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新北市美術館展覽語音導覽

新北市美術館

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本集逐字稿:

想像一下,如果記憶有形狀,它會是什麼樣子?

會被時間拉長、折疊,還是慢慢磨損、逐漸消失?

那麼,承載這些記憶的手作與勞動經驗呢?

它們會如何被傳遞、改變,甚至在世代更迭中逐漸消散?

故事從新北市展開。這裡曾是紡織機轟鳴、礦石翻動的地方,勞動的節奏刻進身體,也刻進這片土地。「棉線與石頭」像是一場探索人、事、物彼此關聯的展覽,石頭、棉線,它們在世界各地誕生,卻在相似的勞動與生活中,交織出既相互呼應、又不盡相同的故事。

跟隨著一縷彩線、或一塊不起眼的碎石,展覽不只... more

本集逐字稿:

故事,從這座城市的記憶開始。新北市美術館的開館展覽,曾展出攝影家張照堂拍攝礦業的影像,不只記錄下勞動的身體,也呈現一段真實存在於這片土地上的產業歷史。石頭,是曾被開採、搬運、改變地景的日常存在。於是,石頭成為一個回應在地記憶的入口。

但這個入口,不只通往新北。礦業其實是世界各地都曾經、或正在經歷的產業狀態。無論在哪裡,石頭都牽動著資源、勞動與環境的關係。在展場,你會看見礦業勞動者提供的工具、筆記、照片;也會透過藝術家的作品,思考礦業帶來的環境影響,以及一個始終困難的問題,究... more

本集逐字稿:

你有注意到嗎?這裡有三件展品都來自猴硐礦工文史館,這座文史館的館長周朝南,14歲就進礦坑工作。當他退休、離開礦坑,卻發現礦工的故事正一點一滴被人遺忘。

為了不讓這段記憶消失,他號召其他退休的礦工,集資成立猴硐礦工文史館,希望留下這段逐漸消逝的歷史。周朝南從基層勞動者出發,一路做到領班。展場中所展出的,正是他當年進礦工作時隨身攜帶的工具,也見證礦工日復一日的勞動痕跡。

將目光移向另一側,你會看到來自煤礦監工的筆記。大專畢業後,王先生曾在鶯歌煤礦擔任監工,負責勞動安全與管理... more

本集逐字稿:

來自世界另一端的石頭,帶來了一段截然不同的故事。對藝術家雷揚・塔貝特來說,曾祖父留下的遺物,就像投入水中的石子,激起層層漣漪,為他打開了更遼闊的世界。

他的曾祖父表面上是考古學家的助手,實際上,卻肩負著政府間諜的任務,暗中監視一位從德國遠赴敘利亞的考古學家,馬克斯・馮・奧本海姆。透過這段家族過往,塔貝特看見考古不只是知識的探索,也牽動權力與政治。奧本海姆以「保護文物」為名,將在敘利亞發掘的大量石碑運回德國,卻在二次世界大戰中遭到轟炸,最終化為殘破的碎石。這樣的結局,反而讓「... more

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