
《梁州令》是由女性撰稿人梁州创办的一档文化类播客。在这里,我们关注人与世界的关系,谈论各行各业的新兴业态。我们观察,理解,感受,记录世界性的眼泪,并呼唤时代的共振。我们探索、寻找一种自由且具有时代性的行进方式——以自我的本色前进,直到你变成正确。
| Publishes | Weekly | Episodes | 21 | Founded | 2 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Category | Leisure |

当人们习惯于情绪被压抑,关系被弱化,表达被延迟。于是,欲望开始以另一种形式出现——被拆解、被命名、被定价。
人们购买的,从来不只是服务本身。而是那些在现实生活中,无法被自然获得的东西。
一个社会逐渐习惯于不表达,欲望则会成为唯一可流通的语言。
「本期制作人」
梁州
「关于《梁州令》」
微博:中文播客梁州令
公众号:梁州令
小红书:梁州令
喜马拉雅/网易云音乐/苹果Podcasts:梁州令
为什么拉美文学天生更擅长写句号是殖民语言?延续的文明教会中国人如何传承,断裂的历史和殖民的创伤却教会拉美人如何终结。书写结尾,是一个民族与自身命运的和解方式。
“大地给我的生命,我用眼泪又流淌回了一点。”
「本期主播」
梁州:撰稿人,新浪微博@梁州Zz
「本期制作人」
梁州
「关于《梁州令》」
微博:中文播客梁州令
公众号:梁州令
小红书:梁州令
喜马拉雅/网易云音乐/苹果Podcasts:梁州令
为什么19世纪以前,杀戮是一种美学?
从《三国演义》里无名士兵的死不足为道,到织田信长写信炫耀遍地死尸——在古典叙事的逻辑里,个体的消亡从不重要。
直到康德确立了一件事:人的尊严是内在的,不可让渡的。个体的死,才开始变重。
但真正令人恐惧的,不是暴行本身——而是比利时国王利奥波德二世那句话:"手是我在刚果唯一需要的东西。"数百万人的生死,在他的宇宙里只是效率问题。连歉意都不存在。
1887年,福尔摩斯诞生了。在一个人可以像一滴水消失在泰晤士河里的匿名城市,他蹲下身,为一个普通人的死穷尽全... more
文学和历史都是地理的产物。气候不只是文学的背景板,它是王朝命运的底层驱动力。温度每降一度,粮食、战争、政治随之收紧,文学气质也随之改变。先秦雷雨、魏晋秋风、盛唐烈日、北宋细雨、清朝大雪——每一个时代的天气,都是一代人冷暖悲欢的真实体温。
「本期 shownotes」
00:00 小红书帖子引发的问题:文学史上的某些时期为什么有天气特征——先秦雷雨、魏晋秋风、盛唐烈日、北宋细雨、清朝大雪
01:10 气候不是历史的背景板,而是主动的驱动力:历史气候学告诉我们,它比任何一个帝王、任何一场战役,... more
嘿嘿
很荣幸从州的读者到听众 收听到了更多的视角 了解到了日常生活外更广的领域
先评后听,听播客的幸福感指数再次提升~
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #160 | |
Apple Podcasts | #182 |
Listeners, social reach, demographics and more for this podcast.
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梁州令 launched 2 years ago and published 21 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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