
My grandfather told me these stories when I was a child—stories about the place near the river where he grew up. He never wrote them down. He warned me not to repeat them. Some ghosts leave. Some stay. Some are only recognized too late. Listen with the lights low. These stories were never meant to be rushed. Music: [Grand Dark Waltz Trio (Vivace), Leaving Home, Grand Dark Waltz Trio (Allegro)] by ... more
| Publishes | Daily | Episodes | 10 | Founded | 6 days ago |
|---|---|---|---|---|---|
| Categories | DramaFiction | ||||

As the season closes, Elijah faces the quiet temptation to stay and hold everything together. Mercy House offers a choice — not to keep, but to remember without becoming the thing that never lets go.
When Mercy House begins to remember too much at once, its rooms fill with overlapping lives and unfinished moments. Elijah is forced to decide what belongs — and what must be released.
In the attic, a wedding dress waits inside a trunk that should have been emptied long ago. Elijah learns the difference between remembering someone and keeping them trapped in a future that never came.
Elijah confronts a room that was once opened and then sealed. Inside, he learns what part of himself Mercy House has been holding — and why some doors close only after they’ve taken something.
Elijah discovers a woman who sits endlessly at a window, waiting for something that never arrives. In watching her, he learns that waiting can become a role — and a warning.
A broken clock marks more than time — it marks absence. When Elijah’s father stops it, Mercy House is forced to find another way to keep count.
When a boy disappears into the river, Mercy House responds in ways Elijah doesn’t yet understand. The river gives, the river takes — and the house remembers what’s left behind.
Late at night, Elijah hears a sound moving through the walls of Mercy House — not footsteps, not voices, but something closer. He learns that some secrets don’t hide in rooms, but in the spaces between them.








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