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Gramophone Classical Music Podcast

Gramophone
Classical Music
Wigmore Hall
Mozart
Schubert
Handel
Brahms
Baroque Music
Gramophone Classical Music Awards
Beethoven
Opera
Leonard Bernstein
Bach
Sony Classical
BBC Proms
Winterreise
Maurice Ravel
BIS
Franz Liszt
Charles Villiers Stanford
Mahler

Weekly conversations about classical music with leading musicians and writers

PublishesWeeklyEpisodes568Founded12 years ago
Number of ListenersCategories
Music InterviewsMusic

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Artwork for Gramophone Classical Music Podcast

Latest Episodes

Roxanna Panufnik talks to Editor Martin Cullingford about her fascinating and moving new album of Love Songs and Lullabies, released on the Signum label, as well as about her approach to composing and creativity more widely.

See omnystudio.com/list... more

The conductor Philipp von Steinaecker and the Mahler Academy Orchestra recorded Mahler’s Ninth Symphony in 2024 for Alpha Classics using instruments contemporary with the composer and employing historically informed performance practices. The recordi... more

In this week's episode of The Gramophone Listening Room, presented in partnership with dCS Audio, host Charlotte Gardner welcomes tenor Freddie De Tommaso and violinist Charlie Lovell-Jones to the studio to share two of their personal favourite recor... more

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In the latest edition of the Gramophone Podcast, composer Joby Talbot and the conductor of vocal ensemble Conspirare Craig Hella Johnson join Editor Martin Cullingford to talk about their fascinating collaboration: a setting of Mexican poet Octavio P... more

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Recent Guests

Philipp von Steinaecker
Conductor, Mahler Academy Orchestra artistic director
Mahler Academy Orchestra
Episode: Conductor Philipp von Steinaecker on historically informed Mahler performance
Freddie De Tommaso
Tenor, known for verismo roles and Covent Garden appearances
Decca Classics
Episode: The Gramophone Listening Room – Episode 4, with Freddie De Tommaso & Charlie Lovell-Jones
Charlie Lovell-Jones
Violinist and concertmaster with John Wilson's Sinfonia of London
John Wilson
Episode: The Gramophone Listening Room – Episode 4, with Freddie De Tommaso & Charlie Lovell-Jones
Joby Talbot
Composer of Piedra de Sol
Composer
Episode: Joby Talbot and Craig Hella Johnson on setting Octavio Paz’s poem ‘Piedra de sol’
Craig Hella Johnson
Conspirare conductor
Conspirare
Episode: Joby Talbot and Craig Hella Johnson on setting Octavio Paz’s poem ‘Piedra de sol’
Jeremy Dibble
Gramophone contributor and professor of music at Durham University
Durham University
Episode: From the Archive: Charles Villiers Stanford – Exploring the composer's music with Jeremy Dibble
Bruce Liu
Pianist and subject of Lunaris project
Deutsche Grammophon (album Lunaris)
Episode: Pianist Bruce Liu on his moon-themes recital 'Lunaris'
Gavin Higgins
Composer, Associate Composer for Three Choirs
Three Choirs Festival (Associate Composer)
Episode: Gavin Higgins and Grace-Evangeline Mason on the Three Choirs Festival
Grace-Evangeline Mason
Composer, Associate Composer for Three Choirs
Three Choirs Festival (Associate Composer)
Episode: Gavin Higgins and Grace-Evangeline Mason on the Three Choirs Festival

Hosts

James Jolly
Host with a long-running association to a leading classical music publication; frequent interviewer and contributor across multiple Gramophone outlets.
Hattie Butterworth
Co-host with a focus on contemporary and historically informed performance; appears across episodes as interviewer and commentator.
Charlotte Gardner
Contributor and host with emphasis on listening-room style conversations and artist-centered discussions.
Martin Cullingford
Senior editor/host; often guides conversations and provides editorial framing for contemporary music topics.

Reviews

4.3 out of 5 stars from 280 ratings
  • Sound quality during interviews

    While I Write below several years ago complaining about sound quality and see that others have done the same, I’m astonished that this still hasn’t been addressed. It’s not rocket science, use clip on microphones or hanging from above, just closer to the people. The echo is terrible and the whole experience of the podcast negatively influenced. Please, Gramophone, address this.

    These podcasts are often interesting but severely let down by really bad sound quality during the interviews with art... more

    Apple Podcasts
    3
    Gromit123
    United Kingdom10 months ago
  • The one indispensable

    I can’t imagine my musical life without this wonderful journal

    Apple Podcasts
    5
    Laurencewjames
    Canadaa year ago
  • Audio volume problem

    On the John Rutter episode (the only one I’ve listened to so far), the volume of the conversation was quite low, but the music excerpts were way too loud. How about equalizing those aspects?

