
「非正确别册」是一档聚焦影视评论的泛文化播客,以女性的视角,打破虚构与现实的界限。偶尔邀请有趣的创作者来聊天,一起探索表达的另一种可能。 逃离单调的正确,看见侧面或假面。 制作团队 主播丨布里 出品丨看理想新媒体部 设计丨小6
| Publishes | Monthly | Episodes | 8 | Founded | 6 months ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Category | Society & Culture |

近些年,大女主叙事失灵了。这不是因为我们不再需要大女主,而是大女主和裹脚布,经常暧昧得难舍难分。
这不由得让人想到一个失落的大女主偶像,木兰。你会看到木兰不断在大女主们身上还魂,她们犯禁,然后她们还家,于是她们的犯禁也就成了一种开小差行为,只是在特殊状况下配合社会的需要,最终还是要回到约定俗成的位置上。
木兰既是前现代社会“英雌”们的处境,也依然是如今的女性们的处境。一边是江浙沪独生女接受教育,一边是上门女婿继承家业;一边是独立女性打拼事业,一边是还得平衡好家庭和孩子。
但是,即便是NPC... more
高口碑电影《世界的主人》,上线后迅速引爆社交媒体。在很多人看来,它“平地惊雷”“举重若轻”,但这背后也体现了整个社会对所谓“受害者”群体的微妙态度。
我们害怕受害者,需要一部电影来完成一些初级的自我教育。而在电影之外,还有一门长期缺失的功课——如何面对自己的脆弱?如何与痛苦相处?
这期节目,我们从《世界的主人》延伸开去。世界上没有谁无伤,有人选择把伤害变成礼物,呈献给他人。理想的世界不需要有人成为战士,仍然做自己的主人,但明天不需要勇敢。
🍎收听指路⬇️
00:28 为什么《世界的主人... more
经常去电影院看女性电影的观众,有时候会产生割裂的感觉。我们可能认同电影所呈现的许多价值观,同时因为电影创作技法的不足而无法说出“喜欢”。而当我们开始评价的时候,又不知道如何开口。
我们组了一个三人局,围绕清明档两部褒贬不一的电影《我,许可》与《蜂蜜的针》,从观影后的困惑聊起。
这期节目的讨论基于一个共识:我们可以对同一部电影产生完全不同的看法,这是再正常不过的事情。
🎬️收听指路⬇️
00:22 一部电影的意识形态和可看性,什么时候奇怪地分离?
02:59 《我,许可》与《好东西》“... more
奥斯卡获奖名单出炉,获得8项提名的《哈姆奈特》最终只将最佳女主角收入囊中,赵婷没能创造二夺奥斯卡最佳导演的历史。
不过无论如何,赵婷都是当下很有份量的导演。《哈姆奈特》可以看作她前半生创作生涯的总结,也是她目前最自我、向内挖掘最深的作品。我们以《哈姆奈特》为引,梳理了赵婷的创作脉络。
🧙♀️收听指路⬇️
00:57 如何看待赵婷在当代世界影坛的地位?
02:50 《哈姆奈特》对赵婷本人的意义更大
我的前半生:创作母题集大成
05:49 赵婷两大创作母题:丧失与游荡
10:19 ... more
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很喜欢你节目的内容,每期都很有启发。
有个小小的收听感受想反馈一下:你说话时的意群的停顿和重音有时会让我有点出戏,需要更费力才能跟上内容。如果节奏能更自然一些,相信收听体验会更好。
纯属个人感受,供你参考。会继续支持你的节目。
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Apple Podcasts | #151 |
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非正确别册 launched 6 months ago and published 8 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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