
Why for Jazz 是 Y4 旗下的一档关于爵士乐的音频播客。我们主张爵士不应该只是一种音乐类型,它更为当代都市生活提供了一种可以参考的可能性。我们的口号是:即兴即合理。
| Publishes | Twice monthly | Episodes | 131 | Founded | 6 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Category | Music |

熟悉 Why for Jazz 的听友们应该对我跟陈胤希老师相识的故事不陌生。作为最初的歌迷,我很荣幸也很开心能够跟陈老师熟悉,并且一起参与做了很多事情。然而我似乎从来都没想过邀请陈老师来 Why for Jazz 坐坐。我想可能的原因就是太熟悉了,就好像我不会想到请我姐正式的来家里”做客“一样。
不过借着陈老师新歌《We Chat》发布的机会,我觉得应该邀请她来聊聊。因为从我开始听她唱歌,就发现陈胤希几乎一直都在寻找一个属于“当下”的声音,而这个“当下”又似乎永远踩中了每个时期我听她的歌的时... more
这是一期模仿电台的节目。前几天我在Monocle杂志的网站上看到了一篇文章,推荐了盛夏要听的四十首炙热的歌曲。这给了我灵感。在那个榜单的基础上,我去掉了没那么爵士的,去掉了我不喜欢的,增加了我推荐的,限于篇幅,最终诞生了这一期总共16首歌曲。我们这期节目里面的曲子,都集体偏向同一个氛围。如果你一定要让我形容一下这个氛围,那就是仲夏夜,天刚要热还没特别热的时候,晚上你在家里,还能开着窗户,微风习习,窗外已经有了虫鸣蛙叫,你想睡但还没有特别困,给自己倒一杯小酒,刚抿了一口心想要不然放点音乐吧,那么你... more
这一期节目中,我们聚焦战后日本爵士乐完成自我觉醒的两大灵魂坐标,也是既秋吉敏子之后日本另外两位爵士乐标志性人物:渡边贞夫与日野皓正。他们从对美国神明(Charlie Parker 与MIles Davis)近乎病态的肉身规训与极致模仿出发,在历经了1960年代末《美日安保条约》带来的街头硝烟,以及深入骨髓的“真实性焦虑”后,完成了各自的声学突围。他们如同一枚硬币的两面,一柔一刚,彻底击碎了“人肉留声机”的文化附庸阴影,为世界标定了属于日本爵士乐独一无二的骨肉。然而,如果从“革新“的角度去看,渡边... more
在刚刚过去的春天,爵士乐比波普时代最后的巨匠 Sonny Rollins 过世,享年 96 岁。纵观 Sonny Rollins 的一生,他似乎一直在“逃避”。从早年黄金时代忽然隐退,到后来远走异国他乡,Sonny Rollins 是一个修行者,竞争者,也是爵士乐的重构者。在这一期播客中,我们用声音重温他的一生,以此纪念。
播客的文字稿可以在小报童找到。
今年十一假期,Why for Jazz 联合 SEAIC 法国中欧艺术创新中心发起了一个针对巴黎和波尔多的法国旅行团。我将与建筑艺术学者... more
How
一直很喜欢爵士乐,但从来没了解过这些乐手,偶然在博客看到了,听了之后很喜欢,感谢
難得的爵士樂podcast,加油❤️
从24年初才开始听Why for Jazz这档节目,从《凌晨四点|京都一日》开始,就这样断断续续把之前的都听完,不觉中已经成为我在日本留学生活中的每日定番,一份珍贵的陪伴。同时,爵士乐也在潜移默化中影响着我,让心态变得随和许多,学会放下内耗,享受即兴,享受当下:-)
文本写的很好,每一个爵士乐大师故事都和他们作品一样好
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #64 | |
Apple Podcasts | #197 |
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Why for Jazz launched 6 years ago and published 131 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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