
歡迎寫電子小紙條給主持人,分享您對節目的感想。 pse.is/43cvg4 人人都愛聽故事,說故事的形式不斷在變,但是故事總是好聽。戲曲演的就是故事,它看起來傳統,但其中喜怒哀樂卻傳遞著跨越世代的感動。戲曲故事有哪些地方有趣又好聽?來聽聽兩位戲曲專家王安祈教授與羅仕龍老師一起為大家打開老戲箱,說說新故事。 本節目由台積電文教基金會贊助播出
| Publishes | Weekly | Episodes | 256 | Founded | 5 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | Performing ArtsEducationArts |

★★歡迎點此寫電子小紙條給主持人,分享您對節目的感想。
戲台上,他一身靠甲、殺氣騰騰,英姿凜然;回到生活中,則是一位肩負家庭責任的三寶爸。在育兒、排練與自我修煉之間,國光劇團青年武生演員李家德如何找到屬於自己的平衡點?這回我們將以溫柔而動人的親子互動為起點,引領觀眾走入武生世界的極限功夫與自律日常。
2025年,他接連挑戰《精衛》與《雪弟恨》兩部高難度作品。全新跨界舞劇《精衛》中,汪精衛作為一個跨界且高度心理層次的角色,迫使他在表演方法與歷史情感之間反覆推敲;而《雪弟恨》一趕四裡,橫跨文武老... more
★★歡迎點此寫電子小紙條給主持人,分享您對節目的感想。
延續前一回的「顧唱」主題,安祈老師再度引領我們,穿梭於橫跨四十年的三本顧正秋傳記之間,走進這位京劇名伶傳奇而深刻的一生。透過細膩的鋪陳,描繪出一位藝術家如何在時代洪流中,將京劇的美學精神內化為生命的底色,化作面對人生起伏的從容與定見。
1948年,顧正秋隨劇團來到臺灣,在永樂戲院展開長達五年的密集演出。這段歲月不僅成就了她個人的藝術高峰,更深刻影響臺灣京劇的發展與觀眾的審美眼光。她勇於嘗試新戲與新詮釋,卻始終根植於傳統根基之上,以「用自... more
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在安祈老師的童年記憶裡,母親嘴裡反覆叨念的那一句「看不見囉~」,成了一道揮之不去的聲音,也牽引我們走近京劇名伶顧正秋的身影。本集《打開戲箱說故事》便從這份私密而深刻的回憶出發,循著顧正秋於臺灣出版的三本重要傳記,鋪陳一段橫跨上海與臺灣的傳奇藝術人生——細讀《顧正秋的舞台回顧》、《休戀逝水:顧正秋回憶錄》與《奇緣此生顧正秋》,並透過學者與戲曲研究者的觀點,解析她來臺後在永樂戲院演出的五年歲月,如何在戰後社會中,為臺灣京劇奠定完整而深刻的美學... more
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繼上回「包公三案」以及《武松打店》《賀后罵殿》之後,安祈老師續為戲迷朋友深入導覽國光劇團2026年「永恆時尚・春分」系列演出,帶您細細品味傳統戲曲如何在經典之中激盪出嶄新火花。
從《平貴別窯》情感層次豐厚的寶釧苦守寒窯前奏曲,到回歸崑曲原貌的《鍾馗嫁妹》,中生代演員在舞台上展現沉穩深厚的表演功力,同時肩負起傳承責任,引領年輕世代在技藝與美學上持續精進。3月21日週六,下午場呈現氣氛緊張、震撼人心的「青天鍘」系列,晚間場則由國光眾多喜劇天... more
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安祈老師、仕龍老師:
老師們好。不知道你們還記不記得我,我是東海大學的學生,曾經是李伴月的扮演者,也參與過這個節目的錄製。這是我最愛的podcast節目,二位陪伴了我許多走在上下課孤獨的路上,也陪伴我渡過了無聊乏味的運動、家務時光,更重要的是讓我在沒有在閱讀的時候,也沒有任何一刻離開過文學與戲劇,一直都在學習。
關於上個月觀看《精衛》的經過,其實真的很巧合。因為雖然我是國光的戲迷,也跟安祈老師一樣作為中文系的文本控,當然更是老師的忠實粉絲。但是歷史題材一直都是我不感興趣的,所以即使知道這個戲在跨界或者劇本構想上有比較大的突破,還是一直在猶豫要不要看。結果漸漸地就錯過了買票的最佳時機。
後來知道東海中文系要舉辦「汪精衛詩詞分享會」,也聽了一期節目裡對這個戲的導聆,機緣巧合下就決定要來看戲,但票已經沒了。不死心的我每隔幾天就到網路上看看有沒有人退票,最後真的功夫不負有心人,讓我搶到了一張票。看的途中,就覺得很美,也很感動。不僅是舞者們跟兩位演員的合作構成了絕美的畫面,在隱喻及人物內心的解剖也做得十分到位。
我印象最深刻的一幕,是李家德與舞者們,共通揮舞著連有紗巾的摺扇。那紗巾前半是... more
超棒的節目第一次聽podcast好比追劇一樣欲罷不能
兩位老師的對談詼諧又有火花,希望節目一直做下去
聽著兩位老師聊戲,越聊越開心,越聊越入戲,聽著聽著,好像也一同栽進戲裡,這種感覺真的是前所未有❤️
自從知道「打開戲箱說故事」這個節目便不斷受益;搭車、騎車、做家事都是很好的聆聽時間,比起 YT, 不須費神用眼睛看,便可從兩位主持人豐富生動的互動導引中聽到充滿畫面感的説明,之後再找影片、到現場看表演便可一窺門道,因此常常推薦朋友,台積電此舉不但幫助了戲曲生產者,也增進了戲曲消費者的容量!不僅做對了事,也選對了人:安忻老師的底蘊自不待言,羅老師的反應捷才與訪談時精準「接球」能力令我讚佩!!
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打開戲箱說故事 launched 5 years ago and published 256 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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