張軒誠的自然空間設計
張軒誠「厭倦了高壓的都市生活，渴望片刻的寧靜與呼吸嗎？」歡迎來到由張軒誠水景空間所設計的綠色療癒空間。本節目以張軒誠水景空間設計創辦人張軒誠 Jerry 為主體，由水族與綠植愛好者 Jack，aka 散時間創辦人提問與對談，我們相信，美好的設計不只應具備美學，更該成為生活的綠色處方箋。 我們將把焦點鎖定在綠植造景與水景設計兩大核心，從專業的角度，以深入淺出的方式，帶領你認識如何將最純粹的自然元素融入生活中。 無論你是水族玩家、植物迷，或只是單純對追求舒壓的居家氛圍感興趣，我們都會分享如何運用設計巧思，在都市的水泥叢林中，打造專屬自己的療癒小天地。 ✅綠色療癒實踐 ✅讓自然走進生活 ✅專業知識大眾化 ✅水景設計與綠植造景經營管理 【🌟張軒誠 Jerry 簡介】 張軒誠 Jerry，從事水景設計資歷超過 20 年，從小喜歡接觸所有關於大自然的事物，學生時期因為興趣而在水族館打工，從此便對... more
| Publishes | Twice monthly | Episodes | 15 | Founded | 7 months ago |
|---|---|---|---|---|---|
| Language |  Chinese (Traditional) | Number of Listeners | Categories | Home & GardenArtsDesignLeisure |
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Latest Episodes
水族業想找新出路，跟風改賣文青植栽、進駐百貨商場是個好點子嗎？
這一集，Jerry 要來戳破這個「轉型迷思」，告訴你為什麼一般水族館千萬別輕易嘗試！
本集重點：
✨ 假轉型真塞貨：只是去花市批發植物，在店裡擺幾棵鹿角蕨跟生態瓶，這是轉型嗎？
✨ 百貨專櫃的震撼教育：若沒有意識到這些事，進駐商場等於找死？
✨ 百貨客群大不同：水族玩家根本不會去百貨當「盤子」買生態瓶，那百貨賣的是什麼呢？
✨ 誰說水族是夕陽產業？
如果真的要進駐百貨商場，有可能做到像日本 ADA Lab 的精品等級嗎... more
想把水族作為生財之道，會遇上什麼生存難題？
本集 Jerry 帶你直擊水族圈的真實生態：
✨ 徵才荒謬事：水族業為何永遠缺人？
✨ Jerry 的意外旅程：Jerry 坦言當初根本不想開店，但為什麼現在還多開上格自然空間設計呢？
✨ 電商的唯一活路：水族電商若只拚低價會走入死胡同，那 Jerry 是怎麼看未來生存可能性呢？
想聽更多有趣的業界祕辛與創業血淚嗎？立即收聽！
___________
👉 聽完這集，你想加入張軒誠的水景空間設計？www.1111.com.... more
開一間水族館是很多人的夢想，但真的有「成功的 SOP」嗎？
本集精彩亮點：
✨ 成功無法複製？網路上總說開店有 SOP，Jerry 直言：「如果照著 SOP 就能成功，那世界上大家都成功了！」 甚至，開店有「失敗的 SOP」，但絕對沒有輕鬆賺錢的捷徑。
✨ 活體其實超賠錢：賣魚越賣越虧？那真正的利潤在哪？
✨ 業界防雷大公開：遇過員工離職順便帶走 50% 客戶的慘痛經驗？另外也告訴你為什麼千萬別跟網路工作室削價競爭！
想踏入水族產業？先聽完這集的震撼教育，再決定你要賭上新鮮的肝當老闆，... more
本集迎來節目首位重量級來賓——江湖人稱「行動的海鮮百科全書」、海洋大學水產養殖學系黃之暘副教授！
這集節目我們直球對決兩大震撼話題：
✨ 學界 vs. 業界的殘酷真相：
水產養殖系畢業的高材生，去水族館上班真的吃香嗎？Jerry 爆料實體店面的真實血淚，水族從業人員需要的不是學歷，而是正確的態度與素養。
✨ 上格水族撤店風暴大揭密：傳言 40 年老店上格水族要關門了？
Jerry 首度公開真實內幕——房東確實要把房子收回賣掉，但他居然只花一個禮拜就找到超讚的新店面！新店就落在台北市的好... more
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Taiwan5 months ago
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Apple Podcasts | #1 | Taiwan/Leisure/Home & Garden |
Apple Podcasts | #2 |  Hong Kong/Leisure/Home & Garden |
Apple Podcasts | #67 | Taiwan/Leisure |
Apple Podcasts | #100 | Hong Kong/Leisure |
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張軒誠的自然空間設計 launched 7 months ago and published 15 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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