
过时新闻,过气娱乐,过期评论。隔周的周三晚更新,编辑是左小姐和葛小姐。
| Publishes | Twice monthly | Episodes | 110 | Founded | 6 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Category | Society & Culture |

【编者按】
今年是乌镇戏剧节的第十二年,是这个被称为“乌托邦”的戏剧节的第一个本命年。我们以一个戏剧节最核心的“国际特邀剧目”为钥匙,试图先回答一个最朴素的问题:为什么这些戏值得观众花钱买票进剧场?
而究其自身,乌镇戏剧节又如何理解这十二年来成长起来的新一批剧场观众?它如何定位自己,看待自身的影响,又如何为这个新戏剧时代留下起承转合的生动注脚。
我们把这些问题抛给了这十二年来始终在场的,乌镇戏剧节发起人、艺术总监孟京辉。这也是这位中国当代剧场无可回避的人物,第一次在播客里发出自己的声音。
本期节... more
【编者按】
在9月的尾声,过刊编辑部与刚从排练场回来的吴孟珂有过一次夜谈。从在地创作到文化交流,从竞创辩论到公共参与,作为「2025正在国际舞蹈节」的发起人之一,这位世界级的顶尖舞者与我们分享了更多看待舞蹈的视角,与体会舞蹈的方式。
我们需要看懂舞蹈吗?舞蹈何以回应现实?我们不妨将这场对话,作为一次切近的导赏,当作一把钥匙,帮助我们打开「2025正在国际舞蹈节」——找到我们最感兴趣的现场,也听见我们所期待的回响——每一次腾空、下落与悬停,都是身体与重力的抗衡与共舞。在坠落与飞翔之间,我们共同以身... more
【编者按】
《声调》第二期,主题是「调查记者」。
节目中的声音采制于不同时间、很久之前,我们以两位从业者所参与报道的事件为轴线,走近这个时常在回忆里被镀上金光又在更长时间里被搁置于边廊、逡巡于未来的职业。
诚如《声调》开篇时所注明的,这实难算得上一种调研,也算不得一种正式的声明。你几乎可说它是无用的,因为它不做任何的定性,也因此无法作为任何情绪与立场的背书,成为任何人的论据。但它是真实的,对于调查记者它不是一种旁观的、叶公好龙式的赞美与叹惋,而是真正身处其中的普通人如何做出过努力,又如何与某种理... more
【编者按】
本期节目此前已发布在过刊编辑部出品的《声调》栏目第二期,主题是「调查记者」。
节目中的声音采制于不同时间、很久之前,我们以两位从业者所参与报道的事件为轴线,走近这个时常在回忆里被镀上金光又在更长时间里被搁置于边廊、逡巡于未来的职业。
诚如《声调》开篇时所注明的,这实难算得上一种调研,也算不得一种正式的声明。你几乎可说它是无用的,因为它不做任何的定性,也因此无法作为任何情绪与立场的背书,成为任何人的论据。但它是真实的,对于调查记者它不是一种旁观的、叶公好龙式的赞美与叹惋,而是真正身处其... more
特别喜欢最新一期,感同身受
和主播们对内娱有相似的恨其不争,隔着声波轻轻地被两位握了握手。
感谢葛小姐令人惊叹的信息量和逻辑表达,以及左小姐真诚感性直戳人心的感情共鸣。
特别特别喜欢,我也幻想能和朋友们有这样的聊天…感觉和主播像朋友一样☺️
内娱过往,能不能出几期不收费的
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #117 |
Listeners, social reach, demographics and more for this podcast.
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过刊 launched 6 years ago and published 110 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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