Shout! Black Gospel Music Moments
UnknownAuthor and Baylor University professor Robert Darden tells stories - and plays recordings - from the Baylor University Libraries' Black Gospel Music Restoration Project in an on-going weekly series of two-minute segments. Shout! Black Gospel Music Moments explores the distinctly African-American sound of the "Golden Age of Gospel" (1945-1975). The series celebrates this fertile musical period in A... more
| Publishes | Weekly | Episodes | 37 | Founded | 8 years ago |
|---|---|---|---|---|---|
| Number of Listeners | Category | Music | |||
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Latest Episodes
Jessy Dixon’s long career included one album produced and recorded with Andrae Crouch, It’s All Right Now.
The teen-age COGICs’ “It Will Never Lose Its Power” is the earliest recording of Andrae Crouch’s beloved “The Blood (Will Never Lose Its Power.”
One of the most irresistible songs in all of gospel music is the Golden Gate Quartet’s a cappella rendition of the story of Daniel in the lion’s den – “Shadrack.”
You’ve never heard Bob Dylan’s masterful “I Shall Be Released” until you’ve heard it sung by Robert Blair and the Violinaires of Chicago.
James Herndon was one of the top composers and pianists during gospel’s Golden Age and responsible for such upbeat classic hits as “No Courage Soldier” from 1968.
During the mid-1980s, the Golden Wings of Atlanta sang silky smooth gospel with songs like “Jesus Will Make Everything All Right.”
Blind street-corner singer the Rev. Pearlie Brown’s haunting rendition of the old spiritual “Keep Your Lamp Trimmed and Burning” is a powerful glimpse into our musical past.
The Gospel All-Stars’ “It’s Me, Oh Lord,” is one of the earliest recordings of gospel legend James Cleveland.
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| Listeners per Episode | Gender Skew | Engagement Score | |||
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| Primary Location | Social Media Reach | ||||
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