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Artwork for Unfiltered – The Lee Fields’s Mixing Podcast

Unfiltered – The Lee Fields’s Mixing Podcast

UnfilteredLeeFields
API 2500
Waves Lv-1
Yamaha SPX 990
Live Sound
API (automation/processing Equipment)
Bass Guitar
DPA 4055
Drum Kit
Bus Compression

Unfiltered with Lee Fields is the audio podcast for engineers, creatives, and production leaders who refuse to settle for average. Hosted by Lee Fields — founder of BlackBox, a production consultancy partnering with technical, executive, and creative teams to design world-class audio, lighting, and video systems and co-founder and exiter of MxU— this show pulls back the curtain on what it actually... more

PublishesTwice monthlyEpisodes4Founded2 months ago
Number of ListenersCategory
Technology

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Artwork for Unfiltered – The Lee Fields’s Mixing Podcast

Latest Episodes

This week's a live Q&A straight from the console. Y'all sent in questions and I'm answering with tracks loaded, so when I say something, I'm showing you. Snare processing with other plugins, drum bus routing, delay compensation, OH's bleeding into to... more

Everyone talks about vocals. Everyone argues about drums.

But if you want to know why a mix feels powerful, stable, emotional, or expensive, start with the relationship between the bass and guitars.

In this episode of Unfiltered, Lee dives into one... more

How do you get toms to sound massive without wrecking your mix? When should you gate drums, compress overheads, or use parallel compression? And what makes the API 2500 one of the most respected bus compressors ever built?

In Episode 2 of Unfiltered... more

Welcome to Unfiltered, a new series from BlackBox built for the live audio and mixing community. Hosted by Lee Fields, this season goes deep—methodically unpacking the fundamentals, science, technique, and philosophy behind building a great mix.

No ... more

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Reviews

5.0 out of 5 stars from 61 ratings
  • Podcast Gold!

    Really appreciate what you’re doing, Lee. Thank you, my friend.

    I’ve been looking something like this for a long time. I love the entire premise of just being a fly on the wall while you’re talking through your thought process while mixing. Explaining your default moves, hearing your adjustments, even hearing you change your mind.

    More, please!

    Apple Podcasts
    5
    Dakota Ryerson
    United Statesa month ago
  • If you mix FoH, this is for you!

    With so many podcasts talking about mixing, finally we have one that is actually doing in real time what everyone else is talking about. I really appreciate Lee’s step by step process, allowing listeners to hear sources pre/post processing, hearing the difference in real time as he makes adjustments back and forth. Will be recommending this to everyone.

    Apple Podcasts
    5
    IainMcDermid
    United States2 months ago
  • The industry needed this

    This is truly what more people need to do. Thank you Lee Fields for going out of your way and giving us this. This is true ear candy! Cant wait for more episodes.

    Apple Podcasts
    5
    Crozbyz
    United States2 months ago

Chart Rankings

How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.

Apple Podcasts
#172
Australia/Technology
Apple Podcasts
#197
Switzerland/Technology

Talking Points

Recent interactions between the hosts and their guests.

Q&A - Part 1
Q: Emma Omany asks, what's the best way to make a lead mic sit on top of the mix without harshness?
Focus on mic choice and high-frequency balance at the source, then use gentle high-shelf adjustments and careful de-essing on the vocal chain; avoid overprocessing early and instead sculpt with dynamics and a touch of EQ to preserve clarity.
Q&A - Part 1
Q: Chachaboy asked, how do you create depth without the mix sounding like a brick wall?
Keep dynamics in the mix and use light bus compression with low ratios; then add harmonic content and subtle transformer/tape-like processing to introduce depth without over-squashing, verifying in live PA versus studio playback to ensure it remains musical.
Q&A - Part 1
Q: What are your thoughts on routing kick, snare, toms, and cymbals to dedicated buses for phase coherence?
Time-align groups so that all sources hit the main bus in sync; if delay compensation is missing, manual delay adjustments or external routing with proper compensation can ensure phase coherence across buses.
Q&A - Part 1
Q: How would you EQ and compress snare without the API plugin, just basic console EQ and compressor?
Use stock plugins to recreate the tonal moves: start with a broad EQ to shape, then a compressor with a moderate ratio and fast attack to catch transients; match levels and AB with the API version to hear the differences, and rely on mic choice and tuning before chasing perfect plugin parity.

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