A place to explore, reimagine and exchange ideas about culture through conversations. We invite artists, cultural practitioners and other thinkers to discuss themes connected to the Roberts Institute of Art (previously DRAF) programme and works in the David and Indrė Roberts Collection. Through dialogue, research and personal stories this podcast series dives into those elements that shape contemp... more
Publishes | Twice monthly | Episodes | 27 | Founded | 5 years ago |
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Categories | BusinessArtsCareersVisual Arts |
Osman Yousefzada’s poem, Untitled (for Prem), is written in response to Prem Sahib’s User_01 (2016), a panel of black aluminium covered with drops of resin that look like sweat and moisture, smudged in one part as if by a hand. The work’s eroticism, ... more
Marina Warner’s Pentimento is written in response to Paula Rego’s drawing in pencil and conte, St Mary of Egypt (2011) and tells the story of the little-known saint from fragments of reports of those who knew and remembered her. Knowing Rego’s love o... more
Heather Phillipson’s The Creeps is written in response to Emma Talbot’s How the Web was Woven (2009), an acrylic on canvas work with a variety of vignettes, spider webs, texts and mysterious figures. Reflecting the haunting, unsettling atmosphere in ... more
Julie Ezelle Patton’s Three Phases of Eva, 1965 is written in response to Eva Hesse’s Three (1965), a triptych of gouache and oil on paper collage. Patton takes Hesse’s triptych and title to structure the poem in three, imaginatively exploring Hesse'... more
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #237 | |
Apple Podcasts | #209 | |
Apple Podcasts | #218 |
Listeners, social reach, demographics and more for this podcast.
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the Roberts Institute of Art launched 5 years ago and published 27 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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