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The Cinematography Podcast

The Cinematography Podcast
Cinematography
Visual Storytelling
Visual Effects
Hollywood
Netflix
Hot Rod Cameras
Documentary Filmmaking
Lighting Techniques
Oppenheimer
Apple TV+
Marvel
Academy Awards
Wicked
Filmmaking
Filmmaking Techniques
Horror Films
American Primeval
The Last Of Us
Murderbot
Science Fiction

Art, Business, Craft and Philosophy of the Moving Image

PublishesWeeklyEpisodes430Founded12 years ago
Number of ListenersCategories
ArtsTV & FilmFilm InterviewsVisual Arts

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Artwork for The Cinematography Podcast

Latest Episodes

The Audacity DP Richard Rutkowski, ASC made Vancouver look like Palo Alto, used lens filters instead of special effects to create wildfires, and dramatized the themes of the show with spotlights and framing. Podcast highlights include: -How Richard a... more

Peter Deming, ASC on shooting Evil Dead 2 with director Sam Raimi and working with director David Lynch on Lost Highway, Mulholland Drive, and Twin Peaks. Find Peter Deming: Instagram @peter_deming Spider Noir is now streaming on MGM Plus and Amazon ... more

Cinematographers Darren Tiernan, ISC and Peter Deming, ASC are the DPs of Spider Noir, the new MGM Plus and Amazon Prime series starring Nicolas Cage as the hard-boiled 1930s New York detective version of Spider-Man. The character is based on Marvel ... more

James Laxton, ASC is the Academy Award nominated cinematographer of Moonlight. His latest project is Season 2 of Beef, the acclaimed Netflix series created by Lee Sung Jin. This season explores themes of love, class, and generational cycles. Key Podc... more

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Recent Guests

Peter Deming
ASC, acclaimed cinematographer
Self
Episode: Bonus Episode: Peter Deming, ASC
Darran Tiernan
Cinematographer on Spider Noir, ISC
Spider Noir
Episode: Shooting in the dark: the making of Spider Noir
James Laxton
Academy Award-nominated cinematographer for Moonlight, DP on Beef Season 2
Beef (Season 2)
Episode: James Laxton, ASC Frames Class and Generation Gaps in Beef 2
Krzysztof Trojnar
Cinematographer of Something Very Bad is Going to Happen
Netflix / Production team for Something Very Bad is Going to Happen
Episode: Evoking dread in Something Very Bad is Going to Happen
Lawrence Sher
Cinematographer of Apex (ASC)
Apex (Netflix)
Episode: Lawrence Sher ASC: filming Apex in the Australian wilderness
Tari Segal
Cinematographer on Margo's Got Money Troubles
Margo's Got Money Troubles (Apple TV+)
Episode: Tari Segal, ASC: visual magic in Margo’s Got Money Troubles
Greta Zozula
Cinematographer for The Testaments
The Testaments / Hulu
Episode: DP Greta Zozula on the look of The Testaments
Sean Harris Oliver
Writer and producer of Hunting Matthew Nichols
Hunting Matthew Nichols (film)
Episode: The scrappy, indie production of Hunting Matthew Nichols
Justin Sebastian
Cinematographer for Hunting Matthew Nichols
Hunting Matthew Nichols (film)
Episode: The scrappy, indie production of Hunting Matthew Nichols

Hosts

Ben Rock
Host of CinePod and The Cinematography Podcast; experienced filmmaker and podcast host
Ilya Friedman
Co-host and producer with deep industry background; frequent collaborator with Hot Rod Cameras

Reviews

4.7 out of 5 stars from 287 ratings
  • Great for professionals as well as BTS fans

    The hosts never fail to keep the conversation with their guests informative without getting too technically dry.

    Apple Podcasts
    5
    hapadave
    United States2 years ago
  • Great conversation

    This is a great podcast. The guys know their stuff and it is an unvaluable resource for filmmakers and movie buffs. Cheers from México.

    Apple Podcasts
    5
    Carl Zand
    Mexico2 years ago
  • Brilliant show

    Ben and Illya are so informed on the film making process that their questions are always spot on, and exactly what we fans of cinematography want to hear. I really enjoyed being interviewed by Ben about Late Night With The Devil. I’m not comfortable in the spotlight, but he asked such interesting questions that I was quickly at ease. I love this podcast. Get on it people!

    Apple Podcasts
    5
    Lobo Solitaria
    Australia2 years ago
  • Yikes

    This podcast is not for you if you work in the industry and want meaningful, reasonably deep conversations. These guys are hard to listen to. I don’t know why they called this “the cinematography podcast” when neither of them are cinematographers or even have a reasonable knowledge of the craft to begin with.

