
第52、53屆廣播金鐘獎雙料主持人,人氣犯罪心理學家,國立中正大學犯罪防治學系教授戴伸峰全新節目《犯罪浮世繪》上線! 戴老師長期致力於犯罪心理學與人性心理學的運作研究,希望將這些研究成果轉化為科普知識,並透過案件分析與大家分享。 《犯罪浮世繪》以犯罪類型為主要軸線,運用經典的犯罪案例、科學的犯罪研究,以及溫暖的人性對話。更系統化、更具臨場感的體會個體在不同犯罪現場的心理運作與行為。首個系列「少年犯罪」便深入探討少年犯罪的法律、生理、心理、家庭、校園、團體等層面。 透過案例引導,解析犯罪背後的心理運作與法律規定,並提出反思問題,期許我們能夠建立對犯罪現象的多元觀點。 你想更瞭解犯罪背後的現象嗎?8/20起,每週三下午4點,請聽戴伸峰的《犯罪浮世繪》。 【🌟戴伸峰 簡介】 國立中正大學犯罪防治學系教授,日本慶應義塾大學國際合作研究專案學者,日本東北大學心理學博士,日本東北大學國際... more
| Publishes | Weekly | Episodes | 39 | Founded | 7 months ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | DocumentaryTrue CrimeSociety & Culture |

今天熱騰騰的「寵粉特輯」回答聽眾最敲碗的兩大主題!
✅ 女性帶小孩坐牢是真的嗎?
在台灣「攜子入監」其實是不得已的最後手段。戴老師分享在女子監獄中的收容人,常因毒品戒斷引發情緒失控;甚至會為了一支「沒水的原子筆」大打出手。而震驚社會的剴剴案、昊昊案,竟也與入監母親找不到合適托育有關?
✅ 日本黑道也面臨「高齡化」危機?
曾經稱霸一方的山口組,現在面臨「招不到年輕人」的窘境!堂口裡全是老人家,甚至因為太老沒人繼承而被迫解散⋯⋯
想聽戴老師分享他在女子監獄主持春酒的狂野經驗嗎?立即收聽本集... more
《美麗說法》不只談美,更要教你如何「自保」。
我們會深入剖析那些沒人敢說的醫美陷阱與必知 QA,拆解麻醉、合約到術後恢復的關鍵細節。
變美不該是一場冒險,讓我做你的把關者,確保你在追求自信的路上,安全下莊,安心變美。
—— 以上為 Firstory Podcast 廣告 ——
本集節目邀請到重磅來賓 Ruby 盧春如!這次她不談音樂,而是帶著新書《上帝的黑名單II:饕餮》來談人類最黑暗的一面「食人」。
為什麼有人會吃人?R... more
你一定聽過 1998 年震驚全台的「清大王水溶屍案」,但電影演的都是真的嗎?本集戴老師邀請到他的學霸老同學——北科大化工系方旭偉教授,來一場「化學與犯罪」的硬派對談!
本集亮點:
✅ 破解溶屍迷思:方教授從科學角度告訴你為什麼「王水」其實很難讓屍體完全消失?現代 DNA 技術又是如何讓凶手無所遁形?
✅ 比王水更駭人的「蝕骨水」:在台灣護國神山半導體產業裡,竟藏著一種叫「氫氟酸」的化學藥品,碰到皮膚當下沒感覺,卻會直接「吃掉骨頭」甚至導致心臟衰竭⋯⋯
✅ 活跳跳的蝦子不一定比冷凍蝦好?為了讓蝦... more
(這集最後面戴老師有回覆讀者留言喔!)
你以為「毒品」離你很遠嗎?戴老師要告訴你,這其實是一場組織嚴密的「成癮生意」!
絕大多數我們所熟知的毒品,原料都是來自植物,很便宜,但是為什麼最終售價如此昂貴?
本集節目大解密:
✅ 合法 vs 非法成癮:咖啡因、尼古丁也是成癮物質?戴老師從法律角度分析毒品的定義。
✅ 毒品也有品牌經營?揭開全球五大毒梟集團如何掌控 90% 以上的市場。
✅ 史上最長銷售鏈:為什麼毒品成本低卻賣超貴?因為一份海洛因到你手上前,可能已經轉手了 27 次。
想知道毒品... more
People also subscribe to these shows.
戴老師口條真好聽!
很感謝老師製作高品質的Podcast,成為我通勤的好夥伴!
另外有個疑問想要請教老師,就是在EP14「最好給他關到死」20:05處,有幾次提及「這些關很久的受刑人與『社區連結』⋯⋯」,想請問這個「社區連結」與「社會連結」是一樣的嗎?還是說這個「社區」單純就是指那些人所住的社區呢!謝謝老師!
戴教授的聲音分析案件真的太魔性了!希望節目長度可以加長,根本聽不過癮!
內容精彩!
聲音好聽
但是老師ㄧ直講「樣態」二字,
有點太綴…
老師口條清晰,內容精彩,一下就聽完了~謝謝😊
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犯罪浮世繪 launched 7 months ago and published 39 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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