
Conversation from the Crossroads of Southern music, history, and culture with historian Dr. Bob Beatty, author of 'Play All Night! Duane Allman and the Journey to Fillmore East' www.longlivetheabb.com
| Publishes | Twice weekly | Episodes | 78 | Founded | 8 months ago |
|---|---|---|---|---|---|
| Number of Listeners | Categories | MusicHistory | |||

In my decades of research on the Allman Brothers Band, I have unearthed very few Lamar Williams quotes. This one comes from Downbeat magazine, September 1974. This is from a recent Conversation from the Crossroads episode with his son, Lamar Williams... more
Episode Overview
A few months ago, reader/subscriber/paid member J.D. Seem and I sat for a discussion on Matt Zako’s City’s Backyard podcast. Our conversation focused on At Fillmore East at 55—how the road-hardened band finally captured their live s... more
Episode Overview
You know it’s gonna be a great conversation when the assignment is to listen to the Avett Brothers in preparation for an interview. The Avett Brothers, Scott and Seth Avett with bassist Bob Crawford and cellist Joe Kwon have been go... more
Episode Overview
Reese Wynans joins me at the crossroads to discuss his role in the founding of the Allman Brothers Band. Reese was a collaborator of Dickey’s going back to their days in the Sarasota scene. He was a member of the Second Coming with ... more
Episode Overview
Reese Wynans joins me at the crossroads to discuss his role in the founding of the Allman Brothers Band. Reese was a collaborator of Dickey’s going back to their days in the Sarasota scene. He was a member of the Second Coming with ... more
Episode Overview
Dana Dowd, daughter of producer Tom Dowd tomdowd.org, joins me at the Crossroads to talk about her father’s life and legacy. Our conversation ranged far beyond Tom’s truly significant role with the Allman Brothers Band. Dana is a le... more
The quote above is from Dickey Betts in Alan Paul’s excellent book One Way Out. Dickey was talking about the shared musical ethos between the Allman Brothers and the Grateful Dead. I cited it in Play All Night, and reference it often.
Here’s the fu... more
Inadvertently cut off this story from the ending of part 2 about how Duane’s protege Gerry Groom came into possession of the 1961 Gibson SG Dickey gave Duane to play so he didn’t have to keep retuning between slide and non-slide songs.
Rather than r... more










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