
Great Interviews with Great Artists. We’re talking Shakespeare.
| Publishes | Twice monthly | Episodes | 100 | Founded | 15 years ago |
|---|---|---|---|---|---|
| Number of Listeners | Categories | Language LearningPerforming ArtsEducationArts | |||

Prague Shakespeare Festival Coriolanus: Act 3, Scene 3July 15, 2026 “There is a world elsewhere.” Guy Roberts came to the Czech Republic, a country literally ‘born in theatre', with the dream of creating an English language theatre company in the hea... more
Macbeth; Act 5, Scene 5 MacbethJune 24, 2026 For a poor player, strutting and fretting on the stage, sometimes words and verse can spell the difference between life and death. Jacob Ming-Trent stars in his original, multimedia, one-person play, How S... more
Othello; Act 2, Scene 1 IagoJune 17, 2026 Who says, "I have to bring my truth to the part I'm playing": Ben Turner or Iago? In the Shakespeare Theatre of DC’s new production of Othello, Ben Turner reveals the humanity and heart beneath Iago’s machina... more
Othello May 19, 2026 “What’s he, then, that says I play the villain?” Few questions more clearly reveal where each of us stands in today’s deeply polarized society. Recorded on the eve of a profoundly tense moment in global geopolitics, we speak with... more
People also subscribe to these shows.





Barry Edelstein’s interview is a must listen if you have any interest in the state of Theatre as a result of Covid.
I’ve been listening to this podcast since September when it was introduced to me. Not only is it informative, it’s honest and authentic. Jim Elliott and Gerritt VanderMeer allow the audience access to so many Shakespeare scholars and working Shakespearean actors with years and years of experience. I am grateful for Them State of Shakespeare’. It’s my favorite podcast on The Bard!
Great stuff! Love the discussions and insight. Keep it up. And thanks!
Key themes from listener reviews, highlighting what works and what could be improved about the show.
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #49 |
Recent interactions between the hosts and their guests.
Listeners, social reach, demographics and more for this podcast.
| Listeners per Episode | |
|---|---|
| Gender Skew | |
| Location | |
| Interests | |
| Professions | |
| Age Range | |
| Household Income | |
| Social Media Reach |
A thoughtful deep-dive into Shakespeare across performance, pedagogy, and contemporary cultural discourse. Episodes center on intimate, actor-driven productions (like a four-person Othello) and bold directorial choices (such as near-future stagings of Titus Andronicus), with conversations often framed around race, gender, language, and audience engagement. Noteworthy is the blend of practitioner voices—actors, directors, dramaturgs, and educators—who bring both historical insight and practical craft to the table, making it a strong pick for listeners who want to understand how Shakespeare is being reinterpreted today and what it takes to stage it compellingly. The show tends to blend scholarly perspective with on-the-ground theatre-making, ... more
Rephonic provides a wide range of podcast stats for The State of Shakespeare. We scanned the web and collated all of the information that we could find in our comprehensive podcast database. See how many people listen to The State of Shakespeare and access YouTube viewership numbers, download stats, audience demographics, chart rankings, ratings, reviews and more.
Rephonic provides a full set of podcast information for three million podcasts, including the number of listeners. View further listenership figures for The State of Shakespeare, including podcast download numbers and subscriber numbers, so you can make better decisions about which podcasts to sponsor or be a guest on. You will need to upgrade your account to access this premium data.
Rephonic provides comprehensive predictive audience data for The State of Shakespeare, including gender skew, age, country, political leaning, income, professions, education level, and interests. You can access these listener demographics by upgrading your account.
To see how many followers or subscribers The State of Shakespeare has on Spotify and other platforms such as Castbox and Podcast Addict, simply upgrade your account. You'll also find viewership figures for their YouTube channel if they have one.
These podcasts share a similar audience with The State of Shakespeare:
1. Folger Shakespeare Library: Shakespeare Unlimited
2. Chop Bard
3. Shakespeare Anyone?
4. Hacks On Tap
5. Pod Save America
The State of Shakespeare launched 15 years ago and published 100 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
Our systems regularly scour the web to find email addresses and social media links for this podcast. We scanned the web and collated all of the contact information that we could find in our podcast database. But in the unlikely event that you can't find what you're looking for, our concierge service lets you request our research team to source better contacts for you.
Rephonic pulls ratings and reviews for The State of Shakespeare from multiple sources, including Spotify, Apple Podcasts, Castbox, and Podcast Addict.
View all the reviews in one place instead of visiting each platform individually and use this information to decide if a show is worth pitching or not.
Rephonic provides full transcripts for episodes of The State of Shakespeare. Search within each transcript for your keywords, whether they be topics, brands or people, and figure out if it's worth pitching as a guest or sponsor. You can even set-up alerts to get notified when your keywords are mentioned.
Recent guests on The State of Shakespeare include:
1. Jacob Ming-Trent
2. Ben Turner
3. Eric Tucker
4. Susanna Melanzi
5. Ryan Quinn
6. Susanna Hoffman
7. Jesse Berger
8. McKinley Belcher III
To view more recent guests and their details, simply upgrade your Rephonic account. You'll also get access to a typical guest profile to help you decide if the show is worth pitching.