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The Rough Cut

Matt Feury
Editing
Film Editing
Sound Design
Netflix
Film Production
Editing Techniques
Post Production
Documentary Filmmaking
Visual Effects
Apple TV+
Wicked
Sinners
Thunderbolts
Marvel
Hamlet
Beverly Hills Cop: Axel F
3 Body Problem
The Hunger Games: the Ballad Of Songbirds and Snakes
Christopher Reeve
Emilia Perez

The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound design and more. Hosted by @MattFeury.

PublishesTwice monthlyEpisodes321Founded7 years ago
Number of ListenersCategories
TV & FilmFilm Interviews

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Artwork for The Rough Cut

Latest Episodes

Editor – Greg Ng BACKROOMS editor Greg Ng joins The Rough Cut to discuss cutting a film built around liminal spaces, analog horror, slow-burn tension and the challenge of turning an internet-born phenomenon into a feature-length cinematic experience.... more

Editor – Greg O'Bryant Tuner editor Greg O'Bryant returns to the podcast to discuss cutting a film that is part crime thriller, part romance, part character study, part music movie and part very compelling argument for keeping your ears covered in Ne... more

Widow's Bay Editors – Isaac Hagy, ACE; Kyle Reiter, ACE and Jen Bryson The editors of Widow's Bay may not live on a cursed New England island, but after years of working together across shows like Atlanta, Station Eleven and Mr. & Mrs. Smith, Isaac H... more

Spider-Noir

Editors – Jennifer Barbot, ACE; Tirsa Hackshaw, ACE; Eric Kissack, ACE and Geraud Brisson, ACE Although the editors of Spider-Noir may have all arrived at the series through different paths, they quickly found themselves working toward ... more

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Recent Guests

Greg Ng
Editor on Backrooms
Phobos Pictures / Vancouver post team
Episode: Backrooms
Isaac Hagy
Editor, part of Widow's Bay editing team
Episode: Widow's Bay
Kyle Reiter
Editor, part of Widow's Bay editing team
Episode: Widow's Bay
Jen Bryson
Editor, part of Widow's Bay editing team
Episode: Widow's Bay
Jennifer Barbot
Editor
Spider-Noir
Episode: Spider-Noir
Tirsa Hackshaw
Editor
Spider-Noir
Episode: Spider-Noir
Geraud Brisson
Editor
Spider-Noir
Episode: Spider-Noir
Brian Philip Davis
Editor for Hokum (Indie horror), worked with Damian McCarthy
Keeper Pictures (via Oddity/Hokum collaboration)
Episode: Hokum
Nena Erb
Editor from Marvel's Wonder Man
Marvel/Disney
Episode: Wonder Man

Host

Matt Feury
Host of The Rough Cut

Reviews

4.8 out of 5 stars from 218 ratings
  • Matt Is Solid

    But he needs to easy up on the praise for movies that are panned rightly so.

    “The film’s editing lacks snap, making clear the demarcation between when “cut” and “action” were yelled. Sometimes Murphy will have an emotion in one shot that will totally disappear in another, undermining the dialogue’s give-and-go rhythm” NYT review of Beverly Hills Cop: Axle F.

    And now “ Bad Sisters”: Hearing about all the work for a just an OK series was a struggle cause.

    Apple Podcasts
    5
    JNLCIA
    United Statesa year ago
  • Matt Is Solid

    But he needs to easy up on the praise for movies that are panned rightly so.

    “The film’s editing lacks snap, making clear the demarcation between when “cut” and “action” were yelled. Sometimes Murphy will have an emotion in one shot that will totally disappear in another, undermining the dialogue’s give-and-go rhythm” NYT review of Beverly Hills Cop: Axle F.

    Apple Podcasts
    5
    JNLCIA
    United States2 years ago
  • RESERVATION DOGS

    Love this show and Patrick tuck was really interesting on the show

    Apple Podcasts
    5
    tf1025
    United States3 years ago
  • Dim-witted

    The host has actually admitted (to the film’s editor!) he watched a German film with English overdubs. God forbid you listen in German and read the subtitles. What a slap in the face. You should be ashamed of yourself. The directors all hate the English overdubs and do what they can to stop it. Just another dumb American who’s never seen more than a handful of foreign films. Would you watch 8 1/2 with English actors overdubbing??

