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《内心的声音——一位歌唱家的成长》芮妮·弗莱明自传

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女高音歌唱家芮妮·弗莱明是当今古典音乐界最优秀的歌唱家之一,以其美丽的声音和杰出的表演才能在世界各大歌剧院和音乐厅征服了无数观众。弗莱明这本自传会让我们了解一位歌唱家的成长道路,并学会欣赏声乐艺术乃至西方古典音乐的精髓。她用自己的切身经历为有志于声乐表演艺术的人、爱好歌唱的人提供了有益的经验和启发。

PublishesDailyEpisodes130Founded6 months ago
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一边读女高音歌唱家芮妮·弗莱明的自传《内心的声音——一位歌唱家的成长》,一边在心里感谢作者的诚恳和坦率,佩服她的学者气质和出色的文字表达方式(翻译也很好)。书中有太多音乐爱好者不知道的事,也有歌者自身也未必明白或不曾想到的事:      如何在左奔右突中曲折坚韧地前行,一步步把握歌唱艺术的每一种技巧;如何建构良好的师生关系,形成特有的沟通方式和精神共鸣;如何组织一场音乐会或一张唱片的曲目,以获得最佳现场和反复聆赏的效果;如何布局多部歌剧的演出顺序以达到嗓音最好的发挥,并保护好这件珍贵柔弱的“乐器... more

配乐:片尾:维拉-洛伯斯(Villa-Lobos)《巴西的巴赫风格第五号,小夜曲》(Bachianas Brasileiras No.5 Aria [Cantilena]) (完整)女高音:芮妮·弗莱明(Renée Fleming)制作:吉他演奏家李·莱特诺(Lee Ritenour),钢琴家戴夫 格鲁辛(Dave Grusin)

配乐:片尾,小提琴家帕特里斯·丰塔纳罗萨(Patrice Fontanarosa)的《威尔第<茶花女>幻想曲》,“饮酒歌”段落。

1,莫扎特《唐璜》第一幕采琳娜与唐璜的二重唱《让我们拉起手来》,赫沃罗斯托夫斯基与弗莱明2,格什温《波吉与贝丝》第一幕克拉拉的摇篮曲《夏日时光》,弗莱明3,莱哈尔《风流寡妇》第三幕达尼罗与安娜的二重唱“唇边虽默默无言,小提琴却轻声唱道爱我吧”,赫沃罗斯托夫斯基与弗莱明指挥:康斯坦丁·奥波利安(Constantine Orbelian)

2006年2月6日德米特里·赫沃罗斯托夫斯基(Dmitri Hvorostovsky)和芮妮·弗莱明 (Renée Fleming)在莫斯科音乐学院大会堂的音乐... more

视频:音乐会上的威尔第《茶花女》第二幕,杰尔蒙先生(一译亚芒,阿尔弗雷多的父亲)与薇奥莱塔的对峙薇奥莱塔:芮妮·弗莱明 (Renée Fleming)杰尔蒙:德米特里·赫沃罗斯托夫斯基(Dmitri Hvorostovsky)指挥:康斯坦丁·奥波利安(Constantine Orbelian)

节选自2006年2月6日德米特里·赫沃罗斯托夫斯基和芮妮·弗莱明在莫斯科音乐学院大会堂的音乐会——“赫沃罗斯托夫斯基和朋友”系列的第一场音乐会。

配乐:片尾:威尔第歌剧《茶花女》第一幕 阿尔弗雷德与薇奥莱塔的二重唱“在我最幸福的那一天”后半部分薇奥莱塔:弗莱明( (Renée Fleming)阿尔弗雷多:约瑟夫·卡雷加(Joseph Calleja)皇家歌剧院(Theatre Royal)指挥:安东尼奥·帕帕诺(Antonio Pappano)

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