
做自己人生的导演 让我来当电影美术 电影人自己的播客
| Publishes | Monthly | Episodes | 42 | Founded | 2 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Category | TV & Film |

艺术最神奇的地方可能就在于,一个人会离开,但一种观看世界的方法不会。春天会过去,但春天终将来临。
每次我被逻辑困住的时候……我都会看一看霍克尼。很神奇,我的视线会被重新打开,就像有人突然把这个房间里的窗户推开一样。
在收到关于霍克尼的一本书《春天终将到临》的第二天,听到了他去世的消息。
大卫霍克尼给过我太多灵感,所以这期没太多科普,非常感性,就是聊一聊他的画对我的影响~
我没法去解析一幅画,创作首先是一种观看,而观看本身,就是一种热爱。
欢迎加入「一个电影美术」听友群,随时交流热爱的电影!
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你有没有过这种经历?一座破败的城墙,暴雨如注,画面粗糙得甚至有点“丑”,可你偏偏被它击中,半天回不过神。而那些精致到每一帧的大片,看完反而什么都记不住。
76年前的《罗生门》至今震撼人心,2000多年前的老子一句话就道破了天机:“天下皆知美之为美,斯恶矣。”
今天不聊怎么拍出“好看”的画面,聊聊为什么那些残缺的、笨拙的、甚至有点“丑”的镜头,反而最有力量?从黑泽明到侯孝贤,从废墟到泥浆,你会发现:真正的大美,恰恰是“大巧若拙”。
欢迎加入「一个电影美术」听友群,随时交流热爱的电影!
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很多人以为电影美术就是“把片场布置得漂漂亮亮”,但真相是:工作从“走路”开始——漫无目的、大量、甚至想骂街地走路。带着剧本沉入城市,在犄角旮旯寻找文字变成画面的可能性。
你有没有过这样的感受——当你在一条从未走过的街上,有时会突然觉得“认识”它,心里感觉“这里,该有故事发生”?
本期我们揭开“选景”的真实面纱:它远不止找几个漂亮角落,而是一场涉及预算、后勤、各部门撕扯、运气与执念的极限运动。从重庆的魔幻楼梯到海南的潮湿陷阱,从免费老洋房的隐形账单到沙漠里的移动厕所远征,「选景」可能是一项很笨的工... more
“你们做电影的,以后就是非遗文化传承人了。”
虽然是调侃,但也确实有些笑不出来。
短短几个月,连“影视寒冬”这个词都没人提了。大家好像默认了一件事:电影正在慢慢消失。不是突然死掉,而是像一场漫长的告别——观众一点点离席,创作者一点点自说自话,剩下的人站在中间,不知道该拉它一把,还是送它一程。
尤其是去年看完《狂野时代》,心里堵得慌。一种很复杂的愤怒——那些画面很美,每一帧都能当壁纸,但看完之后我只想问一句:你到底要干嘛啊?
这一期,就想聊一聊:
如果电影真的变成了“非遗”,那是谁拉了它一把,又是... more
出走的决心这一集,男主持太有作为男性的“优越感”了,他根本不想去理解女性到底经历了什么,作为既得利益者,男的根本不会去反思的
和其他评论电影的播客不大一样,感觉更专业,聊的很专业。
从其他平台来,这儿也能听到,果断关注!
很适合做设计师的我,关注啦!
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #46 | |
Apple Podcasts | #89 |
Listeners, social reach, demographics and more for this podcast.
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一个电影美术 launched 2 years ago and published 42 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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