
据创作笔记可知,《天人五衰》第二十九、三十章的细腻的风景描写,几乎是原模原样地使用了作者昭和四十五年夏天采访旅行时留下的笔记。《天人五衰》与其他三卷相比字数要少,出场人物的性格刻画略显粗糙。对于三岛氏死后发表的这《丰饶之海》的末卷,读者感到奇怪的大概是,八十岁本多临终时的眼睛映照的从京都到奈良、从奈良到带解的驱车路线,以及从月修寺(其原型是实际存在的圆照寺)门前开始不行爬上斜坡到达玄关时、炎炎烈日下的细致入微的风景描写。
十六年前,三岛氏这样写道:“那破坏后的颓废,那与死比邻而居的怪异之生,正是夏天。夏天是绚烂的腐败与新生的季节。昭和二十年到二十二、二十三年之间,我感觉盛夏一直在持续。那是一段凶暴无比的抒情时光。”
《天人五衰》中的最后一个夏天,虽然不是绚烂的抒情之下,但他终究是终结之夏,它寂静无声,充斥着灾难来临时的沉默,它是不管三岛氏如何努力都没能脱离的永恒之夏。这亦即所谓三岛文学的最... more
| Publishes | Daily | Episodes | 41 | Founded | 3 years ago |
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Apple Podcasts | #189 |










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