
以作家對談、現代文學為主,深度訪談作者的創作靈感,從為誰而寫到為何而寫,文學不是成功學,但它卻是所有人的人生風景。
| Publishes | Twice monthly | Episodes | 159 | Founded | 5 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | BooksEducationSelf-ImprovementArts |

黃崇凱的短篇小說集《克漏字》,讓小說更像是一種尚未填滿的句子。那些被挖空的位置,不只是形式上的設計,而更接近一種書寫者對現實的回應:世界本就斷裂,語言無法一次說盡,因此必須留下缺口,讓理解延後發生。
這些作品最初誕生於持續多年也發生在多年前的「字母會」寫作計畫——一場近乎不可能重現的寫作行動。因此,《克漏字》帶著一種時間差,它既屬於過去的創作現場,也回應著此刻的閱讀位置。書中的文本仍保有當時的鬆動與溢出:有的近似論文,有的傾向科幻,有的則貼近現實議題,卻始終不願停留在任何單一類型。也有著黃... more
在連俞涵的《刺蝟抱月亮》裡,書寫並不是為了揭露什麼驚人的祕密,而是緩慢靠近那些一旦被說出口,便可能被誤解、被過度解讀的感受。這本書反覆繞行在「未知」的邊緣——人與人之間尚未說清的意圖、他人投射而來的揣測,以及那些尚未成形、卻已先行造成傷痕的想像。對她而言,未知並不浪漫,它往往是惡意的前驅,因此需要被謹慎對待,而非急於填補。身為演員,同時也是寫作者,連俞涵對「角色」有著雙重敏感。一方面,她習慣進入他人的聲音;另一方面,她也逐漸意識到,寫作讓她得以退後一步,不必總是站在光裡。這本書裡的另一亮點,是談... more
張翎的新作《疫狐紀》,將她過往看向宏大歷史的目光轉向了更內在的空間。從疫情間的生活切入,描寫當世界忽然縮小,人被迫停留在家宅與庭院之中,會如何面對生命?於是她在小說裡寫兩個家庭、兩對母女,以及一隻在院子裡出沒的狐狸。這一次,她不再從高處俯瞰歷史,而是從封閉的生活裡,觀察人與人之間的距離與依附。
在張翎的小說世界裡,許多事情都沒有簡單答案,更多是以時間的拉長,讓人發現很多事情其實沒有絕對的對與錯,就像《疫狐紀》也並不只是一部關於狐狸或關於疫情的小說,而是一部關於投射、分離與時間的小說。在遠與... more
謝哲青的新書《在黑暗中相遇》裡,以黑暗為名,但黑暗並不只是抵達之前必須穿越的隧道,而是一種早已存在、也始終陪伴的狀態。這本書談旅行,也談閱讀,卻不急著將它們化為經驗的證明。相反地,它更像是在詢問:當光無法立即照亮時,人如何在黑暗中,仍然與他者、與思想、與自身相遇。
書中召喚的十位創作者與藝術家——不論來自文學、音樂或思想領域——並非典型的典範人物。他們被並置,並不是因為成就,而是因為某種共同的孤單與凝視。這些人像是黑暗的煉金術士,並不試圖消除晦暗,而是將痛感、失落與不確定,轉化為可以被理解... more
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主持人訪問很專業
很感謝製作團隊錄製如此有深度的節目,主持人也很流利自然,與受訪者廣泛交流,帶給聽眾清新的感受,唯一小缺點,主持人會有……對對對對的語助詞,重複聽久了顯得累贅,文字作者忌諱贅字,語音媒體更是如此,希望主持人能更留意,🙏
非常喜愛這節目,非常棒,很喜歡主持人的訪問方式。
聽這個節目,總是心情很平和,主持人的真誠很打動我。謝謝。
聽了一陣子,幾乎每一集都很喜歡❤️❤️❤️主持人與每位作家的對談,在看似輕鬆且不矯揉做作的訪談中,總能有脈絡有邏輯的呈現作家與作品的連結,很能開啟讀者的興趣~~~很感謝且大力讚賞主持人的用心👏👏👏
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妮說BOOK,我說可 launched 5 years ago and published 159 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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