
Il compositore americano George Gershwin (1898-1937) ha sempre goduto di grande notorietà presso il pubblico, dagli anni in cui ancor giovanissimo produsse le prime canzoni presto entrate a far parte degli spettacoli di Broadway, e dal debutto dei suoi lavori in sala da concerto (Rhapsody in Blue esordì a New York, con Gershwin al pianoforte, nel febbraio del 1924). Tuttavia la fruizione della sua... more
| Publishes | Daily | Episodes | 6 | Founded | a year ago |
|---|---|---|---|---|---|
| Language | Categories | MusicMusic HistoryMusic Commentary | |||

In occasione del settantesimo anniversario di Porgy and Bess, questa puntata presentava nella sua interezza la prima registrazione “completa” (1951), anche se non veramente integrale, di Porgy and Bess, diretta da A. Lehman Engel. Questa versione del... more
La raccolta del Song-Book del 1932 comprende diciotto canzoni gershwiniane di successo scritte tra il 1919 e il 1931, arrangiate per pianoforte solo. La trasmissione ne propone la serie completa nella registrazione dal vivo della realizzazione fioren... more
Questa puntata propone ascolti dalla registrazione delle prove di Porgy and Bess, New York, luglio 1935, mentre era ancora in corso l’orchestrazione dell’opera, con Gershwin direttore d’orchestra e annunciatore; una preziosa testimonianza dell’origin... more
Viene dedicata grande attenzione ai “maestri” e modelli gershwiniani. Ascoltiamo Gershwin al pianoforte in registrazioni d’epoca – dal Concerto in F in un’incisione del 1928, a suoi songs (1925-1928) nell’arrangiamento pianistico dello stesso composi... more
In una selezione di documenti sonori, ascoltiamo Gershwin al pianoforte in Rhapsody in Blue (1925 e 1927) e in alcune sue canzoni; e come pianista e direttore d’orchestra dal pianoforte in Second Rhapsody, nella registrazione delle prove del 1931. At... more
Memorabili pagine gershwiniane, come la canzone The Man I Love, vengono presentate in interpretazioni d’epoca affiancate a rivisitazioni di anni più recenti. Tra i documenti sonori degli anni Venti ascoltiamo ad esempio lo stesso Gershwin al pianofor... more
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