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Artwork for How to Make Films and Influence People

How to Make Films and Influence People

Andrew Curzon and Peter Kimball
Parasite
Screenwriting
The Godfather
Family Dynamics
The Dark Knight
Social Dynamics
Class Inequality
Pulp Fiction
Good Will Hunting
The Battle Of Algiers
Two Families
Fight Club
Donnie Darko
Spirited Away
South Korea
K-Pop
Quentin Tarantino
The Adventures Of Robin Hood
The Apartment
The Usual Suspects

In this podcast, we talk about our own approach to screenwriting and filmmaking, discuss great works of cinema, and blasphemously imagine how they could be remade. Each week we tackle a movie widely considered to be a "great film". We ask the important questions: How would you remake this as a family film? What's the no-budget version? How do you turn this into a 10-episode Netflix series? Join us... more

PublishesWeeklyEpisodes40Founded9 months ago
Number of ListenersCategories
Film ReviewsTV & Film

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Artwork for How to Make Films and Influence People

Latest Episodes

Peter and Andrew unpack George Romero's 1968 independent horror classic Night of the Living Dead , exploring how its single-location tension and foundational zombie tropes created an entire cinematic genre. They discuss the film’s themes of interpers... more

Peter and Andrew unpack Alfonso Cuarón's 2006 dystopian masterpiece Children of Men , exploring how its gritty, ground-level visual style and masterful "show, don't tell" world-building elevate it beyond a standard action thriller. They discuss the f... more

Peter and Andrew unpack Richard Kelly's 2001 genre-bending cult classic Donnie Darko , exploring how its bizarre time-traveling rabbit and its ambiguous blend of sci-fi, horror, and dark comedy left a lasting mark on early 2000s cinema. They discuss ... more

The Truman Show Peter and Andrew unpack Peter Weir's 1998 high-concept classic The Truman Show , exploring how its predictive look at reality television and its deeply philosophical allegory left a lasting mark on modern culture. They discuss the fil... more

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The Big Picture
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Hosts

Peter
Host of the show, filmmaker and screenwriter; appears across episodes with deep craft knowledge and project updates
Andrew
Co-host, filmmaker and screenwriter; contributes practical insight into writing and directing

Reviews

5.0 out of 5 stars from 4 ratings
  • I like it

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    GlobalTidewave
    United States8 months ago

Listeners Say

Key themes from listener reviews, highlighting what works and what could be improved about the show.

Remake-focused format helps translate classic films into accessible formats for new audiences.
The hosts' candid updates and real-world remaking ideas feel actionable for aspiring creators.
Quality of guest selection and deep dive into screenwriting topics stands out.
Listeners appreciate the practical, craft-forward approach to filmmaking.

Chart Rankings

How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.

Talking Points

Recent interactions between the hosts and their guests.

Mulholland Drive
Q: What is the core premise or takeaway from Mulholland Drive?
The episode frames the film as a meditation on dreams versus reality, and how Hollywood dreams can both empower and corrupt, with a non-linear narrative that invites ongoing interpretation rather than a single, neat resolution.
Vertigo
Q: What makes Vertigo stand out as a film given its era and Hitchcock's style?
The discussion centers on Vertigo's willingness to invert audience expectations, its emphasis on character psychology over conventional mystery structure, and Hitchcock's use of visual technique to convey inner states, which together create a distinctive, enduring impact beyond mere plot twists.
The Usual Suspects
Q: How do you feel about writing about really bad things or dark material, and do you ever feel uncomfortable?
They acknowledge some darkness is necessary for drama, but caution against gratuitous violence; you should not shy away from tough material, but you should balance it with purposeful storytelling and avoid unnecessary excess.
The Usual Suspects
Q: When you're writing an antagonist or a bad guy, how do you make that work?
They emphasize giving the antagonist depth beyond pure evil, ensuring their goals conflict with the hero yet are justified or understandable from their perspective, and making the antagonist cool or capable to keep the audience engaged.
Shawshank Redemption
Q: Is Shawshank a fun watch or a drag given its heavy themes?
They acknowledge the film is dark but argue its structural craft, character work, and payoff create a compelling, ultimately hopeful experience that many viewers find worth the emotional weight.

Audience Metrics

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Frequently Asked Questions About How to Make Films and Influence People

What is How to Make Films and Influence People about and what kind of topics does it cover?

Two filmmakers who host together dissect classic and contemporary cinema through a craft-focused lens, routinely unpackting screenwriting, directing, and visual storytelling while imagining ambitious remakes. Episodes center on a single film, exploring what a family-friendly version, a no-budget production, or a Netflix-style series could look like, and they blend practical production notes with personal project updates. A notable pattern is the willingness to push genre boundaries and reframe beloved works for new formats, often peppered with anecdotes and hands-on filmmaking insights that appeal to aspiring writers, directors, and film lovers seeking actionable craft guidance.

What stands out is the iterative, studio-like approach: rethi... more

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1. The Big Picture

How many episodes of How to Make Films and Influence People are there?

How to Make Films and Influence People launched 9 months ago and published 40 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

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