见到艺术家尹秀珍时,她刚刚搬进位于北京顺义的新工作室。过去几年,由于疫情和拆迁,她和同为艺术家的丈夫宋冬、他们的猫狗、完成和未完成的作品,以及她为了创作收集来的成箱的旧衣,一直处于漂泊不定的状态。她热情地在工作室门口招呼我们,抱怨丈夫不接电话,介绍在院子里玩耍的小猫,她语速很快,带着京腔,又拘谨又熟络。
八月末正值北京酷暑,她也回忆起童年的夏天,住在京棉厂的宿舍里,躺在凉席上看星星,或者到厂里看大人织布。妈妈带回家的刀口布是她最早的创作材料,她裁剪、缝织它们,弄坏了就藏到箱底,不让大人发现。似... more
“还是个宝宝”与“我已经老了”出现在同一个年轻人的社交网络,“不想长大”与“好想死”可能是同一个成年人的日常感慨。如果说“延迟成年”已经构成了某种社会现象,那么一代人的年龄共识究竟从何而来?心理博主严艺家做客本期her edition ,为我们剖解年龄的迷思与成长的力量。
很多角度和层面的无意识让年轻人“不想长大”。当全世界都经历了与疾病有关的焦虑,人们会想要留存住一个相对青春健康的身体。在所谓的“垃圾时间”里,一个人可能会觉得要活久一点才能过上更好的日子。如果儿童时期上学像上班,内卷如职场,... more
在谷雨已过、立夏之前的明媚时节,我们与自然写作者欧阳婷一起来到莫干山,踏上了 edition 「归山野」之旅。短短两日停留,欧阳婷听到了夜鹰在夜色中的独特音符、白头鹎与北方同类迥异的浙江「方言」,也经历了与棕脸鹟莺、红头穗鹛等小鸟先知其音、再寻其踪的惊喜偶遇。
她背着望远镜和两个长长的相机镜头,早晚两次,在山间小径上上下下找鸟看鸟,为鸟拍照或录音。自然观察看起来总是开心愉悦,但对于职业的自然写作者而言,每一次观察都意味着收集、分类、处理海量素材;自然观察又是一项细致入微、永无止境的事业,树林每... more
1946年,罗马,一位名叫迪莉娅的女性被一记耳光唤醒,由此展开忙碌的一天。她若无其事地向施暴的丈夫问好,与满嘴秽语的公公轻松地开着玩笑,在嘈杂声中为丈夫和三个孩子做早餐。接着,她走出家门,为人打针、缝制衣服、修补雨伞,赚取收入,回家交给丈夫。每一天,她都往返于家庭内部和城市之间。每一天,都是全新的。每一天,又是相同的。这就是意大利电影《还有明天》讲述的故事,它展现了二战后一位普通意大利女性的生活图景:对糟糕的生活,报之以轻松、玩笑、姐妹间的闲谈以及从内心散发出来的生之快乐。
在本期节目中,我们... more
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Apple Podcasts | #178 |
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