嶼店長有約
島嶼樂集音樂e書店嶼店長有約 來自島嶼樂集音樂書店依庭店長， 與您分享音樂書店日常瑣碎，選譜選書怎麼挑？ 讀書心得，各種藝文現象、旅行遊記等 有時還會邀請嘉賓一起來與我們聊聊， 在島嶼上以樂譜滋養著島民們！ -- Hosting provided by SoundOn
| Publishes | Monthly | Episodes | 34 | Founded | 3 years ago |
|---|---|---|---|---|---|
| Language |  Korean | Number of Listeners | Categories | ArtsMusic |
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上一集，我們聊了天才養成型、導演型，以及外包責任型家長。
這一集，我們繼續分享另外兩種在音樂教學現場經常遇到的家長類型。
👔 權威型家長
「我以前的老師不是這樣教。」
「我覺得應該這樣上課。」
當家長習慣用自己的經驗評斷老師的教學，甚至在孩子面前否定老師時，影響的不只是親師關係，更可能讓孩子失去對專業的尊重。
🏅 檢定衝刺型家長
「隔壁小朋友已經考五級了。」
「我們什麼時候可以考？」
「怎麼還沒考到八級？」
當檢定變成學習的唯一目標，孩子追求的究竟是音樂，還是證... more
「老師，我的孩子是不是很有天分？」
「這一頁怎麼沒有教？」
「我們都有固定上課，怎麼還沒進步？」
身為音樂老師，這些話是不是都曾經聽過？
這一集，我們不想批評家長，而是希望透過第一線教學經驗，一起聊聊音樂教育現場中常見的三種家長類型，以及這些期待背後真正的原因。
🎹 天才養成型家長
期待孩子成為下一個郎朗，相信網路資訊，卻容易忽略每個孩子都有不同的學習步調。
🎬 導演型家長
希望教材每一頁都不能跳、進度照著自己的想法走，但教材真正要建立的，其實是能力，而不是完成一本書... more
延續上一集〈音樂系畢業之後〉的討論，
我們發現一件很有趣的事情——
當大家提到音樂系畢業後的工作時，最先想到的往往是老師或演奏家。但其實在音樂的世界裡，還有許多不同的職業，正默默地把音樂帶到更多地方。
這一集，我們挑選了四個和音樂相關，卻不一定是大家第一時間會想到的工作，一起來聊聊這些職業究竟在做些什麼：
🎬 YouTuber
🎨 音樂文創產業
🎵 音樂田野調查
📚 音樂出版
——偷偷公開島嶼店長平常到底都在做些什麼？
這集我們聊到了更多方方面面音樂相關的職業，... more
我們常常以為，身為現代作曲家，就必須寫「很當代」的作品。
非調性、實驗性、打破傳統框架，
似乎才被視為真正的專業與極致。
但這一集，我們想問的是：
如果一首作品簡單、好聽、容易被記住，
它就比較不高級嗎？
一首能被孩子喜歡、被老師使用、在教室裡反覆被彈奏的作品，
難道不也是作曲家能力的展現嗎？
這幾個月，因為籌備轟千尋老師講座與日本音樂教材樂譜展，我們看見日本作曲家在古典與流行之外，走出了一條很成熟的路：
🎹 鋼琴教育作品
📚 教材與曲集創作
🌱 讓作品進入... more
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Apple Podcasts | #240 |  Taiwan/Music |
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嶼店長有約 launched 3 years ago and published 34 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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