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Frame & Reference Podcast

Frame and Reference Podcast
Cinematography
Lighting Techniques
Film Production
Documentary Filmmaking
Lighting
The Handmaid's Tale
Filmmaking
Film Industry
Film Festivals
Production Design
Knives Out 3
Film School
Mr. Crocket
VFX
Bugonia
Avatar: Fire & Ash
Visual Effects
Daredevil: Born Again
September 5
Anamorphic Lenses

Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan. Each episode dives into the respective DP's current and past work, as well as what influences and inspires them. These discussions are an entertaining and informative look in to the world making films through the lens of the people who shoot them.

PublishesWeeklyEpisodes247Founded5 years ago
Language
Norwegian
Number of ListenersCategories
TV & FilmFilm Interviews

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Latest Episodes

My good friend Brandon Cox RETURNS for episode 252 of Frame & Reference to talk about his work on RZA's "One Spoon of Chocolate" and a whole lot more.

Enjoy!

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Today I'm joined by the incredibly talented Tom Ford, cinematographer of the new indie film "Urchins" .

Enjoy!

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This week for the TWO HUNDRED AND FIFTIETH episode of Frame & Reference we've got Natasha Braier on to talk about her work on I Love Boosters as well as her cinematography education platform "Deep Light".

Enjoy!

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TREMENDOUS news! This week we have the absolutely wonderful Pete Konczal, ASC on the program to talk about his work on Black Rabbit, House of Cards, and more!

Enjoy!

► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠... more

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Key Facts

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Recent Guests

Tobias Datum
DP known for Murderbot
DP on Murderbot
Episode: 248: "Murderbot" Cinematographer Tobias Datum
Christian Sprenger, ASC
DP of Widow's Bay
Widow's Bay (Cinematography)
Episode: 247: "Widow's Bay" Cinematographer Christian Sprenger, ASC
Darran Tiernan
Cinematographer on Spider Noir
Spider Noir / Frame & Reference
Episode: 246: "Spider-Noir" Cinematographers Darran Tiernan & Peter Deming, ASC
Peter Deming ASC
Cinematographer on Spider Noir
Spider Noir / Frame & Reference
Episode: 246: "Spider-Noir" Cinematographers Darran Tiernan & Peter Deming, ASC
James Laxton
Cinematographer, Beef Season Two
ASC
Episode: 245: "Beef" Season 2 Cinematographer James Laxton, ASC
Mark Wolf
Cinematographer, BSC
BBC / Frame & Reference interviewee
Episode: 244: "Lord of the Flies" Cinematographer Mark Wolf, BSC
Richard Rutkowski, ASC
Cinematographer interviewed about The Audacity
The Audacity (DP for the show)
Episode: 243: "The Audacity" Cinematographer Richard Rutkowski, ASC
Phil Arntz
Aerial cinematographer
Episode: 242: Aerial Cinematographer Phil Arntz
Tari Segal
Cinematographer, ASC
Episode: 241: "Margo's Got Money Troubles" Cinematographer Tari Segal, ASC

Host

Kenny McMillan
Host of Frame & Reference

Reviews

4.7 out of 5 stars from 42 ratings
  • Kenny is good at this

    Kenny says in the podcast that he pretends that his questions are to sate his audience’s curiosity, but it’s really just things he wants to know in order to be a better DP. That’s what good interviewing is, though, so I hope he keeps following his own curiosity.

    Apple Podcasts
    5
    Theaveragedave
    United States2 years ago
  • Great information and behind the scene stories

    I’ve been bingeing these episodes for a few weeks now so it must be pretty good.

    Apple Podcasts
    5
    Melvin of the Apes
    United States3 years ago

Listeners Say

Key themes from listener reviews, highlighting what works and what could be improved about the show.

Fans cite strong curiosity-driven questions from the host, elevating DP education.
Listeners praise behind-the-scenes storytelling and practical storytelling insights.
Show consistently features high-caliber cinematographers and diverse styles, keeping conversations fresh.

Chart Rankings

How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.

Talking Points

Recent interactions between the hosts and their guests.

247: "Widow's Bay" Cinematographer Christian Sprenger, ASC
Q: What was the core philosophy behind the look development for the show?
The core philosophy was to let the audience work a little to figure out the tone, using restrained, grounded cues rather than obvious jokes or scares. They built a Look Bible as a collaborative tool to communicate the world, then used testing, color science, and selective lens choices to achieve a distinct, evolving look that blends nostalgia with contemporary sensibilities.
248: "Murderbot" Cinematographer Tobias Datum
Q: What new challenges did Murderbot present for you as a cinematographer, especially given its sci‑fi context?
The core principles stay the same: do your homework, plan, and be ready to adapt. The sci‑fi elements mainly test your ability to design believable environments with LED walls, practicals, and VFX integration while keeping the actors' performances at the center.
246: "Spider-Noir" Cinematographers Darran Tiernan & Peter Deming, ASC
Q: What was the balance between chasing a traditional noir aesthetic and using modern digital technology?
We treated film stock as two separate palettes, embraced the authenticity of period lighting, and used digital tools to support, not replace, the noir language, preserving a timeless feel while allowing contemporary storytelling.
246: "Spider-Noir" Cinematographers Darran Tiernan & Peter Deming, ASC
Q: How did you approach pre-production to establish the noir look for Spider Noir?
We gathered countless visual references, ran tests, and created two distinct LUTs to govern the black-and-white and color looks, ensuring every department understood the palette and mood from the outset.
242: Aerial Cinematographer Phil Arntz
Q: What have you learned from working with high-profile DPs like Tom Cruise or Claudio Miranda?
The key takeaway is that there isn't a one-size-fits-all approach; you must adapt to each director and project, blending exploration with pre-visualization and on-site testing to achieve authentic, high-impact moments.

Audience Metrics

Listeners, social reach, demographics and more for this podcast.

Listeners per Episode
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Frequently Asked Questions About Frame & Reference Podcast

What is Frame & Reference Podcast about and what kind of topics does it cover?

Frame & Reference is a conversations-focused series hosted by Kenny McMillan that pulls back the curtain on cinematography. Episodes center on DPs discussing their latest work, creative processes, gear choices, and collaboration with directors, often touching on look development, lighting strategies, preproduction planning, and the evolution of camera technology. The show stands out for its deep, practical dives into both the artistic and technical sides of capturing visuals, with guests ranging from seasoned noir specialists to writers and directors who shape a project's aesthetic. It's especially valuable for aspiring DPs, camera operators, and other film professionals seeking candid, hands-on insights from practitioners at the top of the... more

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Which podcasts are similar to Frame & Reference Podcast?

These podcasts share a similar audience with Frame & Reference Podcast:

1. Team Deakins
2. The Cinematography Podcast
3. IndieWire's Filmmaker Toolkit
4. The Director’s Cut - A DGA Podcast
5. Scriptnotes Podcast

How many episodes of Frame & Reference Podcast are there?

Frame & Reference Podcast launched 5 years ago and published 247 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

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What guests have appeared on Frame & Reference Podcast?

Recent guests on Frame & Reference Podcast include:

1. Tobias Datum
2. Christian Sprenger, ASC
3. Darran Tiernan
4. Peter Deming ASC
5. James Laxton
6. Mark Wolf
7. Richard Rutkowski, ASC
8. Phil Arntz

To view more recent guests and their details, simply upgrade your Rephonic account. You'll also get access to a typical guest profile to help you decide if the show is worth pitching.

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