
大家好!这是“夜航船”的第一期,它是由两位英文系教师高峰枫(北京大学)和但汉松(南京大学)共同创办的一档人文读书类播客。
和接下来每期“夜航船”的节目一样,我们试图用声音呈现这样一个小而美的世界:三个人,围绕一两本书,共同阅读,相互交流。由于本播客主要由高校老师在业余时间制作,所以它并不追求技术上的精致,或商业上的流量,而是希望恢复一种古老的清谈传统,一种因为书而激发的即兴对话。
* 特别感谢北大英文系乌兰托雅同学为“夜航船”设计的节目logo。
| Publishes | Monthly | Episodes | 24 | Founded | 2 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | DocumentarySociety & Culture |

最擅长拍男性英雄归家的导演克里斯托弗·诺兰(Christopher Nolan)终于将目光投向了西方文学正典的源头——荷马史诗《奥德赛》。这部耗资2.5亿美金的改编电影,引发了全球观众关于西方古典文学、神话与历史的热议。与此同时,大洋彼岸的公共舆论场上,不少英美古典学学者对诺兰新作集体“声讨”:艾米丽·威尔逊(Emily Wilson)在《伦敦书评》《大西洋月刊》连发锐评,直指改编背叛了荷马内核,丹尼尔·门德尔松(Daniel Mendelsohn)与玛丽·比尔德(Mary Beard)等学者也... more
2025 年的普利策小说奖授予了美国非裔小说家珀西瓦尔·埃弗雷特(Percival Everett)的《詹姆斯》(James)。普利策委员会称之为一部成熟而出色的《哈克贝利·费恩历险记》重思之作,它赋予那个“黑人吉姆”主体能动性,以揭示种族优越论的荒谬,并为家庭与自由的追寻提供一种全新的讲述。
这部小说的奇特之处,不仅仅在于它把马克·吐温那部美国文学正典从白人男孩哈克的第一人称,转换为被奴役者吉姆(或者说“詹姆斯”)的第一人称,也在于它让这个 1840 年代的密苏里黑奴获得了非同寻常的读写能力以... more
2026年5月,弗吉尼亚大学英文系教授、《新文学史》(New Literary History)前主编芮塔·菲尔斯基(Rita Felski)教授应邀在北京大学、山东大学、南京大学和上海交通大学作了多场学术讲座。本期《夜航船》借此机会,深入讨论菲尔斯基教授的名作《批判的限度》(The Limits of Critique, 2015;中译本,2023年),希望能对文学理论和文本解读等问题有进一步的反思。
我们这一期邀请的嘉宾,是北京大学外国语学院英语系助理教授刘微老师。刘微博士毕业于弗吉尼亚大学... more
这里,曾是茨威格笔下的“未来之国”。这里,有闻名遐迩的狂欢节与桑巴足球,有波萨诺瓦与热带雨林。这里是拉丁美洲面积最大的国家,也是全球人口最多的国家之一。可是,我们真的了解巴西吗?过去的十几年间,墨西哥三杰曾在奥斯卡斩获五座最佳导演奖、两座最佳影片奖,小金人拿到手软,媒体戏称“墨西哥入侵好莱坞”。相比之下,巴西电影在奥斯卡主流奖项中显得暗淡得多。比电影更沉默的,似乎是巴西文学。西班牙语世界坐拥十一位诺贝尔文学奖得主,葡语世界至今只有葡萄牙的萨拉马戈一人问鼎,而巴西这片诞生了克拉丽丝·李斯佩克朵和若... more
感谢但老师 感谢制作者
真的很用心了
哇哦 更新啦 是个人很感兴趣的话题啊!
听完立刻网购了《与父亲的奥德赛》。希望与这个播客一起出航,加入一个读书的集体。
一月一更太慢啦,求周更呜呜呜呜🥹🥹🥹🥹
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
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Listeners, social reach, demographics and more for this podcast.
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