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Decanonized

Olivia Giovetti
Richard Strauss
Der Rosenkavalier
Salome
Puritani
Oscar Wilde
Don Giovanni
I Puritani
Richard Wagner
Bellini
Donna Anna

An opera podcast where the sacred is subjective. Every other week, host Olivia Giovetti is joined by a guest who is just as obsessed with opera (including singers, composers, and critics) to discuss one work in-depth and ask the simple question: Is it actually great?

PublishesTwice monthlyEpisodes7Founded2 months ago
Number of ListenersCategories
MusicArtsPerforming Arts

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Artwork for Decanonized

Latest Episodes

The Bridal March from Lohengrin is a bold wedding choice once you know the rest of the opera. But considering the divorce rate, maybe it’s the most honest one. Critic Benjamin Poore joins us to talk about Wagner’s Swan King opera and ask the importan... more

Is Peter Grimes the villain, or just his town’s biggest HR violation? Musicologist and Britten scholar Dr. Imani Mosley joins us to discuss the original problematic Grimes. And since Peter Grimes is the only Britten opera on this list, it’s a jam-pac... more

Is Salome a victim of circumstance, or the destroyer of empire? Mezzo-soprano and one opera’s philosophical fug girls Perri DiChristina joins us to dive head-first into Strauss’s fin-de-siècle shocker. Additional topics include: Greta Thunberg and th... more

Does Don Giovanni ever actually end? Or are we just living in a constant state of deferral with a final boss that will never be defeated? Critic Sylvia Korman joins us to delve into this question and more, including why this is your favorite philosop... more

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Recent Guests

Benjamin Poore
Critic and dramaturg
Times Literary Supplement, Opera, Opera Now, The Independent; Faber Music
Episode: Lohengrin with Benjamin Poore
Imani Mosley
Musicologist, cultural historian and digital humanist
University of Florida
Episode: Peter Grimes with Imani Mosley
Perri DiChristina
Mezzo-soprano and co-host of Thrilled to Announce, guest on this episode
Thrilled to Announce
Episode: Salome with Perri DiChristina
Sylvia Korman
PhD candidate in English at the CUNY Graduate Center; opera critic for Parterre Box; brain behind People Mad at Opera
Parterre Box; People Mad at Opera
Episode: Don Giovanni with Sylvia Korman
Aksel Tollåli
Musicologist and critic
Van Magazine, Oslo-based
Episode: I Puritani with Aksel Tollåli
Ben Miller
Writer and historian living in Berlin; host of Bad Gays
Bad Gays
Episode: Der Rosenkavalier with Ben Miller
Nikola Printz
Mezzo-soprano, alum of Merola Opera Program and Adler Fellowship with the San Francisco Opera
Merola Opera Program; Adler Fellowship; San Francisco Opera
Episode: Carmen with Nikola Printz

Host

Olivia Giovetti
Host of the show, guiding discussions and interviewing guests

Chart Rankings

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Talking Points

Recent interactions between the hosts and their guests.

Lohengrin with Benjamin Poore
Q: How does the music reflect the tension between enchantment and reality?
The score blends luminous, almost hypnotic textures with prosaic, sometimes brutal moments of orchestration, signaling that beauty and mercy can coexist with political danger and manipulation.
Lohengrin with Benjamin Poore
Q: What makes Lohengrin feel like a political or social commentary rather than a simple fairy tale?
The opera embeds political anxieties about charismatic leadership, public performance, and the manipulation of belief, which are explored through Elsa's doubt, Ortrud's scheming, and the recurring motif of a leader who may or may not exist.
Peter Grimes with Imani Mosley
Q: Why did Imani Mosley choose Peter Grimes as a focal point for her scholarly work?
Because Grimes acts as a cultural hinge between early modernist operatic language and postwar storytelling, allowing exploration of outsiderhood, societal judgment, and the complexities of villainy and sympathy in a way that illuminates Britten's broader artistic concerns.
I Puritani with Aksel Tollåli
Q: Aksel, what is the Puritani about?
Aksel describes Puritani as a story about love and emotion set within a political frame, where sopranos push into high, beautiful music while the plot relies more on character psychology and vocal display than on heavy political action, making it feel both intimate and contextually charged.
Der Rosenkavalier with Ben Miller
Q: Which recording or production most shaped your view of the work?
The conversation cites a Munich 1978 Carlos Kleiber-led performance with Gwyneth Jones and Lucia Popp as a peak reference, illustrating how specific interpretations can crystallize the drama and the score for listeners.

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Frequently Asked Questions About Decanonized

What is Decanonized about and what kind of topics does it cover?

A deep-dive opera podcast that pairs a knowledgeable host with guests who are deeply immersed in the field to unpack one work at a time. Across episodes, listeners get rigorous analysis of themes, performance practice, staging, and historical reception, blended with personal anecdotes from live performances and production anecdotes. Topics routinely span canonical and controversial works, with conversations that weigh libretto, music, and cultural context against contemporary sensibilities, making it useful for audience members who want a nuanced, theater-literate take on what makes an opera endure or provoke debate. A notable strength is the balance between scholarly insight and accessible storytelling, plus a willingness to challenge esta... more

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1. Bad Gays
2. Classical Music Happy Hour
3. If Books Could Kill
4. The Daily
5. Corner Späti

How many episodes of Decanonized are there?

Decanonized launched 2 months ago and published 7 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.

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What guests have appeared on Decanonized?

Recent guests on Decanonized include:

1. Benjamin Poore
2. Imani Mosley
3. Perri DiChristina
4. Sylvia Korman
5. Aksel Tollåli
6. Ben Miller
7. Nikola Printz

To view more recent guests and their details, simply upgrade your Rephonic account. You'll also get access to a typical guest profile to help you decide if the show is worth pitching.

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