
歡迎寫電子小紙條給主持人,分享您對節目的感想。 pse.is/43cvg4 人人都愛聽故事,說故事的形式不斷在變,但是故事總是好聽。戲曲演的就是故事,它看起來傳統,但其中喜怒哀樂卻傳遞著跨越世代的感動。戲曲故事有哪些地方有趣又好聽?來聽聽兩位戲曲專家王安祈教授與羅仕龍老師一起為大家打開老戲箱,說說新故事。 本節目由台積電文教基金會贊助播出
| Publishes | Weekly | Episodes | 245 | Founded | 5 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | Performing ArtsArtsEducation |

★★歡迎點此寫電子小紙條給主持人,分享您對節目的感想。
國光劇團三十周年壓軸鉅獻《夢紅樓.乾隆與和珅》即將登場!繼《孝莊與多爾袞》、《康熙與鰲拜》之後,「清宮三部曲」最終章走入乾隆盛世的華麗與虛空。
《夢紅樓》不僅是一齣歷史大戲,更是深入幽微的心靈探問。乾隆(唐文華 飾)在權力巔峰之際,卻陷入「盛世將終」的恐懼及「慾望權勢」消散的失落,當他重讀被自己禁絕的《紅樓夢》,從字裡行間看見人生與王朝的崩壞。和珅(溫宇航 飾)則以「讀心術」般的深情與精算,成為帝王的鏡像與共犯。劇中更巧妙融入《紅樓夢》... more
★★歡迎點此寫電子小紙條給主持人,分享您對節目的感想。
全方位演員、臺灣豫劇團「最帥小生」劉建華,不僅是豫劇皇后王海玲之女,更肩負傳承使命。她在舞台上不斷穿梭於自我與角色之間,以真情與信念注入人物靈魂,正如金鐘導演嚴藝文所言:「演員每天都用自己的血肉之軀,去跟角色交換靈魂。」這份信念,正是劉建華的寫照。2025歲末,她將於《求你騙騙我》與《陳三兩爬堂》中,分別化身「糊塗皇帝」與「爛人弟弟」李鳳鳴,再次挑戰角色的極限。
《陳三兩爬堂》為豫劇傳統經典,亦是極度考驗演員的「吃功戲」。嗓音清亮、唱功... more
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今年傳藝金曲獎頒獎典禮上,戴君芳導演以唐美雲歌仔戲團的《孟婆客棧:冥星雙飛俠》二度榮獲「最佳導演獎」;同時,她擔任創團導演的二分之一Q劇場作品《青姬》更奪下「最佳年度作品獎」。典禮當晚,由於現場掌聲與混亂,戴導一度誤以為最佳導演是以《青姬》獲獎,笑稱自己「整個魂好像還蠻不在現場的」,為盛會添上戲劇性的時刻。
面對這兩部金獎肯定的作品,究竟自己比較愛的是《青姬》還是《孟婆客棧》呢?她如何在不同劇種中「游刃有餘」的轉換、創作?從現代戲劇、崑... more
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從論文寫不出來的那一刻開始,周玉軒意外踏入了劇作的世界。那一齣名為《顧曲郎》的劇本,成為她與戲劇創作命運交會的起點。十年之間,她筆下誕生超過二十部作品,從《王紫稼》《畫皮》《地獄變》《香纏》《杜子春》《水鬼請戲》一路走到2025戲曲夢工場的《鬧・NOW》,每一部作品都像是一場穿越現實與幻境的旅程。對周玉軒而言,戲劇不僅是舞台上的表演,更是一種「情感執念」的具現——她用文字探問人心深處最執著、最無法放下的那份愛與追尋。
在這條創作之路上,... more
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安祈老師、仕龍老師:
老師們好。不知道你們還記不記得我,我是東海大學的學生,曾經是李伴月的扮演者,也參與過這個節目的錄製。這是我最愛的podcast節目,二位陪伴了我許多走在上下課孤獨的路上,也陪伴我渡過了無聊乏味的運動、家務時光,更重要的是讓我在沒有在閱讀的時候,也沒有任何一刻離開過文學與戲劇,一直都在學習。
關於上個月觀看《精衛》的經過,其實真的很巧合。因為雖然我是國光的戲迷,也跟安祈老師一樣作為中文系的文本控,當然更是老師的忠實粉絲。但是歷史題材一直都是我不感興趣的,所以即使知道這個戲在跨界或者劇本構想上有比較大的突破,還是一直在猶豫要不要看。結果漸漸地就錯過了買票的最佳時機。
後來知道東海中文系要舉辦「汪精衛詩詞分享會」,也聽了一期節目裡對這個戲的導聆,機緣巧合下就決定要來看戲,但票已經沒了。不死心的我每隔幾天就到網路上看看有沒有人退票,最後真的功夫不負有心人,讓我搶到了一張票。看的途中,就覺得很美,也很感動。不僅是舞者們跟兩位演員的合作構成了絕美的畫面,在隱喻及人物內心的解剖也做得十分到位。
我印象最深刻的一幕,是李家德與舞者們,共通揮舞著連有紗巾的摺扇。那紗巾前半是... more
超棒的節目第一次聽podcast好比追劇一樣欲罷不能
兩位老師的對談詼諧又有火花,希望節目一直做下去
聽著兩位老師聊戲,越聊越開心,越聊越入戲,聽著聽著,好像也一同栽進戲裡,這種感覺真的是前所未有❤️
自從知道「打開戲箱說故事」這個節目便不斷受益;搭車、騎車、做家事都是很好的聆聽時間,比起 YT, 不須費神用眼睛看,便可從兩位主持人豐富生動的互動導引中聽到充滿畫面感的説明,之後再找影片、到現場看表演便可一窺門道,因此常常推薦朋友,台積電此舉不但幫助了戲曲生產者,也增進了戲曲消費者的容量!不僅做對了事,也選對了人:安忻老師的底蘊自不待言,羅老師的反應捷才與訪談時精準「接球」能力令我讚佩!!
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打開戲箱說故事 launched 5 years ago and published 245 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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