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The Top 100

Tim Coleman
Sunset Blvd
Some Like It Hot
David Lynch
Casablanca
Hollywood
Billy Wilder
World War II
Ugetsu Monogatari
Existentialism
Loneliness
The Shining
Film
Get Out
Sunrise: A Song Of Two Humans
Gloria Swanson
Masculinity
Violence
Martin Scorsese
Twin Peaks
Jordan Peele

Discussing Sight and Sound's Top 100 Greatest Films, one masterpiece at a time. A Moving Pictures Film Club podcast, hosted by Tim Coleman.

PublishesMonthlyEpisodes24Founded2 years ago
Number of ListenersCategories
Film ReviewsFilm HistoryTV & Film

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Artwork for The Top 100

Latest Episodes

This month Tim is joined by film academic Jenny Chamarette to discuss Jean Vigo's L'Atalante (1934).

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L'Atalante is no. 34 on the Sight & Sound critic's list.

You can read Jenny's own Sight & Sound Top 10 here.

... more

This month Tim is joined by the host of The Thriller Cabinet podcast Johnny Restall to discuss Carol Reed's The Third Man (1949).

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The Third Man is no =63 on the Sight & Sound critic's list.

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This month Tim is joined by film academic Dr Lindsay Hallam to discuss Claire Denis' Beau Travail (1999).

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Beau Travail is no 7 on the Sight & Sound critic's list.

You can read Lindsay's own Sight & Sound Top 10 h... more

This month Tim is joined by Tim Robey (film critic for The Telegraph) to discuss Max Ophul's Madame de... (1953).

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Madame de... is =90 on the Sight & Sound critic's list.

You can read Tim's own Sight & Sound Top 10... more

Key Facts

Accepts Guests
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Recent Guests

Jordan Farley
Film journalist and former Deputy Editor of Total Film Magazine
Movie Wingman newsletter
Episode: Once Upon a Time in the West (1968)
Leila Latif
Film journalist for Sight & Sound, IndieWire, and The Guardian, and host of the Little White Lies podcast Truth & Movies.
Episode: Black Girl (1966)
Amber T.
Expert on Japanese cinema, staff writer and news editor for Fangoria
Fangoria
Episode: Ugetsu Monogatari (1953)
Matt Maytum
Film writer and critic, former editor of Total Film Magazine
Co-founder of a film newsletter
Episode: The Oscars 2025
Amon Warmann
Contributing editor and columnist at Empire Magazine.
Empire Magazine
Episode: Get Out (2017)
Mike Muncer
Film critic and podcaster with a deep admiration for David Lynch's work.
The Evolution of Horror
Episode: David Lynch
David Lynch
Iconic film director known for his surreal and unconventional storytelling.
Episode: David Lynch
Jane Crowther
Editor-in-Chief of Hollywood Authentic, former editor of Total Film, and novelist
Episode: Some Like It Hot (1959)
Helen O'Hara
Editor at large at Empire Magazine and co-host of the Empire Podcast
Empire Magazine
Episode: Casablanca (1942)

Host

Tim Coleman
Tim Coleman serves as the knowledgeable guide for discussions, bringing his passion for film and critique to each episode. His background in both film journalism and hosting adds depth to the analyses presented.

Reviews

4.6 out of 5 stars from 33 ratings
  • Remake “The Shining” episode

    I really enjoyed your Blue Velvet review—it was thoughtful, engaging, and a great listen, especially as the first episode I heard from you. But when I got to The Shining episode, I was honestly disappointed. It ended up being one of the worst podcast episodes I’ve come across. It felt dominated by one guest’s thesis paper on race, representation, equality, and sexism—ideas that, while important in their own right, completely overshadowed any real discussion of the film itself. I was looking forw... more

    Apple Podcasts
    3
    TheCharmingPatient_
    United States5 months ago
  • Excellent podcast

    A very good listen but a friendly word of advice: please try and lose a bit of that vocal fry😊

    Apple Podcasts
    5
    Mikkel_86
    Denmarka year ago
  • Loving this pod!

