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Artwork for 千语千寻DAQIAN'S TALK

千语千寻DAQIAN'S TALK

王二戳

一档由两个95后艺术行业“资浅”从业者二戳、漠娜主持的半官方播客。从美术馆小学徒的视角,来聊聊我们在一家东方哲思下的美术馆里,遇到的有趣的艺术家,有趣的展览,有趣的思想。主播:二戳(微博:@绝赞勉强中)漠娜(公众号:@暂时美术馆)公众号/微博/抖音:@大千当代艺术中心收听平台:喜马拉雅/小宇宙App/苹果播客/网易云音乐

PublishesTwice monthlyEpisodes7Founded4 years ago
Language
ZH-CN
Categories
DocumentaryArtsVisual ArtsSociety & Culture

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Artwork for 千语千寻DAQIAN'S TALK

Latest Episodes

千语千寻播客首次出外景了!我们来到有“微博第一画家”之称的薛继业老师工作室,一边喝茶,一边撸猫。上月,“老薛小画——玩物养知”在大千画廊正式开幕,老薛也借“玩物”这一看似戏谑的人生态度,构建了以笔作口侃侃而述的新“文人画”世界。老薛说跟他采访,笔访一百字,面访长篇小说。本期播客只从这次聊天中截取了1/3的长度,但精彩程度已不亚于以往任何一期。适合煮一碗面,轻松侃,慢慢听。

嘉宾:薛继业(画家、雕塑家)

01:07  自媒体兴起了,我也开始画水墨了09:22  画钟馗就是因为“好卖”10:14  ... more

插画行业,仿佛是创作者们在实现“艺术自由”前,首先实现“面包自由”的一个可靠途径。当媒介模糊了艺术与商业的界限,离开乌托邦,脚下沾满泥土,你是否还能仰望当年的星光?我们邀请了前驻馆策展人天墨,聊聊他从美院的课程学习,到驻馆策展时的兼职创作,以及彻底拥抱自由后的挣扎与收获。

嘉宾:天墨(自由插画师,前驻馆策展人)

4:02  从经书到艺术流派,溯源插画的来龙去脉8:04  插画师之道:在艺术家与设计师之间反复横跳10:29  艺术家做插画,是降维打击,还是离开乌托邦?17:15  内卷严重的插画行... more

眼前的水不是水,你说的墨是什么墨?丛老师最近策划了一个打破我们传统“水墨”印象的展览,召集了徐冰、田黎明、李津、刘庆和、展望、武艺、史金淞、汤南南等一众中国当代艺术大咖,而展品除了传统的架上,还有雕塑、装置甚至实验影像。我们正好也借此机会和他聊聊:为何在当代艺术的语境下,水墨已经不仅仅是一种材质了?而它的多元性又如何理解?

嘉宾:丛涛(中央美术学院艺术史博士,北京大学社会学博士后,大千当代艺术中心学术总监)

封面图:当代水墨艺术家李津《足食者》 (局部) • 本期你将听到 • 00:21  嘉宾... more

一到春秋,就仿佛到了“怀疑人生”的季节,各大国内外拍卖市场风起云涌,几个“小目标”就为买一张纸,豪车名表在其面前不值一提。关于拍卖行,我们听说了太多传说,却不知其真实面貌。拍卖行的工作看似飘在云端,实际上更需要脚踏实地地耕耘。其实一家伟大的拍卖行,往往还有着超越交易层面的历史使命。这一期节目,我们邀请一位拍卖公司的朋友,为大家揭开它的神秘面纱。

嘉宾:伊人

1:30  嘉宾介绍:一场改变“命运”的拍卖会7:42  工作日常:我在拍卖行译梵文15:10  我有一幅祖传的画,能拿给拍卖行上拍吗?17... more

常玉成为2020年度交易额冠军的艺术家,他本人也渐渐变成社交媒体上一个不再小众的谈资。作为上世纪前期赴法留学的一员,我们不禁联想起徐悲鸿、林风眠、吴冠中、刘海粟等同期的艺术先驱,揭开他们脸谱化的一面,聊聊他们对艺术策略的抉择与艺术使命的自觉,以及带给中国年轻艺术家的启示。

嘉宾:丛涛(中央美术学院艺术史博士,北京大学社会学博士后,大千当代艺术中心学术总监)

0:23 嘉宾介绍

2:08 为什么我们现在开始喜欢常玉了?

5:40 那届留法学生,背负的是救亡图存的使命

9:05 灵魂拷问:古典还... more

展览太多了,到底怎么看呀!对于这个问题,艺术从业者的我们也给出了多种多样的答案。观众需要什么样的“网红展”?去逛美术馆到底意义何在?为了让你走进美术馆,策展人都是怎么想的?我们抓来了大千的副馆长张锐来一起讨论讨论。

嘉宾:张锐(大千当代艺术中心副馆长)

0:58 嘉宾介绍:我在翡冷翠学艺术

5:05 你的看展初体验如何?

10:50 作为业内人士,你如今是怎样看展的?

17:00 我们其实很需要“网红展”

25:20 “网红展”是艺术与技术的错位?

27:44 “大师巡回展”跟“IP展”,好... more

毫不避讳地说,我们是北京一家民营非企业美术馆——大千当代艺术中心的员工,我们在这个节目里会邀请到一些和大千相关的艺术圈朋友们加入我们的聊天话题。但是呢,因为我们实在只是两个“nobody”,从业经历也尚浅,我们个人的言论其实也不能完全代表这家美术馆。只是我们更加想借助这个平台,“站在巨人的肩膀上”,去邀请我们在工作中遇到的,想要去深入交流的朋友们。

封面图来自微博@局外人视频

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