    If you want to listen to two dudes talk about random current events for 15 minutes before bringing the guest in, go for it. The interviews have basically no depth and sometimes don’t go m... more

    Apple Podcasts
    2
    Kfal
    United States3 years ago
  • Great insights!

    I’m not in the industry at all. Just a movie dork and love all aspects especially how movies “look.” Anyway, always interesting guests and love when they get “inside baseball” about the creative process, lenses, and the rants! Thanks guys

    Apple Podcasts
    5
    ClarkWashington
    United States4 years ago

Listeners Say

Key themes from listener reviews, highlighting what works and what could be improved about the show.

Appreciated for depth on gear, lenses, lighting, and collaboration, with strong host rapport
Top-tier guests who share real-world production insights and problem-solving on set
Mixed reception on banter or pacing in some episodes, but consistently high-quality interviews
Engaging, technically rich conversations with actionable takeaways for working DPs

Chart Rankings

How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.

Talking Points

Recent interactions between the hosts and their guests.

Shooting in the dark: the making of Spider Noir
Q: How did you approach shooting two versions (color and black-and-white) simultaneously?
We treated it as two shows in one, using LUTs, color tests, and parallel prep to align everyone. We monitored color and B&W on different monitors and sometimes watched takes in both to ensure consistency and emotional impact across versions.
James Laxton, ASC Frames Class and Generation Gaps in Beef 2
Q: Why did you choose the Alexa 230/265 large format, and how did it inform the storytelling?
The large-format choice facilitated grand, portrait-like visuals that could carry the through line of perspective across different seasons, while still allowing for practical movement on set, enabling fast transitions between handheld, steadicam, and sticks without sacrificing camera language.
James Laxton, ASC Frames Class and Generation Gaps in Beef 2
Q: So to start with, what led you to the project to work on Beef Season 2?
Laxton emphasizes a kinship with Sunny's vision from season one and the desire to honor Beef's established visual language while expanding it for season two, driven by the script's big ideas and the goal of presenting characters as larger-than-life symbols within a human story.
Bonus Episode: Peter Deming, ASC
Q: Let's dive a little bit into your career leading up to this, and I'm just always fascinated to know, at what point in your life did it occur to you that being a cinematographer was a job you could pursue?
Deming describes realizing a passion for camera work in his youth, his decision to move to LA, and his time at AFI where he focused on cinematography, ultimately choosing it over directing as his path.
Evoking dread in Something Very Bad is Going to Happen
Q: How did you approach the camera's relationship to the lead character?
We built a guidebook for shooting Rachel that prioritized a continuous, immersive 'Rachel shot' using Steadicam, evolving to rolling/gimbaled and eventually handheld/body rig as the narrative deepened, always keeping the camera as a subjective extension of her experience.

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Frequently Asked Questions About The Cinematography Podcast

What is The Cinematography Podcast about and what kind of topics does it cover?

This show centers on cinematography, production design, and on-set storytelling, often featuring veteran and emerging DPs, directors of photography, and industry leaders discussing how look, lighting, and camera language shape storytelling. Episodes blend technical detail with practical production insights—from lens choices and lighting strategies to collaboration with directors, designers, and post teams. A standout is the host pair's ability to pull expert practitioners into accessible, actionable conversations, with guests ranging from indie project crews to high-profile TV and feature productions. The format often weaves in production challenges, gear talk, and industry shifts, making it valuable for professionals seeking hands-on knowl... more

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How many listeners does The Cinematography Podcast get?

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Which podcasts are similar to The Cinematography Podcast?

These podcasts share a similar audience with The Cinematography Podcast:

1. Team Deakins
2. IndieWire's Filmmaker Toolkit
3. The No Film School Podcast
4. The Director’s Cut - A DGA Podcast
5. Frame & Reference Podcast

How many episodes of The Cinematography Podcast are there?

The Cinematography Podcast launched 12 years ago and published 430 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

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What guests have appeared on The Cinematography Podcast?

Recent guests on The Cinematography Podcast include:

1. Peter Deming
2. Darran Tiernan
3. James Laxton
4. Krzysztof Trojnar
5. Lawrence Sher
6. Tari Segal
7. Greta Zozula
8. Sean Harris Oliver

To view more recent guests and their details, simply upgrade your Rephonic account. You'll also get access to a typical guest profile to help you decide if the show is worth pitching.

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