
「財團法人臺港經濟文化合作策進會」特別節目《我城與我們》,由藝評家、策展人,同時也是文化合作委員會召集人謝佩霓主持,邀集20名臺港知名的文化人進行十場跨世代、跨領域的對談,分別從文學、電影、流行音樂、古典音樂、表演藝術,甚至飲食文化、漫畫以及教育等主題,透過彼此交織出的不同視角,一起尋找並建構兩地藝術與文化的更多元發展。 【《我城與我們》為「財團法人臺港經濟文化合作策進會」委託鏡好鏡製播】 每週一和四,上線全新一集 | 收聽更多《我城與我們》精彩節目: www.mirrorvoice.com.tw/podcasts/139 | 瞭解更多臺港訊息,追蹤「走台步」FB專頁: www.facebook.com/TaiwanStep/ | 財團法人臺港經濟文化合作策進會 官網:www.thec.org.tw | 「鏡好聽」合作來信:voiceservice@mi... more
| Publishes | Twice weekly | Episodes | 11 | Founded | 4 years ago |
|---|---|---|---|---|---|
| Language | Category | Arts | |||

「房子是反映城市的一面鏡子,而你怎麼面對你的房子,也代表你怎麼面對你的文化。」
你是用什麼樣的方式來認識你所居住的城市?
對客家建築與文化有深入研究的陳板,多年來不斷用相機紀錄著台灣的客家建築,還曾特別跑到香港去考察當地的客家民宅,他指出一個房子不只承載著文化,也會把所有居住者的力量和認同感都聚集起來;來自香港的攝影師謝至德同樣也從影像出發去記錄香港的城市地貌,他說香港人的命運就是不斷遷徙,因此於2019年獨自遷徙到台灣,開始人生的藝術之旅計劃「滾動人生」(「滾動」為廣東話諧音「感動),以... more
「文化人或者創作人,他只要能夠創作出發亮的東西,大家就會看到。」
對香港流行樂的印象,你是從哪個時期、哪首歌開始?
馬芳說自己接觸香港流行樂是自己小學時,從七十、八十年代的《追趕跑跳碰》、《天才與白痴》及後來的《楚留香》等港片的電影歌曲開始,而長大之後開始關注香港的獨立音樂與樂團,包括單立文、泰迪羅賓,之後的達明一派、My Little Airport、黃衍仁、雞蛋蒸肉餅、觸執毛等等。馬芳指出香港玩獨立音樂的這些人,他們更有一種時代先鋒感,能讓他感覺到某種潮感,一種站在時代風頭浪尖的潮。 more
「表演場館要找到與城市的連結,表演藝術才能走到民眾的生活裡。」
在香港從事藝術管理工作多年的黃國威,2021年年中決定來台發展,出任「衛武營國家藝術文化中心」營運副總監,到任時發現衛武營有很開放的場域,很多民眾都會在場館週邊晨運散步,因此開始思考怎麼去利用不同的公共空間,提供服務給他們,讓這些人可以看到場館內的展演活動。
擁有逾30年豐富藝術行政管理經驗的邱瑗,於2018年接掌「臺中國家歌劇院」藝術總監,認為要營運場館必須要先認識這座城市,另外也指出現今台灣已進入場館年代,包含與表演團隊的共... more
「所有的教育其實就是人的教育,到最後都是生活教育與生命教育的疊合。」
你曾經是大人眼中的「乖」學生嗎?你會怎麼定義乖或不乖?
香港視覺藝術家潘大謙說自己從小就被當成「不乖」的小孩,大學在臺灣師大就讀時,因為不肯修改教授覺得有異議的作品,差點畢不了業,如今卻在所謂體制內的教育單位教書,不過他也指出所謂「問題學生」的出現都可以在教育的源頭找到答案。而自小被大人視作乖小孩的蘇仰志,美術本科出身,不過很早就確定自己想當藝術家而不是教人藝術的老師,以「不太乖教育節」打響名號後,創立了一所體制外的不太... more
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謝老師的節目,也請到不少嘉賓,好棒👍!
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