指月之手
指月之手如人以手，指月示人。彼人因指，当应看月。 《指月之手》是一档聚焦于探讨创作过程的播客。聊聊东方文学，同时对谈创作者们，可能是作家，可能是画家，可能是策展人，可能是设计师。 我是出版品牌「万有清澄」的创始人，同时也是日语译者，翻译过《我是猫》《金阁寺》等作品。文字是有能量的，我一直相信。 月是彼岸花，手是渡河舟。如果你也是个创作者，痴迷于呈现内心那片月亮，不妨听听这个播客，也许会对你有所启发。
| Publishes | Monthly | Episodes | 24 | Founded | 9 months ago |
|---|---|---|---|---|---|
| Language |  ZH-CN | Number of Listeners | Category | Religion & Spirituality |
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Latest Episodes
本期节目，我邀请到了插画师芥末侠。她为我翻译的诗集《沙拉纪念日》绘制了封面。
将微不足道的小事赋予仪式感的气质，不仅存在于俵万智的诗里，也体现在芥末侠的画笔下。我们聊到了插画师观察世界的特殊视角，聊到了如何通过第三视角唤醒记忆，也聊到了在爱情与友情中那些不知如何开口的微小情绪。
我们总在试图记录宏大的目标和深刻的道理，却往往忽略了生活中的日常。希望这期节目能让你增加一些幸福感！
～芥末侠为《沙拉纪念日》（2026版）绘制的封面插图～
04:46 为什么是“沙拉”纪念日？沙拉是配角，是前菜... more
记录截然不同的售书体感😭
“你只管去行动，让世界来拓展你的想象力。”
“把书做好，剩余的交给时间。”
清澄～清澄～清澄～
片尾🎵
What A Diff'rence A Day Made by Dinah Washington
本期嘉宾
熊亮：绘本画家、写作者、讲故事的人。
代表作包括《游侠小木客》《和风一起散步》《中国节日绘本》等，作品兼具中国美学韵味与先锋创意，近年转向聚焦现代生活议题的故事创作，始终以纯粹的创作热情探索图文表达的更多可能。
2014 年 获国际安徒生奖（插画家奖）中国区提名
2018 年 作为首位中国画家入围国际安徒生奖（插画家奖）6 人短名单
2020 年 入围阿斯特丽德·林格伦纪念奖提名
2021 年 获第十九届百花文学奖散文奖
在本期，我和熊老师谈到他这些年反复“变来变去”的创... more
本期对谈的嘉宾是当代艺术家、中国艺术研究院的学者谷泉。
谷泉老师出版过多部关于中国传统艺术与文化的研究著作，同时也是《茶书》《侘寂》的译者。
本期从“什么石头是中国独有的”开始，讲述了中国传统文化中独有的浪漫：园林呈现的是漫步时的节奏；除了水，万物均可“漆”；金鱼从南宋时就开始在人工池塘驯化；宣纸敏感脆弱，但坚韧不拔；宋徽宗的“和（hè）香”已经脱离了味道的维度，可以控制烟雾……
当你心里升起绵绵景象，就不会被眼前的琐事推着走。如跑步时对 “力量凝聚” 的感知、对 “风动树叶” 所象征的生... more
本期我对谈的嘉宾是当代艺术家、中国艺术研究院的学者谷泉。
谷泉老师出版过多部关于中国传统艺术与文化的研究著作，同时也是《茶书》《侘寂》的译者。
本期是一场围绕着中国传统艺术而展开的漫谈——从书聊起，谈到了优美的中文写作、轻型纸到底好不好、书法应该怎么欣赏、禅宗精神在翻译时的体现；下期会聊到漆器、园林、宣纸、太湖石等，总之，谷老师讲述的中国艺术真是太迷人啦！
久闻谷泉老师大名，这次一聊，果然是一个特别好玩儿的人：用捡来的锅碗瓢盆做塔、用废弃的宣纸做雕塑……他说，舞蹈是通过严格训练后把身体放在... more
从羽生结弦的花滑舞台认识了野村万斋，被吸引了！本期聊聊MANSAI BOLERO（万斋波莱罗）、能乐中极有仪式感的「翁·三番叟」表演——安静的、几乎没有舞美的、动作幅度很小的、需要观众想象力去参与的独舞。
野村万斋曾在一次采访中说：“狂言可以说是一种徒手艺能。我们必须仅凭声音和肢体语言来演绎世间万事万物。”诞生于14世纪的传统形式，到现在也没有大的改变。
👂
04:58舞台上，不是用眼睛去看，而是用身体。
06:38表演时不仅要在乎观众，还要顾全整个会场氛围，将自己的意识扩展到整个会场... more
本期跟我对谈的是Angela，一位资深主持人、制作人。她做过几乎所有类型的节目，也主持过很多大场面，还经常给电影配音。某天她说她一直很想做播客，我极其诧异，在我看来这对她来讲简直“手拿把掐”。我太好奇是什么阻碍了她，见面聊了一会儿，非常感慨，录了这一期播客。
这期我们谈了谈在她“几乎无所不能”的领域里，为何在开启一个新形式（播客）时依旧犹豫。
也谈了“完美主义的包袱”“高手的自我设限”，试图寻找当能力成熟之后，怎样才能“允许自己笨拙地开始”。
👂
02:06从播音转向导演，拒绝只做“工... more
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