    Apple Podcasts
    3
    ArtTom
    United Statesa year ago
  • Illuminating

    Love the insights offered New York musicians on their recordings

    Apple Podcasts
    5
    James_jazzy
    United Statesa year ago
  • Absolutely brilliant

    I’m not a newcomer to Classical music, but these podcasts and the Gramophone magazine have educated me. Just listened to the one on Schubert, and to think that I knew little of his music…so informative!

    Apple Podcasts
    5
    jamaisdelavie
    Australiaa year ago

Listeners Say

Key themes from listener reviews, highlighting what works and what could be improved about the show.

Listeners praise the depth and range of conversations with leading musicians and writers.
Fans value the scholarly and performance-focused insights that go beyond surface-level interviews.
Recurring feedback notes uneven audio quality in some episodes; improvements in recent releases are appreciated.

Chart Rankings

How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.

Talking Points

Recent interactions between the hosts and their guests.

Joby Talbot and Craig Hella Johnson on setting Octavio Paz’s poem ‘Piedra de sol’
Q: And when deciding to set that, what was your approach, Joby, to thinking, how much of it is this mystical whole? How much are you almost depicting imagery that's described in a very sort of almost granular way at times?
The approach was to balance the epic scale with intimate, granular musical scenes; grounding the text in Spanish while allowing a wide array of textures and voices to convey both the grandeur and the intimate moments, so the poetry's flow could guide the musical decisions.
Joby Talbot and Craig Hella Johnson on setting Octavio Paz’s poem ‘Piedra de sol’
Q: So Craig, you obviously therefore had known the work for a long time. And then you were turning into it now. Did it, is it one of those works that evolves in your understanding and appreciation of it, the more you reflect on it as time goes by?
Yes, it evolves and continues to develop; the piece acts as a container that reveals more with time, and the more I engage with it, the more its vast, oceanic qualities deepen, especially as the performance and recording processes unfold.
Gavin Higgins and Grace-Evangeline Mason on the Three Choirs Festival
Q: What have you found rewarding about moving from brass to choral writing, and how do you approach composing for choir and orchestra?
Gavin discusses following opportunities and drawing inspiration from British choral tradition, noting similarities between writing for brass and voice, while acknowledging the unique challenges of writing for voices and the importance of personal voice within the established canon.
Gavin Higgins and Grace-Evangeline Mason on the Three Choirs Festival
Q: How is the structure of the residency designed to build familiarity and ongoing presence for the composer in the festival.
The structure is three years long, with each year introducing a new composer who engages with different ensembles and venues, ensuring continuity and visibility across the festival rather than a single premiere.
Gavin Higgins and Grace-Evangeline Mason on the Three Choirs Festival
Q: To start with, Gavin, why don't you tell us a bit about what your understanding of what it means to be the Three Choirs Associate Composer.
Gavin explains that the three-year cycle introduces a new composer each year who works with all three choirs and cathedrals, with a plan to embed the composer in the festival, build audience relationships, and culminate in a large-scale commission by year three.

Audience Metrics

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Frequently Asked Questions About Gramophone Classical Music Podcast

What is Gramophone Classical Music Podcast about and what kind of topics does it cover?

The show features in-depth conversations with leading musicians, composers, conductors, critics, and authors in the classical music world. Episodes frequently explore repertoire, performance practice, festival and commissioning ecosystems, and the personal journeys behind acclaimed recordings and projects. A notable strength is its ability to pair intimate artist interviews with broader cultural and institutional contexts (like major festivals, venues, and recording projects), often weaving historical perspective with contemporary practice. This combination makes it a strong fit for listeners who want not just a recital of achievements, but insight into creative process, programming decisions, and the evolving classical music landscape.

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How many listeners does Gramophone Classical Music Podcast get?

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Which podcasts are similar to Gramophone Classical Music Podcast?

These podcasts share a similar audience with Gramophone Classical Music Podcast:

1. Sticky Notes: The Classical Music Podcast
2. The LRB Podcast
3. Past Present Future
4. Philosophy Bites
5. In Our Time

How many episodes of Gramophone Classical Music Podcast are there?

Gramophone Classical Music Podcast launched 12 years ago and published 568 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

How do I contact Gramophone Classical Music Podcast?

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What guests have appeared on Gramophone Classical Music Podcast?

Recent guests on Gramophone Classical Music Podcast include:

1. Philipp von Steinaecker
2. Freddie De Tommaso
3. Charlie Lovell-Jones
4. Joby Talbot
5. Craig Hella Johnson
6. Jeremy Dibble
7. Bruce Liu
8. Gavin Higgins

To view more recent guests and their details, simply upgrade your Rephonic account. You'll also get access to a typical guest profile to help you decide if the show is worth pitching.

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