原创播客|梅影学国画识古今
梅影z欢迎大家与梅影一起来学习欣赏这流传千年的国风时尚吧！
中国画是世界上最古老的艺术传统之一，是我们中华民族的瑰宝，是特别珍贵的艺术和精神财富，中国文人画，可以说是世界艺术史上一个非常独特的现象，所以很想把自己在中国画的学习与探究中所学到的与感受到的用新颖、轻松的视角与大家分享交流，能让更多的人了解并爱上中国画，也算是为传承国粹尽绵薄之力吧。
同时与国画爱好者们一起来了解、交流历朝历代文人的一贯思想和精神状态、了解中国绘画史上两种不同的风格和不同的审美观念，了解画家的精神气质决定绘画的风格与成就、通过绘画作品及对画家本人的分析，把握住中国画的写“神”写“意”的精髓，知道要画好一副写意的画，自己除了要具备基本的技法外，更重要的是还需要有什么样的精神气质。
| Publishes | Weekly | Episodes | 30 | Founded | 4 years ago |
|---|---|---|---|---|---|
| Language |  ZH-CN | Categories | ArtsVisual ArtsHistory | ||
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中秋佳节快乐！ “明月几时有，把酒问青天”“但愿人长久，千里共婵娟”，不少人常常用于表达与传递情侣之间的爱慕与思念之情，然而，你们知道苏东坡这首词《水调歌头•明月几时有》是写给谁的吗？是思念的亲情呢还是爱情呢？其实苏轼这首词是写给他的弟弟苏辙的，兄弟情深，离别了7年未曾见面，中秋时分苏轼思念弟弟心切写下了这首词，在写了这首词的一年后的中秋节兄弟两终于在徐州见面了，弟弟苏辙也写下了一首词《水调歌头•徐州中秋》，其中几句让人动情，“离别一何久，七度过中秋”“西去曾不为人留”“依旧照离忧”。
这世界上有什么是越分享越多的呢？读苏轼《点绛唇·闲倚胡床》悟！《点绛唇·闲倚胡床》 宋·苏轼
闲倚胡床，庾公楼外峰千朵。与谁同坐。明月清风我。别乘一来，有唱应须和。还知么。自从添个。风月平分破。
在中国古代，是不是就没有儿童节了呢？的确，在我国古代是没有儿童节的，然而，我想告诉大家的是，在我国古代虽然没有专门的儿童节，但是某些节日，会有专属于儿童的过节方式和活动内容，可谓无“节”胜有“节”。那么，现在、在今天“六一”儿童节里，让我带大家一起穿越遥远的时空，走进我国数千年深厚的历史与文化，去了解一下古代儿童在各种喜庆民俗活动中，也是不是有属于自己的“儿童节”呢？古代儿童他们是以怎样不同的方式来欢度各种喜庆民俗活动中属于自己的节日的？
今天梅影将带大家一起来欣赏由明代三位画家马轼、李在、夏芷分别依据陶渊明的这首著名的《归去来兮辞》合作而成的连环式作品，具体是这三位明代的画家各人从辞中任选择某几 句诗句为主题，作得九段，裱为一卷，此画卷为纸本，水墨，画心纵28厘米、横656厘米，算是极为稀有的合卷了。卷中马轼就有五图之多，其中《舟摇摇以轻飏》和《怀良辰以孤往》两幅已佚去，系清初补入，非马轼所作，据说好像是由乾隆如意馆金廷标所补绘。李在有三图，夏芷有一图。今天我们就来欣赏一下目前在网上能够找到这个画卷中的五幅画吧。
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Apple Podcasts | #74 | China/Arts/Visual Arts |
Apple Podcasts | #165 |  Taiwan/Arts/Visual Arts |
Apple Podcasts | #214 |  Hong Kong/Arts/Visual Arts |
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