
以作家對談、現代文學為主,深度訪談作者的創作靈感,從為誰而寫到為何而寫,文學不是成功學,但它卻是所有人的人生風景。
| Publishes | Twice monthly | Episodes | 161 | Founded | 6 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | BooksEducationArtsSelf-Improvement |

周芬伶的《鹹菜街》,像是一個人在多年之後重新返回曾經逃離的地方、像是一次重新辨認記憶的過程——辨認那些被時間變形、被家族掩埋,甚或被刻意遺忘的人。
小說中的「鹹菜街」,來自潮州一條真實存在的街。那些醃漬鹹菜的氣味原本只是童年的背景,隨著她一次次返鄉田調,記憶才重新浮現,也連帶帶回一個被家族長久避談的人。那如小說主角般,因性別氣質、藝術傾向而被視為羞恥的存在,在保守年代裡,彷彿連名字都能被抹去。周芬伶在今寫昔,像是在思考同一人與同一條街能否通往不同地。
還有藏於小說背後的,關於她自我生命的折返... more
田威寧的第三本書《迴聲》,以一種迴蕩、繞行、延遲抵達的感覺,替她過去的書寫,拉出一條新的視線。前兩本作品中的「我」是書寫裡承載記憶與感受的核心;無論是對日常的凝視,或對關係與孤獨的書寫,都帶著一種貼身的溫度。而到了這本書,她卻選擇微微後退,讓他人、空間與聲音先行。迴聲之處的回首,不再是直線返回,而是經過時間的折返、記憶的偏移之後,才重新聽見的聲音。
因此在這本書裡,讀者更常先聽見聲音——平交道的警示、火車駛過的節奏、卡拉OK裡反覆播放的旋律——比情緒更早抵達的響聲,替敘事鋪路、替「我」拉開距離... more
黃崇凱的短篇小說集《克漏字》,讓小說更像是一種尚未填滿的句子。那些被挖空的位置,不只是形式上的設計,而更接近一種書寫者對現實的回應:世界本就斷裂,語言無法一次說盡,因此必須留下缺口,讓理解延後發生。
這些作品最初誕生於持續多年也發生在多年前的「字母會」寫作計畫——一場近乎不可能重現的寫作行動。因此,《克漏字》帶著一種時間差,它既屬於過去的創作現場,也回應著此刻的閱讀位置。書中的文本仍保有當時的鬆動與溢出:有的近似論文,有的傾向科幻,有的則貼近現實議題,卻始終不願停留在任何單一類型。也有著黃... more
在連俞涵的《刺蝟抱月亮》裡,書寫並不是為了揭露什麼驚人的祕密,而是緩慢靠近那些一旦被說出口,便可能被誤解、被過度解讀的感受。這本書反覆繞行在「未知」的邊緣——人與人之間尚未說清的意圖、他人投射而來的揣測,以及那些尚未成形、卻已先行造成傷痕的想像。對她而言,未知並不浪漫,它往往是惡意的前驅,因此需要被謹慎對待,而非急於填補。身為演員,同時也是寫作者,連俞涵對「角色」有著雙重敏感。一方面,她習慣進入他人的聲音;另一方面,她也逐漸意識到,寫作讓她得以退後一步,不必總是站在光裡。這本書裡的另一亮點,是談... more
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主持人訪問很專業
很感謝製作團隊錄製如此有深度的節目,主持人也很流利自然,與受訪者廣泛交流,帶給聽眾清新的感受,唯一小缺點,主持人會有……對對對對的語助詞,重複聽久了顯得累贅,文字作者忌諱贅字,語音媒體更是如此,希望主持人能更留意,🙏
非常喜愛這節目,非常棒,很喜歡主持人的訪問方式。
聽這個節目,總是心情很平和,主持人的真誠很打動我。謝謝。
聽了一陣子,幾乎每一集都很喜歡❤️❤️❤️主持人與每位作家的對談,在看似輕鬆且不矯揉做作的訪談中,總能有脈絡有邏輯的呈現作家與作品的連結,很能開啟讀者的興趣~~~很感謝且大力讚賞主持人的用心👏👏👏
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妮說BOOK,我說可 launched 6 years ago and published 161 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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