Musical Acoustics
Clive Greated (c.a.greated@ed.ac.uk)Supplementary podcasts highlighting aspects discussed in the 'Musical Acoustics' course from the School of Physics and Astronomy at the University of Edinburgh.
| Publishes | Twice weekly | Episodes | 11 | Founded | 13 years ago |
|---|---|---|---|---|---|
| Categories | EducationCourses | ||||
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In singing, air pressure from the lungs is used to set the vocal folds into periodic oscillation producing a pitched sound source at the base of the vocal tract. By changing the positions of the jaw, lips and tongue the resonances of the air in the v... more
Almost all brass instruments have air column resonances which are close to forming a harmonic series; this gives rise to the familiar pattern of “bugle call†natural notes. In the upper register the harmonics are close enough together to allow a ... more
The important acoustical characteristic common to members of the musical brass instrument family is not the material of construction, but the way in which the note is sounded by vibrating the lips against the rim of a mouthpiece. The lips act as a va... more
The original Hammond used rotating tone wheels to generate harmonics which were added using drawbars; not true harmonics though. The principle is known as additive synthesis. The organ is usually played through a Leslie speaker which utilizes the Dop... more
In concert halls it’s desirable that the time between the arrival of the direct sound and the first reflection is not greater that 20ms. Highly reflecting parallel walls may cause undesirable flutter echo. The distance from the source where the int... more
Sound rays obey Snell’s law of reflection. When they strike a surface the fraction of sound energy absorbed is known as the absorption coefficient, which varies with frequency. The time for the reverberant sound in a room to drop by 60dB is known a... more
In Pythagorean tuning the 5ths are true i.e. in the frequency ratio 3/2. In 1/4 Comma Mean Tone the major 3rds are true i.e. in the frequency ratio 5/4. Both tunings give rise to the wolf which restricts the number of playable keys to 6 major and 3 m... more
The Boehm flute has a cylindrical body and a tapered headjoint, which is required to compensate for the flattening effect of increased lip cover over the embouchure hole in the upper register. Like the saxophone, the clarinet has a mouthpiece and a s... more
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