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Gramophone Classical Music Podcast

Gramophone
Classical Music
Wigmore Hall
Mozart
Schubert
Handel
Beethoven
Brahms
Baroque Music
Gramophone Classical Music Awards
Opera
Leonard Bernstein
Bach
Sony Classical
BBC Proms
Winterreise
Maurice Ravel
BIS
Franz Liszt
Charles Villiers Stanford
Mahler

Weekly conversations about classical music with leading musicians and writers

PublishesWeeklyEpisodes589Founded12 years ago
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Music InterviewsMusic

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Artwork for Gramophone Classical Music Podcast

Latest Episodes

Anthony Roth Constanzo has not only released a new recording for Nonesuch, but he has written a book, also called Countertenor, which is published next week, by Farrar, Straus and Giroux. The album’s astoundingly eclectic programme embraces a world p... more

The Georgian-born pianist and composer – and a former Gramophone ‘One to Watch’ and Editor’s Choice recipient – Nicolas Namoradze has signed a recording contract with the Finnish Ondine label. The first fruit of the agreement is an album of solo Beet... more

In this week's episode of The Gramophone Listening Room, presented in partnership with dCS Audio, host Charlotte Gardner welcomes cellist Laura van der Heijden and horn player Ben Goldscheider to the studio to share two of their personal favourite re... more

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In this special edition of the Gramophone Podcast, we explore the full list of winners from this year's Gramophone Classical Music Awards. Editor Martin Cullingford, Deputy Editor Tim Parry, Reviews Editor Gavin Dixon and Editor of Opera Now and Choi... more

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Recent Guests

Anthony Roth Costanzo
Countertenor, opera director and General Director of Opera Philadelphia
Opera Philadelphia
Episode: Anthony Roth Costanzo on his new album and book, 'Countertenor'
Nicolas Namoradze
Pianist and arranger of the Grosse Fuge for piano; Beethovian specialist
Ondine (record label)
Episode: Pianist-composer Nicolas Namoradze on his new Beethoven album
Laura van der Heijden
Cellist, Colliderscope Chamber Collective member
Colliderscope Chamber Collective
Episode: The Gramophone Listening Room – Episode 5, with Laura van der Heijden & Ben Goldscheider
Ben Goldscheider
Horn player, Colliderscope Chamber Collective member
Colliderscope Chamber Collective
Episode: The Gramophone Listening Room – Episode 5, with Laura van der Heijden & Ben Goldscheider
Augustus Perkins-Ray
Member of Apollo 5
Apollo 5
Episode: Apollo 5 on their new album 'Crossings'
Lily Robson
Member of Apollo 5
Apollo 5
Episode: Apollo 5 on their new album 'Crossings'
Sigurd Sverrup Sandmo
Chief executive and managing director
Bergen Philharmonic Orchestra
Episode: The Bergen Philharmonic Orchestra
Thabita Berglund
Chief conductor designate
Bergen Philharmonic Orchestra
Episode: The Bergen Philharmonic Orchestra
Lukáš Vasilek
Conductor
Czech Philharmonic
Episode: Lukáš Vasilek on Honegger's Jeanne d’Arc au bûcher

Hosts

James Jolly
Host with a long-running association to a leading classical music publication; frequent interviewer and contributor across multiple Gramophone outlets.
Hattie Butterworth
Co-host with a focus on contemporary and historically informed performance; appears across episodes as interviewer and commentator.
Charlotte Gardner
Contributor and host with emphasis on listening-room style conversations and artist-centered discussions.
Martin Cullingford
Senior editor/host; often guides conversations and provides editorial framing for contemporary music topics.

Reviews

4.3 out of 5 stars from 281 ratings
  • Sound quality during interviews

    While I Write below several years ago complaining about sound quality and see that others have done the same, I’m astonished that this still hasn’t been addressed. It’s not rocket science, use clip on microphones or hanging from above, just closer to the people. The echo is terrible and the whole experience of the podcast negatively influenced. Please, Gramophone, address this.

    These podcasts are often interesting but severely let down by really bad sound quality during the interviews with art... more

    Apple Podcasts
    3
    Gromit123
    United Kingdoma year ago
  • The one indispensable

    I can’t imagine my musical life without this wonderful journal

    Apple Podcasts
    5
    Laurencewjames
    Canadaa year ago
  • Audio volume problem

    On the John Rutter episode (the only one I’ve listened to so far), the volume of the conversation was quite low, but the music excerpts were way too loud. How about equalizing those aspects?

