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寶蕾屋節目是由廣播電台主持人寶杜.巴燕及高蕾雅共同主持,環繞生活相關的各種話題內容深度暢談,就如同寶萊塢電影般的豐富精彩。 Powered by Firstory Hosting

PublishesWeeklyEpisodes15Founded5 years ago
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DocumentarySociety & CultureComedy InterviewsComedy

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話題一:公投的由來。

話題二:第17案「您是否同意核四啟封商轉發電?」

話題三:第18案「你是否同意政府應全面禁止含有萊克多巴胺之乙型受體素豬隻之肉品、內臟及其相關產製品?」

話題四:第19案「你是否同意公民投票案公告成立後半年內,若該期間內遇有全國性選舉時,在符合公民投票法規定之情形下,公民投票應與該選舉同日舉行?」

話題五:第20... more

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話題:最基本的動保法

動保法第二章動物之一般保護第五條第二項

飼主對於其管領之動物,應依下列規定辦理:

一、提供適當、乾淨且無害之食物及二十四小時充足、乾淨之飲水。

二、提供安全、乾淨、通風、排水、適當及適量之遮蔽、照明與溫度之生活環境。

三、提供法定動物傳染病之必要防治。

四、避免其遭受騷擾、虐待或傷害。

五、以籠子飼養寵物者,其籠... more

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開場:事件過去了,但還是有些事情可以來討論,讓以後不要再發生這樣的事情。

話題一:分享對於現行採購法機制的想法。

《政府採購法》簡稱《採購法》,是一部中華民國法律,於1998年通過並頒布,於1999年施行。[1]內容包括總則、招標、決標、履約管理、驗收、爭議處理、罰則、附則共八章114條[註 1] 。(維基百科轉載)

話題二:優席夫被... more

2021年人權藝術生活節:

人權是社會開放與包容的重要基礎,如同呼吸一般自然,不留意便不易輕易察覺,直至失去才會感受到它的可貴。人權的價值,不僅能透過文字詮釋、檔案研究等形式向社會大眾傳達,更能藉由表演藝術特有的轉化、浸潤的能量,將遙遠的歷史拉近到日常生活,翻轉過往大眾對於人權議題艱澀、生硬的印象,讓民眾更能將人權落實於日常實踐,進而維護與彰顯臺灣社會民主、自由、公義的價值。

國家人權博物館自成立以來,持續以藝術形式推展人權的核心理念與價值,結合現地歷史空間場景、檔案研究與政治受難前輩及... more

請留言告訴我你(妳)對這一集的想法:

金音獎在11月6日舉行,其中有很多的第一次,讓人意象深刻。首先是在新生高架橋下滑板場揭獎的春艷,被分配到公布電子音樂獎入圍名單,卻因為作品名稱包含母語與各種中、英、外文夾雜的符號,因此數度無法完整念出入圍作品全名,讓鏡頭另一邊的阿爆和瑪靡聽得又緊張又好笑。

儘管在直播當下求助無門,春艷仍不放棄地將名單全數唸出,包括幽法的阿美族語作品〈lipahak ko ‘orip〉、DJ Sonia Calico 及鹿比∞吠陀(連中間的『無限』都有唸出來)的藝名,與 ... more

話題一:吳鳳神話的開始。

依據目前可以考據的資料,早年記載吳鳳事蹟的有三處:劉家謀《海音詩》及其附文(咸豐五年,1855年);倪贊元《雲林縣采訪冊》(光緒二十年,1894年)。較晚的則有連橫《臺灣通史》(發行於大正九年,民國九年,1920年)...

話題二:吳鳳神話的影響。

上個階段大概介紹了吳鳳這個神話故事的起源,而這個神話,也是將原住民戴上「未開化」、「需要被教育」、「野蠻」的形象枷鎖長達數十年之久...

話題三:不要遺忘前人為我們爭取來的自由平等。

1987年(民國76年),發生湯英伸事件... more

話題一:殖民者角度的原住民。

「吳鳳」是台灣第一部彩色電影,當時紅遍大街小巷,卻也深深傷害原住民印象。故事大綱為:「從福建來台經商的吳鳳,擔任通事,因熱心助人,頗受當地山胞愛戴。村落少女薩妲蘭因故被吳鳳所救,便在吳鳳身邊服侍他...

話題二:近代仍然看得見的刻板印象。

2007年電視單元劇「十歲笛娜的願望」是台灣首部由原住民導演執導的訴說原住民的影視作品。隨後也陸續地有了許多原住民的導演所執導的影視作品出現,但非原住民導演所執導的原住民相關主題影視作品,也因為大家對原住民文化的關注度提高,也越來... more

話題一:介紹族語認證緣由。

話題二:都市原住民族語認證準備過程。

話題三:族語認證是否真的有助於族語的推廣?

話題四:在都市的我們,怎麼找回族語?

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