Paradoxes in an Ancient Landscape: What a Welsh Mountain Taught Me about God & the World

In the final episode of Paradoxes in an Ancient Landscape, Mark considers what it means to inhabit paradoxes. Introducing the Welsh ideas of hiraeth (longing) and tangnefedd (peace), he identifies living within the paradoxes of our faith with the Sab... more

The paradoxes encountered on Cadair Idris offer a timely lesson about a central feature of the Christian faith: that God created seemingly opposing things--heaven and earth, sun and moon, land and water, man and woman--to share in a kind of nuptial u... more

As Mark returns home from Cadair Idris, he considers how all the wonders he had seen consisted of the most commonplace materials: water, earth, air, and fire. Natural wonders always consist of ordinary things and costs the earth nothing, unlike our o... more

As Mark heads down Cadair Idris and back to civilization, he reflects on the ordinary and the commonplace. Despite our thirst for wonders and extraordinary experiences, it's actually in the everyday and commonplace that we grow and flourish. Christ's... more

Mark finally makes it to the summit of Cadair Idris and takes in the amazing views all around them. Reflecting on the nature of wonder, he argues that our world needs to rediscover a "sense of wonder" in order to escape loneliness and our incessant n... more

Mark uses the Norman font at Brecon Cathedral to discuss how the paradox of silence and words are resolved in baptism and how they have been related to the Incarnation of Christ.

Cadair Idris is a mountain of myths and legends: the chair of the giant Idris Gawr and the hunting grounds of Gwyn ap Nudd's hounds. Mark considers how words inscribed into landscapes become explosive, shaping us in fundamental ways.

What’s more silent than a mountain on a still night? Mark ponders the silence he experienced as he sat by his tent in Cwm Cau on Cadair Idris and what it tells us about our own inner silence and the silence we know as God.