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Artwork for THE LAST SOUND最後的聲音

THE LAST SOUND最後的聲音

白色恐怖景美紀念園區導覽家族

死刑,徹底剝奪一個人生存的狀態,是威權政府懲罰異己、嚇阻人民最嚴厲的手段。現今,當我們在討論白色恐怖政治受難者的喪命之地時,最為人所知的,是位於台北市青年公園附近的馬場町刑場。實際上,在漫長的白色恐怖歷史當中,馬場町刑場僅使用了五年,1954年以後,當局在新店市郊建立了另外一個刑場取代馬場町,直到1989年仍有執行死刑的紀錄──此即安坑刑場,現為新店區第三公墓。 相較於具有高度象徵性的馬場町刑場,安坑刑場使用時間長達三十五年,來自不同地域、活過不同時代的政治受難者,皆在此地嚥下最後一口氣,卻鮮少人知曉,亦已無法辨別行刑的確切位置。面目全非、歷史感薄弱,是大部分不義遺址的現狀,我們將如何面對這個歷史已不可見的問題?本次辦理三天的聲音體驗工作坊,規劃兩次的實地走訪,第一次由聲音藝術家吳燦政帶領,透過聆聽並採集現地的聲音,建立個人對於安坑刑場現址環境的聽覺感受;第二次由白色恐怖研究者林傳凱,分... more

PublishesDailyEpisodes10Founded2 years ago
Language
Korean
Categories
HistoryCoursesEducation

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Artwork for THE LAST SOUND最後的聲音

Latest Episodes

傅如芝身為本次工作坊中唯一的女性受難者,她的歷程說來實在殘酷,在人與人彼此的猜忌之下,傅如芝最終所選擇的道路卻是通往死亡的不歸路,或許,在那個時代,沒有一個選擇是好選擇。 more

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2 years ago

傅如芝身為本次工作坊中唯一的女性受難者,她的歷程說來實在殘酷,在人與人彼此的猜忌之下,傅如芝最終所選擇的道路卻是通往死亡的不歸路,或許,在那個時代,沒有一個選擇是好選擇。 more

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2 years ago

1956年9月25日,因為參與地下黨被判處死刑的張璧坤,被從關押的牢房中叫了出來,他將知道他的人生或許要被迫走向終點了,他向被關在隔壁牢房的父親喊了一句:「阿爸,我先來走啊。」接著被帶離了押房。 more

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2 years ago

1956年9月25日,因為參與地下黨被判處死刑的張璧坤,被從關押的牢房中叫了出來,他將知道他的人生或許要被迫走向終點了,他向被關在隔壁牢房的父親喊了一句:「阿爸,我先來走啊。」接著被帶離了押房。 more

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2 years ago

「假如我是一個女人」這是在蔡志愿自白書裡面著墨最多的部分... more

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2 years ago

「假如我是一個女人」這是在蔡志愿自白書裡面著墨最多的部分... more

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2 years ago

白克一生,多次與白色恐怖擦身而過,深植於內的左翼思想,關於省籍與階級,電影與語言。若是想像白克刑前的最後五分鐘,真要凝結於某個時空,或許是兒子白崇亮眼中那個埋入單人沙發,聽著廣播聲寫作的父親的畫面。 more

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2 years ago

白克一生,多次與白色恐怖擦身而過,深植於內的左翼思想,關於省籍與階級,電影與語言。若是想像白克刑前的最後五分鐘,真要凝結於某個時空,或許是兒子白崇亮眼中那個埋入單人沙發,聽著廣播聲寫作的父親的畫面。 more

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2 years ago

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