    Apple Podcasts
    3
    ArtTom
    United Statesa year ago
  • Illuminating

    Love the insights offered New York musicians on their recordings

    Apple Podcasts
    5
    James_jazzy
    United Statesa year ago
  • Absolutely brilliant

    I’m not a newcomer to Classical music, but these podcasts and the Gramophone magazine have educated me. Just listened to the one on Schubert, and to think that I knew little of his music…so informative!

    Apple Podcasts
    5
    jamaisdelavie
    Australiaa year ago

Listeners Say

Key themes from listener reviews, highlighting what works and what could be improved about the show.

Listeners praise the depth and range of conversations with leading musicians and writers.
Fans value the scholarly and performance-focused insights that go beyond surface-level interviews.
Recurring feedback notes uneven audio quality in some episodes; improvements in recent releases are appreciated.

Chart Rankings

How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.

Talking Points

Recent interactions between the hosts and their guests.

Anthony Roth Costanzo on his new album and book, 'Countertenor'
Q: Does being a countertenor affect the way you think about the wider institution of opera?
Costanzo says that building a career outside conventional repertoire taught him to think creatively. He applied that approach at Opera Philadelphia with low-cost pick-your-price tickets, which he says widened access, increased funding and made more adventurous programming possible.
Anthony Roth Costanzo on his new album and book, 'Countertenor'
Q: Did you conceive the album and book as a kind of complementary pair?
Costanzo says he wanted the album to give listeners a way to hear the many cultural and musical references explored in the book, while the two works illuminate the countertenor voice from different angles.
Pianist-composer Nicolas Namoradze on his new Beethoven album
Q: What did you learn from arranging the Grosse Fuge for piano about Beethoven's intent for the piece and how to communicate its drama on a keyboard?
The arrangement highlights that Beethoven cared about idiomatic piano writing and the essential dramatic gestures, rather than a strict copy of the string quartet; the piano version requires careful redistribution of voices and occasional thematic reworking to maintain clarity and impact.
Pianist-composer Nicolas Namoradze on his new Beethoven album
Q: Do you hear the younger Beethoven of Opus 54 already experimenting with some of the principles that would become so radical in the Hammer Klavier and the Grosse Fuge?
Yes, Opus 54 foreshadows later innovations; its two-part invention, canonic writing, and deceptive modulations push the boundaries of form, setting up a trajectory toward more radical transformations in later works.
Pianist-composer Nicolas Namoradze on his new Beethoven album
Q: I mean, what do you think drew Beethoven to the fugue in these extraordinary final years where his music teeters on the edge of abstraction?
Beethoven's late style revisits archaic forms as a deliberate, universal language; the fugue offers a structured way to transform material and drive dramatic narrative, showing that old ideas can illuminate new musical meanings.

Audience Metrics

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Frequently Asked Questions About Gramophone Classical Music Podcast

What is Gramophone Classical Music Podcast about and what kind of topics does it cover?

The show features in-depth conversations with leading musicians, composers, conductors, critics, and authors in the classical music world. Episodes frequently explore repertoire, performance practice, festival and commissioning ecosystems, and the personal journeys behind acclaimed recordings and projects. A notable strength is its ability to pair intimate artist interviews with broader cultural and institutional contexts (like major festivals, venues, and recording projects), often weaving historical perspective with contemporary practice. This combination makes it a strong fit for listeners who want not just a recital of achievements, but insight into creative process, programming decisions, and the evolving classical music landscape.

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Which podcasts are similar to Gramophone Classical Music Podcast?

These podcasts share a similar audience with Gramophone Classical Music Podcast:

1. Sticky Notes: The Classical Music Podcast
2. Classical Breakdown
3. Private Passions
4. This Cultural Life
5. This Is Not A Drill with Gavin Esler

How many episodes of Gramophone Classical Music Podcast are there?

Gramophone Classical Music Podcast launched 12 years ago and published 589 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

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What guests have appeared on Gramophone Classical Music Podcast?

Recent guests on Gramophone Classical Music Podcast include:

1. Anthony Roth Costanzo
2. Nicolas Namoradze
3. Laura van der Heijden
4. Ben Goldscheider
5. Augustus Perkins-Ray
6. Lily Robson
7. Sigurd Sverrup Sandmo
8. Thabita Berglund

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