? Luckily for us all, more
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