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文物会说话:河南博物院奇遇记

井妹_by

穿越千年,触碰文明——欢迎收听《文物会说话:河南博物院奇遇记》,我是主播井妹,一个在展柜前蹲点的‘博物馆野生翻译官’!

本职是文物界的‘展柜常驻民’,副业当青铜饕餮的‘嘴替’——

每周三、周六深夜,带你扒柜(音效:展柜玻璃轻叩声)解锁文物黑料!

PublishesTwice weeklyEpisodes103Foundeda year ago
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在上一期一百期特别节目中,我们借着新乡市博物馆的潞王琴,深度聊了古琴千年非遗的审美体系与传承脉络,也认识了晚明极具才情的艺术家——小潞王朱常淓。很多听众听完后都留言感慨,完全颠覆了自己对明代藩王的固有认知。今天我们继续延续潞王文脉,以小潞王朱常淓草书唐李白诗碑为核心线索,深挖一个被正史长期埋没的群体:明代藩王。大众对明代藩王的刻板印象,大多是身居高位、碌碌无为,靠着朝廷俸禄寄生度日,甚至是拖垮明朝财政的累赘。但真实的明代藩王群体,藏着一整支顶级文化、科技、艺术天团。而我们今天的主角朱常淓,正是其... more

不知不觉这档节目已经做了100期了,非常开心和大家相遇在我们节目第一百期的特别篇章。百期是一个很特别的节点,一路走来,我们解锁了无数河南馆藏国宝,触摸了不同时代的匠人匠心。而今天,我想借着一件新乡市博物馆的馆藏重器——明代潞王列子式中和琴,和大家聊聊我近期的真实感悟,聊聊古琴这项流淌千年的非遗文化。

今天我们带大家认识一件藏在河南博物院的高颜值隋代青瓷重器——青釉环形鸡首壶。很多朋友逛博物馆,总会留意造型规整、纹饰华丽的大件文物,常常忽略这类造型精巧、寓意十足的生活雅器。但这件鸡首壶,看似是一件普通盛器,实则浓缩了魏晋南北朝到隋代数百年的瓷器审美演变,更是古代南北文化交融的珍贵实物。

今天我们聚焦一件颜值与工艺双在线的唐代生活雅器,出土于河南偃师的唐代绞胎瓷枕。很多人对古瓷枕的印象,就是古人用来睡觉的硬枕头,觉得实用性大于观赏性,但这件绞胎瓷枕,会彻底颠覆大家对唐代民间瓷器的固有认知。它不仅是唐代绞胎工艺的标准范本,更藏着唐代匠人极致的巧思,以及唐人独有的生活美学。

很多逛过青铜器展厅的朋友都清楚,青铜爵不算罕见,各地博物馆多多少少都有收藏,但带完整器盖、盖首还铸有立体水牛首的商代爵,全河南仅此一件,放到全国范围内,存量都屈指可数。不少人去新乡看展,会直奔这件器物驻足很久,但回去后可能只记住了它别致的牛头盖子,却不清楚这件爵背后藏着一整套完整商代贵族青铜器组合,一段悬而未决的出土谜团,还有一位商代女性贵族的人生印记。本期内容,我们从器物外观、铸造纹饰、铭文解读,完整拆解这件牛首爵的全部价值,听完你再走进博物馆,看待这件文物的视角会完全不一样。

在河南新乡的平原博物馆,镇馆之宝之一德化窑观音坐像,这是明代的瓷器,承载着几百年的历史底蕴。它姿态自然优雅,气质沉静端庄,神情安然慈祥,让人见之顿感平和。蒲团内壁刻有“天启年”三字款,“天启”是明朝皇帝明熹宗朱由校的年号,1621 - 1627年这短短七年间,社会矛盾尖锐,战事频繁,国家内忧外患,国运衰弱。如此背景下,留存文物稀少,这尊带“天启年”款的白釉观音坐像便显得尤为珍贵。

在前几期节目里,我们一同畅游了青铜器的造型艺术、装饰纹样的奇妙世界,今天,让我们深入探寻青铜器的铭文书法、工艺技术以及锈蚀表现,揭开这些古老器物背后更多神秘面纱。

前两期节目,我们一同领略了青铜器育成期、鼎盛期和转变期的独特魅力,今天,让我们步入青铜器的更新期,探寻这一时期青铜器在造型与装饰上令人惊叹的奇妙变化。

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