藝論紛紛
咖啡貓AKA楊盈箴為什麼人們需要喜劇 有人說，喜劇是很危險的，就跟人生一樣危險。 不過，如果你應付得了人生，那試試看應付喜劇。 還有，如果你應付不了人生，那試試看在喜劇裡找到方向吧！ 以「分秒守護城市心靈」為立台宗旨的財團法人佳音廣播電台，111年將透過「藝論紛紛」節目，製播「喜劇人生」專題，透過主持人咖啡貓長年對喜劇作品的報導與熱愛，以喜劇類型、經典作品介紹為基底，同時邀訪國內從事喜劇領域相關工作人員（演員、導演、製作人、策展人⋯⋯等）前來節目分享甘苦談，期待帶領聽友透過本企劃具深度及親切的專題製播，不只能會心一笑，同時也能在作品中得到現實生活的溫暖救贖。 Powered by Firstory Hosting
| Publishes | Daily | Episodes | 33 | Founded | 4 years ago |
|---|---|---|---|---|---|
| Language |  Korean | Categories | Comedy InterviewsComedyArts | ||
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導演呂柏伸專訪。現為台南人劇團藝術總監，台灣大學戲劇學系專任講師的呂柏伸，長年積極推動「西方經典台語翻譯演出」、「莎士比亞不插電」及「尋找劇作家的台南人」等演出系列，一方面進行跨文化戲劇的實驗創作，... more
畢業於國立臺灣藝術大學戲劇學系、臺灣藝術大學應用媒體藝術研究所的尚安璿，主修藝術行銷、媒體行銷。曾與蔡明亮導演、廣藝基金會、表演工作坊、果陀劇場、Meimage Dance、楊景翔演劇團等表演藝術團體皆有長期合作。本集節目將請尚安璿暢談其推動的喜劇作品（如「單身租隊友」等。
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以推廣「即興喜劇」為主的新生一號劇團創辦者張世暘表示，舞台的即興表演通常指演員在排練過程中，在指定的狀況下，以人、地、事為主，發展角色的台詞、形象與行動，達成角色的目的。新生一號除了推動即興表演外，還策劃了《超即興》，演員將透過遊戲的方式與觀眾互動，並根據觀眾給予的指示，來發展多個即興短劇。他們要如何臨場發揮？突如其來的效果要如何能讓觀眾爆笑不已、無法自拔？請聽他的分享。
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漫才團體傻孩子宅急便專訪。傻孩子宅急便，自稱漫才界的是枝裕和，由劉向與LUKE兩位成員組成，擅長使用肢體及短劇形式作漫才演出，頗受漫才界熱烈喜愛。
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畢業於倫敦金匠大學表演創作研究所的鍾琪，表演的形式包括電影電視/劇場/歌唱/肢體劇場等，現為『瘋戲樂Cabaret』音樂劇演出的固定演員，以及『神祕失控人聲樂團』團員，擅長詮釋俏皮可愛又有些瘋癲的角色。
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畢業於國立台北藝術大學戲劇系，主修表演，現為大開劇團藝術總監的張丹瑋，長年透過計畫型的培育當地戲劇人才，將大開劇團發展成台灣中部極具指標性的表演藝術團隊。從小喜愛表演的丹瑋，她將表演視作是展現人生的藝術，至今已參與過逾數十齣舞台劇、電視廣告影片的演出和導演作品，動人且莣人發笑或發人深省的表演方式也擄獲了不少觀眾的心。
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阿卡貝拉出身的表演藝術工作者陳午明，近年來將表演工作拓展至音樂劇的製作，其在2021年初創下35場一票難求的經典外百老匯音樂劇I Love You, You'rePerfect, Now Change（LPC），精彩內容笑點不斷，2022年再次重返南村劇場，挑戰連演6個月、超過150場的定目長期演出。陳午明提到LPC的成功，讓定目劇在台灣有了實現的可能性。
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劇場出身的張碩修，會編會導會演，曾帶領著「渥克劇團」征服無數戲迷，近年來，他經營卡米地俱樂部，為台灣提供一個自由且多元表演喜劇的舞台，他最大的期待是「可以利用搞笑賺錢，因為從沒有達成過，所以仍值得期待。」其著作「喜劇攻略」一書，已是近年來想要從事喜劇表演新人的演出守則。
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Apple Podcasts | #205 |  Taiwan/Comedy/Comedy Interviews |
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藝論紛紛 launched 4 years ago and published 33 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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