
这期播客讲了这一年一个新手导演在忙活的事情,和这个戏、和戏里的角色一起成长(导演嘛,就像个温和大家长。照顾好自己,照顾好大家。)
其中提及了坂本龙一先生的一本书:《我还能看到多少次满月升起》。
认真声明:本期播客的所有音乐来自我们的作曲——刘戎老师。
感谢他让我在播客中使用他为“光芒”创作的音乐🎵。
喜欢的音乐有很多,最后完全从功用角度出发,结合描述的场面选取了几段。我爱音乐,和我爱戏剧一样,我喜欢灵机一动生成的情绪,喜欢人与人之间靠语言之外的东西同频共振。
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很难讲解这个作品,... more
考研上岸后+考入北京人艺编剧、导演培训班后自己发生的一系列变化。
以及,好久不见,先祝我生日快乐。今年搞了个芭比蛋糕,上面写着"Girl Power"!太帅了,我们姐妹有力量。
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涉猎的戏剧/影视
《动机与提示》
《绝望写手》
带着好消息赴约录好了这期播客。研究生生活即将开幕,马上又要回北京了。不知道以后更新的频率会是怎样的,但还是会在有时间的时候来耕耘耕耘。
曹禺先生的作品值得好好讲讲,但我是一时兴起的谈谈。(下次一定!)《年少日记》很好看,情绪过载在我这里是时间上的节制和表达上的集约。反正,我很喜欢就是了。
五月快乐。以后再说时间轴的事儿。
“一个人不可能靠不停地自省、思考自己的思维模式取得胜利。”
“你如果只盯着大学这一道坎,你会发现人生有更多的坎。”
本期是一次关于编导艺考的对谈,涉及执行力/创作意识等“经验值”提升攻略。不做任何机构方面的宣传推广(相关咨询问题也不会回答),请放心聆听。
嘉宾:甜甜老师。
她曾是高考志愿报名导师,后来到一家艺考培训机构做管理、运营。
在我回到艺考机构代课的过程中,我们相遇,成为很好的朋友。
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艺考是我人生中少有的“大获全胜”的经历,对我来说是认识戏剧的开端。在过去一年中,我发生了... more
2023年落幕。
节目最后,伴着一声“新年快乐”的问候,窗外响起阵阵烟花绽放的声音。
我把这幸运也分享给你们。希望我们生命中的一切都来得刚刚好。
在眩晕中保持镇静,把该做的事情做完,这是我的2023年,希望我的思考能鼓励到一些人。
用我身边大哥常说的那句话,“很正常嘛,该吃吃,该喝喝,该玩玩,该学学。”
恰当好处就是允许一切发生,按部就班地做自己想做的事情吧?
时间线
02:30 分享和朋友一起做Year Compass的感受:我们的“不谅解”还有那些“放不下”。
07:41 眩... more
1956年12月2日,老舍先生来到北京人艺,在会议室二楼,他亲自为大家朗读剧本《茶馆》。这便是一切的开始……
本集话题:剧本结构、人艺版《茶馆》场面调度、对《茶馆》突破再现美学的期待与想象……
凌晨录制的,可以听出:脑子真的很累了,嘴也笨得跟不上了。
为了“收尾打点儿”,还是发出来了。完成比完美重要。😓
比起我讲的内容,更推荐大家阅读:《<茶馆>的舞台艺术》。
音乐:
• Drink Tea
• 歌手:I Am the Branch
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• 茶馆
• 歌手:Um... more
躺床上录的。浅谈下2023年度诺贝尔文学奖约恩·福瑟的戏剧《秋之梦》。
涉猎剧本:
荒诞派戏剧《等待戈多》贝克特
象征主义戏剧《青鸟》梅耶荷德
涉猎《秋之梦》演出版本:
路克·帕西弗(Luc Perceval)/尤里·布图索夫(Yury Butusov)
哎呀,就先这样吧。










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