
我們還有個小名叫「寫作不藏私」——希望能從「在場 · 非虛構寫作獎學金」開始,談中文非虛構寫作生態,分享在場小組從報名後台看見的觀察與發現,跟隨我們的獲獎者、編輯、評委與發佈會嘉賓們,一起聊田野,聊寫作,聊在時代的現場,聊以書寫為行動。 致敬所有認真說故事的人。 「在場」官網:frontlinefellowship.io/ Powered by Firstory Hosting
| Publishes | Monthly | Episodes | 17 | Founded | 3 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | EducationSociety & CultureHow ToDocumentary |

❝ 2022 年底其實沒有人料到這(俄烏)到底是一場什麼樣的戰事。當時我在邊境,波蘭的警察問我還要繼續前進嗎,「我們聽見上個小時前面已經有俄軍了」,當時是以分鐘來更新所有的未知的。
另外一件事是,我不知道我的讀者同時會接受什麼資訊。所以要同時面對兩種位置,兩種現場——我需要努力理解戰爭衝突的現場,以及家鄉所有台灣人看見的現場又是什麼——我必須要做到兩份工,才有辦法帶故事回來。❞
劉致昕是一位會追蹤資訊戰的國際報導記者,過去十年報導的議題包括難民危機、2015-2016年歐洲恐怖攻擊系... more
❝ 作為一個(受)女性主義影響很深的記者,我一直覺得 private 跟 public 是同一件事。❞
完成《家鎖:華人家庭這個巨獸》這本近二十萬字的作品後,譚蕙芸一直面對很多讀者的疑問與驚嘆。作為常採訪社會運動的記者,她的對外人設似乎是「公共、陽剛、往外衝」的,「但我就特意把自己關在山洞裡寫這本書,寫完之前完全沒有告訴外人」。出版以後果然很多人表達意外,譚蕙芸也對這些意外感到意外。
「我其實很不喜歡這種被記者的定位限制了創作的感覺。#我從來寫的都是人的故事。」
譚蕙芸將這種家庭內... more
「我意識到自己的身份可能影響受訪者的回應。作為一名中國籍、講俄語的研究者,受訪者或許會假設我傾向某種立場,並調整自己的發言。如果我是來自西方大媒體的記者,受訪者的回答可能會有所不同。
另外我覺得自己作為中國大陸人,我有時會發現,比起對烏克蘭人,無論是我還是同溫層的許多朋友,我們往往對流亡的俄羅斯人更容易產生共鳴,而台灣、香港的朋友,或許就更容易共情烏克蘭。」
第四季在場 · 寫作獎得獎者 #糜绪洋 是旅居俄羅斯超過七年的俄羅斯文學研究者,在俄羅斯入侵烏克蘭後,绪洋不僅關注戰爭的局勢,也會... more
【主持】
金雪妮,學者,科幻文學譯者
【嘉賓】「在場 · 非虛構翻譯獎學金」第一季得主:
Yo-Ling Chen(翻譯《她們的AI戀人——真實或虛妄的愛》)
Diego Ge(翻譯 《國境之間:「春天革命」與泰緬邊界上的緬甸流亡》)
Hongyan Wei(翻譯《夜班老師:在現代中國的社會夾縫中做巫師》)
譯文及譯者手記:www.frontlinefellowship.io/12
【節目介紹】
- 本期節目由重音社與「在場 · 非虛構翻譯獎學金」聯合... more
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很喜歡每一集,細膩的,有層次的,把在場者的心境描繪出來
底層女性景況複雜,台灣中國兩邊驅逐,長期被多重壓迫😭但她們堅毅,有力量,還在痛苦中慢慢探索自我。這樣的文章太值得被書寫!
作者的角色身分和自我剖析也讓人感動。
謝謝在場播客,也讓我們瞭解更多背後的經驗感受。
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
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Apple Podcasts | #220 |
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寫作亦在場 launched 3 years ago and published 17 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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