Katie Mitchell is an English theatre director and an Associate of the National Theatre. She has been described as "the closest thing the British theatre has to an auteur". Her career started at the Kings Head Theatre, progressing to Paines Plough and the RSC. Her productions have been described as "distinguished by the intensity of the emotions, the realism of the acting, and the creation of a ver... more
Publishes | Daily | Episodes | 17 | Founded | 13 years ago |
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Categories | Performing ArtsArts |
Go behind the scenes on Katie Mitchell's production of 'Hansel and Gretel' and watch the puppet makers at work.
In Pains of Youth Katie Mitchell returns to straight theatre and focuses on the substance of this dynamic and strongly political play.
Katie Mitchell states that theatre isn't about doing plays, but about representing human behaviour. And that behaviour is conveyed mainly by what is seen, not what is said.
In Waves and ...some trace of her Katie Mitchell experiments with multimedia, exploring new ways of organising narratives. Featured in this film are: Katie Mitchell, Ben Wishaw, Hattie Morahan
The assistant stage managers have a busy time keeping track of all the props used in Waves and ... some trace of her.
A Deputy Stage Manager 'calls the show' for every performance. It is a complex job at the best of times, but on a multimedia production like Waves or ... some trace of her it requires nerves of steel and perfect concentration.
The music of a string quartet is a key aspect of the sound world created for Waves and ...some trace of her.
Highly individual 'script' books were created by each actor to enable them to follow their own path through the complex maze of the multimedia production.
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Apple Podcasts | #90 | Austria/Arts/Performing Arts |
Listeners, engagement and demographics and more for this podcast.
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Katie Mitchell launched 13 years ago and published 17 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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