We C Classical
Winnie and Cindy你是否覺得古典樂是一道聽不懂、跨不過的牆？那些冗長的人名、複雜的樂理，總讓你聽了就想睡？歡迎來到**《We C Classical》**！在這裡，古典樂不是遙遠的古董，而是充滿故事、色彩與情感的聲音宇宙。「We C」是主持人 Winnie 和 Cindy，同時也代表 We See——我們相信，欣賞古典樂不該只是「聽」，更要用耳朵「看見」樂曲背後的世界。我們是兩位愛音樂也愛聊天的老師，將用最輕鬆的對談、最有趣的故事、最貼近生活的角度，破解你對古典樂的刻板印象。我們不談艱澀的樂理，只聊音樂裡的喜怒哀樂。
| Publishes | Twice weekly | Episodes | 15 | Founded | 3 months ago |
|---|---|---|---|---|---|
| Language |  Korean | Number of Listeners | Category | Music |
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Latest Episodes
在本集〖We C Classical〗中，我們以《綻放與永恆——克林姆的金色花園，從畫布到音樂的百年回聲》為題，帶領聽眾走進一座跨越世紀的藝術花園。節目首先聚焦於臺北正在展出的《綻放：維也納美景宮百年花繪名作展》，並連結克林姆《伊莉莎白・勒德勒肖像》創下拍賣史第二高價的國際新聞，重新思考花卉、女性與金色在藝術史中的深層意義。
隨後，節目以四首經典花卉音樂展開聆聽之旅——Heinrich Wilhelm Ernst 的〈The Last Rose of Summer〉、德利布歌劇《拉克美》的〈花... more
在這一集《We C Classical》，我們邀請到一位擁有多重身分、也長期深耕音樂教育現場的重要來賓——
陽光台北交響樂團音樂總監 孫愛光博士。
孫老師不只是指揮家與鋼琴老師，同時也是一位母親，更是陽光台北交響樂團、陽光台北青少年管弦樂團、陽光向日葵少年弦樂團的創辦人與靈魂人物。多年來，她以「讓孩子在音樂中成長」為核心理念，為無數家庭打造一條結合專業、溫度與想像力的音樂之路。
本集節目中，我們將和孫老師聊聊她的求學歷程與職業生涯，談她如何在不同身分之間取得平衡，也談她為什麼選擇用「童話故事... more
1850 年的巴黎，一首作品在音樂廳中獲得熱烈回響，也為一位女性作曲家的人生寫下重要轉折。
她的名字是 Louise Farrenc——一位長期被歷史忽略，卻在十九世紀法國音樂世界中默默奠定根基的重要人物。
在 Farrenc 逝世 150 週年 的今年，《We C Classical》特別以她的作品為線索，回望這位女性作曲家的音樂旅程。
從鋼琴家的出身、練習曲與教學理念的建立，到室內樂與交響作品的成熟發展，Farrenc 的創作始終展現出對結構、音色與音樂理性的高度掌握。
節目中，我們將帶... more
本集 我們把焦點從蕭邦大賽舞台延伸到十九世紀最耀眼的兩位鋼琴家：Frédéric Chopin 與 Franz Liszt。
一位是鋼琴的詩人，一位是鋼琴的魔法師；
他們的音樂，是彼此的挑戰，也是彼此的靈感來源。
本集帶你暢遊他們的世界——
● Chopin 的詩意練習曲：從 Op.10-3〈別離〉談到他的觸鍵、呼吸與對音色的執著。
● Liszt 的超技美學：從《Mazeppa》的狂奔，到《La Campanella》的鐘聲精靈。
● 兩位天才如何用不同的方式定義「鋼琴技巧」。
● 那段傳說... more
Chart Rankings
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #238 |  Taiwan/Music |
Audience Metrics
Listeners, social reach, demographics and more for this podcast.
| Listeners per Episode | Gender Skew | Location | |||
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| Interests | Professions | Age Range | |||
| Household Income | Social Media Reach | ||||
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We C Classical launched 3 months ago and published 15 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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