说话看书
少说话多看书普通的阅读是把字词连成句子。有技能的阅读是用文学联系生活。真实分享我们在文学与生活中的观察与体会。 每周or双周的周四更新（尽量）。
| Publishes | Monthly | Episodes | 28 | Founded | 2 years ago |
|---|---|---|---|---|---|
| Language |  ZH-CN | Number of Listeners | Category | Leisure |
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Latest Episodes
Hello 大家好！
母亲节快到了，我们却做了一期有点不一样的节目。这一期的起点，是爱尔兰作家托宾的一本文学评论集《New Ways to Kill Your Mother》。托宾提出了一个很有意思的问题：
为什么很多经典文学作品里的母亲，总是缺席、死去、边缘化，或者很难真正成为主角成长过程中的引导者？
从《局外人》“今天妈妈死了，还是昨天，我不知道”的开篇，到《百年孤独》里的乌尔苏拉、《我弥留之际》中的母亲艾迪，到《哈利波特》里始终作为精神底色存在的母爱，我们逐渐发现：母亲在文艺作品里，... more
Hello 大家好
这一期节目来自一场线下活动的录音。在FERM，我们和俄国文学专家刘文飞老师，上海译文出版社俄语编辑、《地下室手记》译者刘晨老师，聊了聊“俄国文学的几种读法”。
俄国文学在中国一直是一种很特别的存在。它当然是文学，但又似乎不只是文学。它曾经是思想资源，是生活教科书，是一代又一代中国读者理解世界、理解社会、理解自我的方式。到了今天，当很多外国文学逐渐从神坛走下，俄国文学却仍然不断被年轻读者重新打开。
为什么会这样？
为什么《卡拉马佐夫兄弟》那么厚、那么难、那么令人痛苦，还... more
Hello大家好，
这一期，我们先从德国作家埃彭贝克的《凯罗斯》聊起。
表面上看，它写的是一段年龄、经验与权力都并不对等的亲密关系，一个年轻女孩卡特琳娜，遇见了年长很多、已有家庭的汉斯。可越往后读，你越会发现，《凯罗斯》真正让人不安的，不只是爱情里的控制、惩罚、羞辱与依附，也不只是这段关系本身的“变态”，而是它如何与东德末期的政治氛围、意识形态和时代裂缝互相映照。节目里，我们先认真拆解《凯罗斯》中的爱情与权力，也聊它为什么不能被简单看作一部“感情小说”。
聊完《凯罗斯》之后，我们又把这个... more
托尔斯泰从1873年开始创作《安娜·卡列尼娜》，1875年起陆续连载，1878年出版单行本。到今天，它几乎已经成了世界文学中最有名的长篇小说之一。
表面上，这本书讲的是一场爱情悲剧。
剧情概括：彼得堡贵妇安娜在哥哥奥勃朗斯基（斯基华）与妻子陶丽的婚姻危机中前往调停，却在途中遇见青年军官伏伦斯基，并一步步背离了自己与高官丈夫卡列宁原本体面却冷淡的婚姻。与此同时，另一条同样重要的线索落在乡绅列文身上。列文与吉娣的感情、婚姻、乡村生活和精神困惑，构成了这部小说的另一重核心。
可真正打开这本书，很... more
Reviews
- 轻松快乐的文化播客！喜欢爱听
很喜欢的有内容的播客！年度最爱博主
Apple Podcasts5啊哈哈蛤haChinaa year ago - 喜歡！多發！
希望把以前小破站綠的視頻，比如博爾赫斯系列，加謬的部分，拓展後發成音頻。
Apple Podcasts5c_chue
United Statesa year ago
Chart Rankings
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #238 | China/Leisure |
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Listeners, social reach, demographics and more for this podcast.
| Listeners per Episode | Gender Skew | Location | |||
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| Interests | Professions | Age Range | |||
| Household Income | Social Media Reach | ||||
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