    I first heard about this pod when Tim was a guest on the Evolution of Horror’s Patreon episode about Roger Corman (RIP) and The Masque of the Red Death. I was so excited because when the S&S list came out, I thought it’d be great to slowly work my way through the list but it’s way more fun to do so with such a knowledgeable and engaging guide. I got my mom (also a huge horror and film fan) to join me in watching each movie and then listening to the episode. We’ve just watched Blue Velvet and Ras... more

    Apple Podcasts
    5
    Saturngirl13
    United Statesa year ago
  • Excellent opening episode

    Trenchant insight after trenchant insight.

    Apple Podcasts
    5
    Ken peggs
    United Kingdom2 years ago

Listeners Say

Key themes from listener reviews, highlighting what works and what could be improved about the show.

Some episodes have sparked debate over the focus and direction of discussions, particularly when they veer into more contemporary social issues rather than solely analyzing the films themselves.
The knowledgeable insights from various guests enhance the discussions, making them enjoyable for both casual viewers and film aficionados.
Listeners appreciate the thoughtful and engaging film analyses presented in each episode.

Chart Rankings

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Talking Points

Recent interactions between the hosts and their guests.

Ugetsu Monogatari (1953)
Q: What is the legacy of Ugetsu Monogatari?
Amber discusses how *Ugetsu* was recognized in the West, marking a willingness to embrace Japan again on a global stage. Its anti-war themes helped influence future Japanese and Western filmmakers, creating a lasting impact on cinema.
Ugetsu Monogatari (1953)
Q: What is your cinema origin story?
Amber recounts her early love for films, particularly the animated *Aladdin 2: Return of Jafar*, which sparked her interest in horror and great villains. She also highlights her discovery of influential horror classics like *The Shining* and *Evil Dead* that shaped her cinematic taste.
Black Girl (1966)
Q: What is your relationship with this film?
Leila states she had previously seen 'Black Girl' a couple of times before a deep dive into Ousmane Sembène's work during her studies, particularly around the time of the Mandabi registration.
Black Girl (1966)
Q: What is your cinema origin story?
Leila shares that her earliest film memories stem from her grandfather's house in Sudan, where they had a limited rotation of VHS tapes, including titles like 'Jaws' and 'Sound of Music'.
Some Like It Hot (1959)
Q: What is the legacy of Some Like It Hot?
Jane believes its legacy is its timeless nature, its brilliant writing, and performances that resonate across generations, making it still relevant today in discussing gender fluidity.

Audience Metrics

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Frequently Asked Questions About The Top 100

What is The Top 100 about and what kind of topics does it cover?

Focused on a curated selection of the greatest films as determined by Sight and Sound, this series offers in-depth discussions of each film, exploring not only their narratives but also their cultural significance and cinematic techniques. With a knowledgeable host guiding the conversation, listeners can expect rich insights from film critics and journalists, as they dissect classic works ranging from epic westerns to poignant dramas, often delving into themes like identity, representation, and societal impact. Each episode serves both as a tribute to these influential films and a tool for understanding their relevance in today's cinematic landscape.

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Which podcasts are similar to The Top 100?

These podcasts share a similar audience with The Top 100:

1. The Evolution of Horror
2. Journey Through Sci-Fi
3. Faculty of Horror
4. Hammer Time: A Hammer Horror Podcast
5. Carry On Up The Podcast

How many episodes of The Top 100 are there?

The Top 100 launched 2 years ago and published 24 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

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What guests have appeared on The Top 100?

Recent guests on The Top 100 include:

1. Jordan Farley
2. Leila Latif
3. Amber T.
4. Matt Maytum
5. Amon Warmann
6. Mike Muncer
7. David Lynch
8. Jane Crowther

To view more recent guests and their details, simply upgrade your Rephonic account. You'll also get access to a typical guest profile to help you decide if the show is worth pitching.

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