晚安，武汉
单向空间我们希望可以用非盈利的音频形式，为武汉以及所有临近或远方的朋友们分享我们每个人最喜欢的一本书，说出那些最想对他们说出的话，为他们读一段曾经以瞬间直至永恒的方式打动过我们的内容，为武汉以及所有还在坚持的人，带去我们的声音、你们的声音、所有人的声音。
首先发出的内容，将会是单向空间小伙伴们的分享。此前，在“书店自救会员计划”中，是大家的切实帮助让整个单向空间和我们基于书店的种种工作得以坚持继续下来。所以现在我们希望以完全公益的形式来录制、发布【晚安武汉】，愿这样微小的行动不辜负大家所倾注的关注与支持。
但同时，我们也希望【晚安武汉】的故事可以不仅限于书店之隅，而是能找到更多愿意参与其中、坦然真诚地分享个人阅读和感想的朋友。在整个四月的时间里，我们会陆续发布这些声音。相信因为有你的参与，这一切将并不仅仅只是一种安抚或者共情，不仅仅是去谈论我们的阅读经验和感动时刻，它会成为一场对“最爱之书”的共享... more
| Publishes | Daily | Episodes | 17 | Founded | 5 years ago |
|---|---|---|---|---|---|
| Language |  ZH-CN | Categories | DocumentarySociety & Culture | ||
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声音来自单向空间的野鸭。她分享的，是海桑的《我是你流浪过的一个地方》。海桑的这本诗集在还原一些我们生活中本来的事物。而野鸭的声音正是在提醒我们，这些事物的珍贵。
店的荧屏君给我们带来的《正午》杂志中的故事。作为一个公众号和一本纸质书，它的生命在今年画上了一个暂时的句号。但是，它为我们留下的那些真实的故事并不会终结。在荧屏君为我们分享的这篇《正午》中的故事里，主人公因为一场灾难被滞留在了宛如孤岛般的边境小城里。没想到在这个被困的地方，藏族朋友们的心质纯净，坦诚直爽，是他们让这样一场隔绝变成了温暖的相遇。在这些人的身上，我们能找到“走出孤岛”最好的示例。
今天单向空间的同事逍潇，将为我们要听到的内容来自一本奇怪的书《老虎与不夜城》。这是一本跨越文体的短篇小说集，2019年的一本奇书。它的故事非常有趣，不仅仅在文体实验意义上具有的先锋性，它也关注着那些在一般小说里看不见的内容，这让它有一种奇妙的新鲜感。
像史铁生这样，非常内在的，泛哲学思考的作家现在就像濒危动物一样，被放进动物园里。只有孩子还被叫去围观它们，大人们则因为无用且不新鲜而兴味索然。
今天的声音来自单向空间的晋宜，她要带我们听听蓝色多瑙河的水声。那水声来自昨日的世界，就像我们大部分关于远方的记忆一样。试着记住它们，以便明日相逢。
鲁迅自己会把《野草》这本小说看成是他的散文诗，他的底色正是绝望。鲁迅自己也说过，写这本书中许多文章的时候，他的心情是灰暗的，面向着空和虚无。所以他觉得可能当时这本书并不适合年轻人去阅读。但是我觉得在今天《野草》也会值得我们去阅读。因为只有我们在看到了、感受到了、共处在荒凉和悲伤的景象之中，才能找到真正的凭借、去反抗、去抵挡，也许是去创造一个更好的未来。
来自武汉的放射诊断医生、在去年刚刚踏上工作岗位的旭，她为我们分享了杨绛在 96 岁高龄所写的《走到人生边上》。在其中，杨绛先生希望把她在漫长一生中对命运、生死、灵肉、神鬼的所感所想，献给年轻人。
读者阿 may，分享了汪曾祺晚年的回忆散文《人间草木》。在这些炉火纯青的散文涉及旧人旧事、旅行见闻、或苦涩或美好的往日时光。但最重要的是，是其中隐含的，并不激昂但确实强烈的情感。
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