    Apple Podcasts
    2
    bcsquest
    United States3 years ago
  • Matt Saved My Los Angeles Commute

    This podcast is so entertaining, so insightful, and just so darn fun. I spend almost as many hours on the road as I do at work. And Matt's brilliant questions spark such great nuggets of conversation from a lot of the fellow editors that I admire and look up to. What a treat this program is, and thank you Matt for bringing this to all of us. AVID rocks and so does this show. Keep the goods coming!

    Apple Podcasts
    5
    Haynes3550
    United States7 years ago

Listeners Say

Key themes from listener reviews, highlighting what works and what could be improved about the show.

Listeners often describe episodes as consistently high‑quality and informative for sponsors seeking credibility in post production.
Listeners praise the show for deep technical discussions and practical takeaways for post teams.
Many note the host's sharp, curious interviewing style and willingness to unpack complex workflows.

Chart Rankings

How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.

Talking Points

Recent interactions between the hosts and their guests.

Widow's Bay
Q: How did you approach balancing comedy and horror in Widow's Bay without letting either overwhelm the other?
Edits aimed to keep scenes from becoming too broad or too dour, maintaining a tension between humor and fear by focusing on character truth and the evolving tone across scenes.
Widow's Bay
Q: Speaking of the collaboration, how did the opportunity to reunite with Hiro on Widow's Bay come about?
The group describes long-running working relationships, with Hiro recruiting them again due to trust and past collaborations, making the reunion feel natural rather than forced.
Backrooms
Q: What was the role of music and sound design in shaping the fear and pacing of the film?
Sound was treated as a character alongside the visuals. The hum of fluorescent lights, VHS distortion, and a collaborative score with Edo Van Breemen and Kane helped drive rhythm and atmosphere. There was a conscious effort to not over polish sound effects early on, to keep the story and mood intact.
Backrooms
Q: How did you approach keeping the backrooms world coherent given so much of it is designed in Blender and built as a set?
We leaned on Kane's meticulous world-building—maps, murals, and iterative Blender rooms—paired with a strong spatial logic in editing. The challenge was to maintain geographic clarity across 30,000 square feet of practical set, using wide shots strategically to communicate scale while preserving the audience's sense of immersion.
Backrooms
Q: Was there an actual pitch to envision this translation from internet creepy pasta into feature linked cinematic experience?
Yes. The script existed early and Kane had grown up with the project; the team aimed to preserve the essence of the YouTube series while shaping it into a conventional narrative, balancing found footage with traditional filmmaking, and ensuring the tone and tempo supported a feature-length cinematic experience.

Audience Metrics

Listeners, social reach, demographics and more for this podcast.

Listeners per Episode
Gender Skew
Location
Interests
Professions
Age Range
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Frequently Asked Questions About The Rough Cut

What is The Rough Cut about and what kind of topics does it cover?

The show offers in-depth conversations with senior post‑production professionals across film and television, focusing on editing, sound design, and production workflows. Episodes commonly explore practical techniques (Script Sync, wall cards, pacing and rhythm), collaboration within large teams, and how creative decisions—music, sound design, and gaps in dialogue—shape mood and storytelling. A few standout threads recur: balancing ensemble casts, working around production constraints, and mentoring dynamics among editors and assistants. The format often blends technical how‑tos with behind‑the‑scenes anecdotes, making it valuable for editors, sound designers, and post supervisors seeking actionable insight and industry context.

The series i... more

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Which podcasts are similar to The Rough Cut?

These podcasts share a similar audience with The Rough Cut:

1. The Director’s Cut - A DGA Podcast
2. The No Film School Podcast
3. IndieWire's Filmmaker Toolkit
4. Team Deakins
5. Scriptnotes Podcast

How many episodes of The Rough Cut are there?

The Rough Cut launched 7 years ago and published 321 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

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What guests have appeared on The Rough Cut?

Recent guests on The Rough Cut include:

1. Greg Ng
2. Isaac Hagy
3. Kyle Reiter
4. Jen Bryson
5. Jennifer Barbot
6. Tirsa Hackshaw
7. Geraud Brisson
8. Brian Philip Davis

To view more recent guests and their details, simply upgrade your Rephonic account. You'll also get access to a typical guest profile to help you decide if the show is worth pitching.

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