
The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound design and more. Hosted by @MattFeury.
| Publishes | Twice monthly | Episodes | 317 | Founded | 7 years ago |
|---|---|---|---|---|---|
| Number of Listeners | Categories | Film InterviewsTV & Film | |||

Editors - Laura Zempel, ACE and Lauren Connelly, ACE Although BEEF - Season 2 editors Laura Zempel and Lauren Connelly are working together for the first time, this is Laura's second season working on the series. But despite being new to one another,... more
Editor - Brian Philip Davis Hokum editor Brian Philip Davis teams up once more with director Damian McCarthy. Prior to this film the two joined forces to craft McCarthy's supernatural thriller, Oddity. This time out, they double down on the dread and... more
Editor - Nena Erb ACE and Asst. Editor Gioia Caruso Wonder Man editor Nena Erb and her assistant Gioia Caruso first worked together on the R-rated road trip comedy, Joy Ride. A film that could not be more different than the grounded, character driven... more
Editor - Joel Negron ACE, Sound Designers - Erik Aadahl and Ethan Van der Ryn Project Hail Mary editor Joel Negron says that one of the first calls that he makes when he signs on to a new film is to his trusted colleagues in audio post, Erik and Etha... more
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But he needs to easy up on the praise for movies that are panned rightly so.
“The film’s editing lacks snap, making clear the demarcation between when “cut” and “action” were yelled. Sometimes Murphy will have an emotion in one shot that will totally disappear in another, undermining the dialogue’s give-and-go rhythm” NYT review of Beverly Hills Cop: Axle F.
And now “ Bad Sisters”: Hearing about all the work for a just an OK series was a struggle cause.
But he needs to easy up on the praise for movies that are panned rightly so.
“The film’s editing lacks snap, making clear the demarcation between when “cut” and “action” were yelled. Sometimes Murphy will have an emotion in one shot that will totally disappear in another, undermining the dialogue’s give-and-go rhythm” NYT review of Beverly Hills Cop: Axle F.
Love this show and Patrick tuck was really interesting on the show
The host has actually admitted (to the film’s editor!) he watched a German film with English overdubs. God forbid you listen in German and read the subtitles. What a slap in the face. You should be ashamed of yourself. The directors all hate the English overdubs and do what they can to stop it. Just another dumb American who’s never seen more than a handful of foreign films. Would you watch 8 1/2 with English actors overdubbing??
This podcast is so entertaining, so insightful, and just so darn fun. I spend almost as many hours on the road as I do at work. And Matt's brilliant questions spark such great nuggets of conversation from a lot of the fellow editors that I admire and look up to. What a treat this program is, and thank you Matt for bringing this to all of us. AVID rocks and so does this show. Keep the goods coming!
Key themes from listener reviews, highlighting what works and what could be improved about the show.
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
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Apple Podcasts | #71 | |
Apple Podcasts | #100 |
Recent interactions between the hosts and their guests.
Listeners, social reach, demographics and more for this podcast.
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The show offers in-depth conversations with senior post‑production professionals across film and television, focusing on editing, sound design, and production workflows. Episodes commonly explore practical techniques (Script Sync, wall cards, pacing and rhythm), collaboration within large teams, and how creative decisions—music, sound design, and gaps in dialogue—shape mood and storytelling. A few standout threads recur: balancing ensemble casts, working around production constraints, and mentoring dynamics among editors and assistants. The format often blends technical how‑tos with behind‑the‑scenes anecdotes, making it valuable for editors, sound designers, and post supervisors seeking actionable insight and industry context.
The series i... more
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These podcasts share a similar audience with The Rough Cut:
1. The Director’s Cut - A DGA Podcast
2. IndieWire's Filmmaker Toolkit
3. Team Deakins
4. Art of the Cut
5. The Treatment
The Rough Cut launched 7 years ago and published 317 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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Recent guests on The Rough Cut include:
1. Brian Philip Davis
2. Nena Erb
3. Gioia Caruso
4. Joel Negron
5. Erik Aadahl
6. Ethan Van der Ryn
7. Tim Squyres
8. Axel Geddes
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