
「向世界讲好中国故事」,关注娱乐与商业的交叉点。影视、游戏、动漫、音乐、乐园、IP… 关心与内容和娱乐相关的一切。若你想了解娱乐商业故事,或是关心该领域的商科生/文娱人,欢迎与我们一起探索更多可能。
| Publishes | Monthly | Episodes | 57 | Founded | 3 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | Society & CultureBusiness |

2026年,中美电影行业几乎同时出现了一个新动向:短视频创作者已经(或是即将)带着自己的观众,走进院线。
在美国,今年三部YouTuber拍摄的恐怖题材院线电影接连获得商业成功。《后室》以约1000万美元成本斩获1.18亿美元开画周票房,创下A24影史最高开画纪录;《痴迷》成本仅75万美元,全球票房突破1.48亿美元,回报率超过300倍;《铁肺》全球票房也超过5000万美元。三者的共同特征:导演均为YouTube原生创作者,自带年轻观众,选择恐怖题材切入,借助分线发行策略撬动传统院线排片。
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电影《给阿嬷的情书》与短剧《ENEMY》是最近内娱两部让人眼前一亮的爆款,本期节目我们不多赘述它们内容本身有多好,而是从商业角度入手,聊聊两部爆款在创作模式上的共通点——以“全栈创作者”为绝对创作中心。
从深耕潮汕文化的导演蓝鸿春(身兼编剧、导演、选角等,故事细腻、情感真诚),到凭《逃出大英博物馆》走红、以《ENEMY》爆火全网的夏天妹妹&煎饼果仔(两人包揽编导、后期、摄影、制作,拒绝MCN,以商单反哺创作)。他们不是影视行业传统的“打工人”,而是像最强产品经理一样,用极强的审美和纯粹初心,掌... more
万万没想到,再次在热搜第一看到爱奇艺,是“爱奇艺疯了”这样的词条。事件起因还是源于4月20日在爱奇艺世界大会上,CEO龚宇提出“未来真人实拍可能成为非物质文化遗产”、“演员常常工作很辛苦,三四个月在拍戏,没有自己的生活,AI能让演员从一年演4部戏到14部戏,让大家有更多时间休息”,并宣布推出AI影视制作平台“纳逗Pro”、建立已有超100位艺人同意入驻的“AI艺人库”。一石激起千层浪,张若昀、于和伟、王楚然等多位艺人紧急辟谣否认签署AI授权,爱奇艺方随后多次回应称艺人入驻仅代表合作意向、具体项目... more
本期又是干货单口分享,也是我自己最近几个月对 AI 影响娱乐行业未来的深度思考与推演总结。我会从行业当下的 AI 应用现状切入,此前全球娱乐行业的 AI 应用多集中在影视、游戏的降本增效环节,尚未诞生真正的 AI 原生内容,而字节 seedance2.0 的发布成为关键节点,让我看到 AI 实现高精度工业化视频表达、甚至替代传统影视制作的可能,所以我将以此为核心前提,从AI对娱乐行业各内容形态、价值链各方、内容出海各种模式的影响展开具体分析。
在我狂野的想象里,高精度 AI 能力的落地,会让娱... more
等你们
救命,主播是觉得很幽默吗?你们觉得一直毒瘤毒瘤的好听吗?什么是毒瘤?你们怎么定义的呢?难道互为竞争关系就是毒瘤吗?简直了真的,太过于主观评价了吧!加之嘉宾已经明确表示“毒瘤”这个词的程度过重了,你们还一直在重复毒瘤毒瘤,有考虑过别人的感受吗?有尊重嘉宾吗?有客观对待这些流媒体平台吗?
Listeners, social reach, demographics and more for this podcast.
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娱乐商业评论 launched 3 years ago and published 57 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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