「向世界讲好中国故事」,关注娱乐与商业的交叉点。影视、游戏、动漫、音乐、乐园、IP… 关心与内容和娱乐相关的一切。若你想了解娱乐商业故事,或是关心该领域的商科生/文娱人,欢迎与我们一起探索更多可能。
Publishes | Monthly | Episodes | 48 | Founded | 2 years ago |
---|---|---|---|---|---|
Language | Number of Listeners | Categories | BusinessSociety & Culture |
如何定义“爆剧”?在剧集行业备受挑战的当下,“爆剧”的数据问题是平台方、制片方、粉丝、广告主都最为关注的话题。毕竟,平台要靠数据来发战报,制片方要靠数据谋生存,粉丝要靠数据吹实绩,广告主要靠数据搞汇报,数据真的很重要!
但问题是,内娱三大平台爱优腾在统计和定义爆款剧数据的时候,总是有着各自不同的口径,让你永远隔层纱、看不到真实的播出数据。虽然行业内也有各色“第三方平台”给出各类看似公允的“去水”剧集排行榜、收视率监测,但他们是否真的“去水”呢?他们又是怎样“去水”的呢?如果你仔细思考这些问题,... more
团播是不是选秀平替?团播的爆火仅仅是因为选秀殉了、但需求还在吗?选秀既然已经殉了,监管会盯上团播吗?选秀当年到底是怎么殉的、真的只是因为倒奶吗?带着这些问题,每天刷抖音都会被扫腿舞直播触达到的主播小瑜,和专业研究过选秀和清朗行动的前长视频平台战略负责人小优老师深刻地聊了聊。
没想到聊着聊着,这期节目就从我们原本规划的“选秀倒奶+清朗行动全复盘(天欲其亡必先令其疯狂——监管出手之行业大变局)”主题,延伸到了长短内容之争与经济平(下)稳(行)期的精英叙事之殇。在疫情之后的这五年中,字节所布局的抖音... more
大家有没有发现这几年的内娱,现偶越来越少了,倒是古偶依然是永恒的基本盘,而从前的现偶在慢慢被如今的悬疑罪案、现实主义作品所替代。作为一个从小到大都爱看偶像剧的人,主播小瑜表示很好奇——为啥我们越来越难看到爆款的高质量偶像剧了?为什么平台标榜的爆款偶像剧都没有几年前那些经典作品有国民度了?
带着这些疑问,我和某长视频平台现役著名制片人小清老师聊了聊,小清老师也是我们节目的老朋友了(指路我们俩之前一起聊的两期爆款节目:www.xiaoyuzhoufm.com/episode/67f... more
从雷军到刘强东,从董明珠到周云杰…大家有没有发现最近这几年,企业家们更喜欢在网上“立人设”、“做个人IP”了?雷军背靠本就庞大的米粉、再加上他丰富又接地气的日常vlog内容和儒雅去油的外形,成功俘获了大批新粉丝,以至于在小米su7事故的舆论场中获得粉丝“评论区护体”。刘强东为带领京东突围外卖业务,也是亲自上场又送外卖又跟外卖小哥称兄道弟、把酒言欢,然而却因为起调太高、引来“反噬”风险。于是我们不禁思考,企业家到底应该积极打造个人IP吗?打造个人IP的好处与风险又应该如何衡量呢?
在过去的节目中... more
等你们
救命,主播是觉得很幽默吗?你们觉得一直毒瘤毒瘤的好听吗?什么是毒瘤?你们怎么定义的呢?难道互为竞争关系就是毒瘤吗?简直了真的,太过于主观评价了吧!加之嘉宾已经明确表示“毒瘤”这个词的程度过重了,你们还一直在重复毒瘤毒瘤,有考虑过别人的感受吗?有尊重嘉宾吗?有客观对待这些流媒体平台吗?
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #247 |
Listeners, social reach, demographics and more for this podcast.
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